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American Doll Posse CD


Price: £5.38 & FREE Delivery in the UK on orders over £10. Details
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Music

Image of album by Tori Amos

Photos

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Videos

Tori Amos introduces Midwinter Graces

Biography

Tori Amos has an extraordinary fan base. It’s not unusual to hear her listeners explain how a song changed their life, through its ability to alter perspective and heal. Or even that a song might have saved their life. Since the release of her debut Little Earthquakes 20 years ago in 1992, where she smashed apart boundaries with her piano rock and raw, confessional poetry, Amos continues ... Read more in Amazon's Tori Amos Store

Visit Amazon's Tori Amos Store
for 145 albums, 10 photos, videos, discussions, and more.

Frequently Bought Together

American Doll Posse + The Beekeeper + Scarlet's Walk
Price For All Three: £17.19

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Product details

  • Audio CD (28 April 2007)
  • Number of Discs: 1
  • Format: CD
  • Label: Columbia
  • ASIN: B000NVLJR4
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (55 customer reviews)
  • Amazon Bestsellers Rank: 75,522 in Music (See Top 100 in Music)

1. Yo George
2. Big Wheel
3. Bouncing off Clouds
4. Teenage Hustling
5. Digital Ghost
6. You Can Bring Your Dog
7. Mr. Bad Man
8. Fat Slut
9. Girl Disappearing
10. Secret Spell
11. Devils and Gods
12. Body and Soul
13. Father’s Son
14. Programmable Soda
15. Code Red
16. Roosterspur Bridge
17. Beauty of Speed
18. Almost Rosey
19. Velvet Revolution
20. Dark Side of the Sun
See all 23 tracks on this disc

Product Description

Product Description

One of the most outspoken, creative singer/songwriters of our time returns with her ninth studio album and she's brought company. American Doll Posse features Tori Amos in a way we've never heard her: as five distinct characters who combine to make a complete woman. After centuries of being dismembered, literally and figuratively, by the ruling patriarchy the feminine essence has reassembled to take back the power. In addition to Amos, the quartet creates a compelling portrait of the role of women today expressed through one of Amos's most wide ranging albums, both thematically and musically.

Amazon.co.uk

In an era of digital downloads and singles, Tori Amos embraces the concept album in a sprawling 23-song oratorio. Firing across the American psychological, social, and political landscape, she takes on the state of the world, war, and feminism. To help her, she adopts five personas--her American Doll Posse--who take their characteristics from Greek gods, but not their names: Clyde, Pip, Isabel, Santa, and Tori. You need a scorecard to keep track, but don't worry. It's still Tori Amos, bending syllables in improbable pretzels with rippling piano themes and choruses that threaten to go Broadway at any moment. Amos vents her political spleen through "Isabel," leaving no doubt as to her targets on tracks like "Yo George," and comments on our impersonal age and computer addiction with "Digital Ghost." That's sung by the character "Tori," who is reputedly based on Demeter and Dionysus, representing the split between Amos's earth-mother side and her wilder, more libertine tendencies. Anti-war and pro-feminist themes are plastered across American Doll Posse like sloganeering posters. "Dark Side of the Sun" laments both sides of the war, including the Islamic extremists who lay down their lives "for some sick promise of heaven." Amos adopts a big '80s rock sound on many tracks, with guitarist Mac Aladdin pealing off Brian May-style guitar licks over an arena-rock beat. It's where Amos details a more personal sound that American Doll Posse leaves a lasting impression. "Girl Disappearing," sung by "Clyde," holds echoes of the Beatles' "Eleanor Rigby," not only because of the string quartet and nostalgic tone, but the updated tale of a woman losing herself. "Smokey Joe" brims with dark atmospheres, Robert Fripp-like guitar sustains, and Amos's most elaborate vocal arrangements, interweaving two sets of lyrics for "Pip." More than a concept album, American Doll Posse is a convergence experience, mixing online blogs from each character, videos, MySpace sites, and more. --John Diliberto

Customer Reviews

4.1 out of 5 stars

Most Helpful Customer Reviews

18 of 19 people found the following review helpful By Rooster9 on 23 April 2007
Format: Audio CD
Tori Amos shed the red hair, split into five personalities and decided to rock. As a result, American Doll Posse is her most vibrant, eclectic and relevant album in years. It's sort of a compromise between the tight production of Choirgirl and the sprawling anger of Pele -- all translated by Pip, Santa, Isabel, Clyde and Tori.

