I have heard no less than FIVE official English JOSEPH cast recordings, and I feel compelled to say that this version with Jason Donovan in the eponymous title character is the best of all I've heard. Jason Donovan brings a level of emotion into his portrayal that seems to be missing from Donny Osmond's (a little) and Michael Damian's (a lot) portrayals. He really understands the essence of his songs, and he never fails to incorporate this into his glossy polished performance. The fact that he performs the role with a sense of being naive gives him an edge over his contendors. Linzi Hateley's portrayal of the Narrator is, like Kelli Rabke's and Janet Metz of the American revival soundtracks, and Laurie Beechman's of the first professional American version, a real treat for the ears. The things that she shares with them is her charisma, immediate presence and love for telling the story. Her voice is lively and energetic, and her performance is enough to count her as another defining highlight, like Donovan. Perhaps the most impressive part of this performance is David Easter's portrayal of the Elviessque Pharaoh. Not only does he give an authentic Elvis accent, but he really makes the part his own and includes a few touches of humour into his "Seven Fat Cows" song, turning it into the most ticklish number on this CD. The brothers, though they are more human on this recording than others, deliver powerful choral backings and make the most of their songs. Nicolas Colicos's "One More Angel," Philip Cox's "Canaan Days" and Johnny Amobi's "Benjamin Calypso" all resonate for an extremely long time in the memory. Johnny Amobi's "Calypso,", I should say, is the best rendition of all those I've heard. The supporting chorus contribute superlative quality performances, though you can't hear them on some numbers, resulting from the slightly poor mixing job, that does not affect the high quality of the recorded sound. This doesn't matter as you can make out what they are singing. As for Aubrey Woods, he makes the parts of Jacob and Potiphar his own, and delivers an extremely fierce and powerful roar towards the end of Potiphar's song. The orchestrations are well done and well-characterised, and the Elizabethan-ballad-styled "Go, Go, Go, Joseph" is extremely telling. This is not as cheesy as some may think, as only two synthesizers were used. Overall, I can safely say that because of the highest quality performance presented on this recording, if you want to buy just one record of this entertaining musical, you should make it this one. It is miles better than the seemingly-dated Original Broadway version, or the American revivals, (I have no bias against the American recordings, but it is just that the high quality of this version is not there. Nevertheless, the Americans make the musical their own and do their best at it.)