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Amarok Import


Price: 4.74
Only 1 left in stock.
Dispatched from and sold by FUNTIME MEDIA.
4 new from 4.71 10 used from 2.61 1 collectible from 7.00

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Frequently Bought Together

Amarok + The Songs Of Distant Earth + Ommadawn
Price For All Three: 19.20

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Product details

  • Audio CD (13 April 1992)
  • Number of Discs: 1
  • Format: Import
  • Label: Virgin
  • ASIN: B0000072NS
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (59 customer reviews)
  • Amazon Bestsellers Rank: 67,910 in Music (See Top 100 in Music)

Customer Reviews

4.6 out of 5 stars
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Most Helpful Customer Reviews

38 of 39 people found the following review helpful By Peter Lee TOP 1000 REVIEWERVINE VOICE on 12 Mar 2001
Format: Audio CD
I grew up in a house filled with Mike Oldfield's music - I remember my dad buying "Tubular Bells" when it first came out and it never being off the record player pretty much until his second album came out. As I grew older and heard each album I became more of a fan, loving every album with only a few exceptions. When "Amarok" came out there was the usual argument between my dad and I as to who'd get the first listen, and as usual I was upset to lose out. Normally after he'd had a listen he would hand me the CD, say it was brilliant, and after I'd had a listen I'd agree wholeheartedly. On this occasion, however, he simply said "see what you think."
After the first listen I was shocked. I really didn't like it - it seemed bitty, incoherent, almost insane. But I felt compelled to listen again, so I did, and after the second hearing it seemed to click. This album is truly astonishing.
Don't expect the usual Oldfield drifting melodies, the themes of "Tubular Bells" or "Crises" or "incantations". This is something different. It was recorded during his fall-out with Richard Branson and you can really hear Oldfield's anger and frustration in the music (and, if you understand morse code, there's a message to Branson hidden deep inside the music). There *are* recurring themes in here, and there is true beauty in some of the segments, but one thing is for certain - the grand finale of "Amarok" (and it certainly *is* grand) must rank as one of the most exciting and uplifting passages of music ever written.
Most of Oldfield's other work shows flashes of sheer greatness. With "Amarok" he gave us sixty non-stop minutes of greatness.
A classic.
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23 of 24 people found the following review helpful By T Mack on 4 May 2005
Format: Audio CD
The fact that this album has gotten solid 5 star reviews everytime, for 16 reviews, is a tribute to it. This is the last oldfield album I would have considered buying a year ago.
I saw it in a shop ages ago, and had never heard of it so I judged it to be some of his new-age/celtic pap. Oh how wrong I was!
I just got it about 2 weeks ago and I've listened to it 15 times at least. It never gets old. Sometimes oldfield tended to spend too much time on one idea in his long songs (tubular bells part 2 and ommadawn part 2). Not so here. He jumps around nice and fast, getting us to all the musical climaxes in each part then changing idea again. Each idea, or part, is brilliant. A five star piece in its own right. The whole 60 minute song contains dozens of 5 star tunes.
Get this. If you don't know who he is, if you've only listened to tubular bells, if you got this on list-mania - get it. It's cheap now and easily EASILY worth the money. I can't see anyone not liking it.
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17 of 18 people found the following review helpful By I. Rowland on 9 Jun 2007
Format: Audio CD Verified Purchase
Amarok is a remarkable curio within the Oldfield canon. To outsiders, the album will probably seem too challenging and `off the wall' to be worth a second listen - a fragmented collage of ideas, some old, some new and some indulgently incongruous. However, to those with a taste for the Oldfield way of working, and some familiarity with the story leading up to this particular album, there is much here to enjoy.

To say that it has its flaws rather misses the point - to some extent the piece is flawed by design. Amarok is a tapestry of many musical colours, not all of them intended to be enjoyable or `easy listening'. If there are passages that seem uncomfortable or disconcerting, this is far from accidental. For one thing, the album is a flamboyantly defiant gesture in the face of typical record company obsession with `hits'. Oldfield was resolutely determined to produce 60 minutes of instrumental music from which no-one, not even the most rapacious of record label bosses, could extract a `hit single' or anything even remotely `radio friendly'.

It is also an album that serves as a kind of chapter ending for the ever-evolving Oldfield, a clear point of transition on his journey of musical evolution. There are many references to earlier works, especially Tubular Bells and Ommadawn, some of them quite blatant and others more subtle, hidden deep within the often dense mix of sounds and textures. In musical terms, Oldfield is sharing with his fans a flick through his back catalogue, saying `Hey, remember when we had fun with this idea?'. This process isn't as shallow as it might sound. There are no direct excerpts from earlier work or plain, easy `quotations'.
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5 of 5 people found the following review helpful By Rain Man on 21 Nov 2008
Format: Audio CD
Ommadawn was written as a response to the panning the critics gave Hergest Ridge. Amarok was written while Mr O was in battle with Richard Branson over his past and future contract. I have felt that Mike Oldfield writes his best work when he is angry.

On first listen Amarok is not the easiest piece. On CD it is one single track. It may sound a bit disjointed and a little harsh in places. It also not the thing you stuff on the CD player as part of a light hearted dinner for friends. What it is though, is one of the most accomplished pieces of music of Modern times. I have always worried about music that is easy on first listening. Chances are, I get bored and only return to that music on rare occasions. Amarok is around an hour long and I am always able to listen to it end to end, whether working, in the car or simply relaxing. There are common themes running through the whole piece which link it together, just like all Oldfields early and mid term offerings. Also some of the themes can be recognised from earlier pieces. And these are a good thing as appose to the blantant reworkings of TB in TB 1,2,3,4,5 or wherever we are at the time you are reading this.

I have read elsewhere that the short sharp themes in Amarok were so that Virgin could not release a 3 minute single from the album and cash in further from what was then thought to be Virgin's last album with MO. Something which did pan out.

Aside from that, if you are an Oldfield fan, or not. Give this a go. It will take a couple of spins on the old record player, but stick with it. It will be well worth it. And chances are it will end up as one of those albums you keep returning to, like me.
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