Who are they? Doesn't matter. They're wigs. They're dresses. They're elaborate excuses for Tori to scream things like "You've been skankin' around with your talentless trash!" or whisper, over a trilling mandolin, "Your divine creator was a velvet revolution." And it certainly sounds like she'd rather praise the rock gods of the velvet age than the bearded patron of conservative America. When she sings "You've still got that something!," with a tongue-in-cheek Kiss guitar roaring beneath her, she might as well be saying "In rock we trust." After all, music has done more for America in the 2000's than the government. Tori is Patti Smith in "Teenage Hustling," she's Stevie Nicks in "Secret Spell," she's David Bowie in "You Can Bring Your Dog," and she's Tori at her best in "Father's Son" (never have her harmonies sounded so haunting).

Somewhere between tracks 15 and 18, though, things start to blend together. The songs that work best on this album are the ones that announce themselves easily, like the power ballad "Digital Ghost" (Electric guitars AND a tambourine? You can almost smell the hair gel... and, yes, that's the best kind of rock nostalgia). However, "Roosterspur Bridge," "Beauty of Speed" and "Almost Rosey" all sound like variations of the same idea. She's even less successful when railing directly on Bush ("Yo George") or the war on terror ("Dark Side of the Sun").
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5 of 5 people found the following review helpful By tim osborne on 25 April 2007
Format: Audio CD
I was going to write a track by track review but there are 23 tracks on this cd so that would take forever. Her last two records were a bit too adult contemporary for my taste although they both had some great moments (ie. Carbon, Marths's Foolish Ginger, A sorta fairytale etc.) This one has more guitars and is darker on the whole compared to the last two. In my opinion it's like a cross between Choirgirl and The Beekeeper, and like the Beekeeper , this one comes with a concept too. This time around, we have five girls/dolls but the music doesnt take a backseat to the concept. You can listen to the whole cd without having to pay attention to the dolls. But where's the fun in that? :) My suggestion would be to listen to the album, get acquainted with the songs and then meet the dolls, who all have their own pages on myspace.

Teenage Hustling, Smokey Joe, Girl Disappearing, Code Red and Dragon are among the best things she's ever done.

This is for the fans who like the last two albums but still kinda miss the Tori of the 90s. Well, they dont need to go back there too often now, cuz the dolls have taken over the beehive!
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4 of 4 people found the following review helpful By srxjnj on 18 May 2007
Format: Audio CD
Firstly, I wouldn't call this album a 'return to form' simply because her first five albums still remain to be her best 5, while 'Strange Little Girls', 'Scarlet's Walk', and 'The Beekeeper' have a couple of good tracks, but I really can't appreciate them as albums per se. This album, however, is better than her three last albums, and while it is consistant, has no classics like Precious Things, Winter, Little Earthquakes, Yes Anastasia, Horses and you know the rest.

Now, to stop comparing the album to her earlier work and write an actual review.

Big Wheel is one of the best songs from the CD, and is a song not to be taken too seriously, but it is Tori's funnest song. Period. Tracks 3-5 follow, but the album really hits a peak with the tongue-in-cheek You Can Bring Your Dog, which just oozes sex appeal. Track 8, Girl Disappearing, is another highlight, and I was glad to see a return to strings, as Yes, Anastasia is possibly her best song, compositionally at least. Soon after, there is Secret Spell, which should have been the lead single in my opinion, or at least should be the follow-up. Body And Soul follows and is the best song so-far, with a mixture of rock and electronic. The following songs follow with nothing too mentionable, but the albums best song for me is Dark Side Of The Sun which is such an epic anti-war track.

The last two songs, Smokey Joe and Dragon are further highlights.

Overall, this album lacks the emotion (which Tori does best) and passion that were so elaborate in her 1990's albums, but nevertheless, I would recommend it if you liked some of her previous album. If you haven't heard any Tori Amos yet, Little Earthquakes is by far the best place to start, and is very much her definitive album.

8 / 10
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3 of 3 people found the following review helpful By Mr. P. R. Lambert on 11 May 2007
Format: Audio CD Verified Purchase
A total knock out of an album. Tori flits in her 'doll posse' disguises from genre to genre, touching on all her best previous moments but also taking everything that little bit further. From profound pop to cocky glam rock to Eleanor Rigby-ish fragility, via sultry blues, heartbreaking rock ballads... I'd honestly say there isn't a better album to find out both the breadth and quality what Tori's got to offer than this one. If you just want catchy, elegant songs, it's got plenty - if you want something richer - a story behind every character, five contrasting outlooks on life, it's all there if you want to get more. Some of the lyrics are fascinatingly cryptic, many of them are beautifully direct ("Chin up, a happy mask was never your best diguise", on Almost Rosey), and those five characters arent just a box of wigs - Tori's even given each of them a distinctive style of singing. The 23 tracks seem a little daunting before you listen, but let yourself in, it's worth every minute.

Essential Tracks: Bouncing Off Clouds, Teenage Hustling, Almost Rosey, Devils & Gods.
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