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Alternative Shakespeare Auditions for Women (Stage and Costume) (Audition Speeches)
 
 
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Alternative Shakespeare Auditions for Women (Stage and Costume) (Audition Speeches) [Paperback]

Simon Dunmore
3.5 out of 5 stars  See all reviews (2 customer reviews)
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Product details

  • Paperback: 126 pages
  • Publisher: Methuen Drama (31 Oct 1997)
  • Language English
  • ISBN-10: 0713647582
  • ISBN-13: 978-0713647587
  • Product Dimensions: 21.4 x 13.4 x 1.2 cm
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 356,166 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Product Description

Product Description

Auditioners often complain of seeing the same speeches over and over again. This book brings together 50 speeches for women from Shakespeare plays frequently ignored such as Coriolanus", "Pericles" and "Love's Labours Lost". It also includes good, but over-looked speeches from the more popular plays such as Diana from "All's Well That Ends Well", Perdita from "The Winter's Tale" and Hero from "Much Ado About Nothing". Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases and references - all written from the viewpoint of the auditioning actor."

About the Author

Simon Dunmore is an experienced director and teacher. He is the author of An Actor's Guide to Getting Work. --This text refers to an out of print or unavailable edition of this title.

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First Sentence
Shakespeare, and others, wrote for a theatre that had minimal sets and an audience that did not sit quietly watching - they reacted like a modern football crowd. Read the first page
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Customer Reviews

2 Reviews
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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Buy this book if...., 5 Mar 2000
By A Customer
This review is from: Alternative Shakespeare Auditions for Women (Stage and Costume) (Audition Speeches) (Paperback)
I have an audition for the NYT on Wednesday, and my Shakespeare speech was chosen from this book. The information about the speech is sometimes not very relevant, and I would reccomend reading the full text as well. Overall, it is a good book, although I still think that the overdone ones are the best!
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1 of 1 people found the following review helpful:
3.0 out of 5 stars A GOOD STARTING POINT, 6 July 2004
This review is from: Alternative Shakespeare Auditions for Women (Stage and Costume) (Audition Speeches) (Paperback)
I found the pieces in this book helpful and not often used at auditions. The help notes and scene summaries were good and made me to want to look for my own pieces and review the scenes for myself. The entire play needs to be read so that your interpretation and performnce of the piece is true to the play.
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Amazon.com: 5.0 out of 5 stars (2 customer reviews)

2 of 2 people found the following review helpful:
5.0 out of 5 stars Very usefull!, 29 Jun 2000
By Lisa Worthington - Published on Amazon.com
This review is from: Alternative Shakespeare Auditions for Women (Theatre Arts (Routledge Paperback)) (Paperback)
I found this book indispencable as an actress. Many auditions call for alternative shakespearian monologues and this book has many good monologues combined with essential study notes.

1 of 1 people found the following review helpful:
5.0 out of 5 stars A great guide to offbeat Shakespeare--- NO BALCONY SCENES!, 16 April 2001
By Margaret P Harvey - Published on Amazon.com
This review is from: Alternative Shakespeare Auditions for Women (Theatre Arts (Routledge Paperback)) (Paperback)
This book is attractive, sturdy and is formatted well. That being said, the content is equally stellar. The author knows a lot about each piece, and provides the background you need to make the character come alive at an audition, or just in your mind for reading. There are footnotes to the language that are useful, and the speeches themselves are constructed nicely and are good choices for any level of Shakespeare performer. MY only complaint, which isn't that important, is that the characters are not studied with as much depth as you would like if you were reading this book for literary pleasure. But it does give this book as an actors guide a sense of poetic freedom and freedom of creativity. Also good is the next volume "MORE Alternative Shakespeare Auditions for Women." Don't expect Juliet scenes or Beatrice monologues--- the "alternative" characters and speeches of Shakespeare get their 15 minutes! Recommended for anyone who has every wanted to be a Shakespeare "snob" at auditions and freshen up your Bard inventory. :O)
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