106 of 108 people found the following review helpful:
5.0 out of 5 stars
Nazism in microcosm - Remarkable, 24 April 2009
This review is from: Alone in Berlin (Penguin Hardback Classics) (Hardcover)
This book grew on me more and more as I read it. At first I had to adjust to some of the phraseology - whether this is because it was written by a German in the 1940s or is the result of the translation I don't know. But what was remarkable about it was the way in which the characters came alive. There is a satirical edge to a couple of the characters but this works incredibly well as a counterpoint to the incidents of violence which provide a sinister insight into the minds of the Gestapo. There is no gratuitous violence as such; rather the story focuses on psychological anguish. In the last part of the book the humanity and sense of paranoia felt by the central characters (and replicated by those who find the 'postcards' in the story) is juxtapositioned with the inhumanity of the Gestapo. By the time I had finished the novel I felt as if I had been on a remarkable journey into Nazi Germany told through the lives of a small group of characters. Do read this novel.
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190 of 198 people found the following review helpful:
5.0 out of 5 stars
A brilliant, page-turning moral thriller set in wartime Berlin, 1 Mar 2009
This review is from: Alone in Berlin (Penguin Hardback Classics) (Hardcover)
This novel is nearly impossible to put down. It's an incredibly moving, gripping story based around an ordinary couple who, after the death of their only son at the front, decide to resist the Nazi regime - if only in a small, mainly symbolic way. For me its power comes from the rough, raw style - it was written in just a few short weeks shortly after the War - and the unfamiliar yet utterly believable events that eventually overtake each character. Subtly translated by the award-winning Michael Hofmann, it's a novel not to be missed if you've any interest at all in what it must have been like to live through the War in the heart of Germany.
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72 of 75 people found the following review helpful:
5.0 out of 5 stars
Belive the hype, 7 Jun 2010
I had never heard of this novel until a few weeks ago, but it is taking book lovers by storm across the world. It is not a new book, it was published in 1947, tragically just after the author's death. But it was translated again into English last year, and I can't recommend it highly enough.
The events, based on a true story, take place in Berlin under the grip of Nazi rule. One elderly couple, Otto and Anna Quangle, learn of the death of their only son fighting in the German army, and the futility of this ending changes something inside Otto. He starts to resist the Nazi regime in a very low level but profound way. He writes postcards with subversive messages on them, asking people to question what the Nazi's are doing and what they are telling the people. He leaves them in apartment blocks and offices on stairwells for random strangers to find. He performs this task alone at first, but later his wife Anna finds out and joins him in his mission.
The Gestapo are infuriated by this postcard campaign, which goes on for over two years, and leaves them floundering in the dark looking for the culprit. The novel is a great thriller as the police try to track down who is daring to oppose the Nazi regime in such an infuriating way, and their inept attempts at investigating the crime make both gripping and amusing reading. What is remarkable for me about this book is that is shows just what a chilling effect the terrifying Nazi dictatorship had on ordinary people, who had a range of reactions to it, from enthusiastic embrace, to indifference, to resistance and defiance. And the patchwork quilt of characters that Fallada weaves into the story is rich and extensive. The tentacles of fear reach into the hearts of families and communities, making people react in gross and frightening ways. This book exposes what ordinary people suffer under brutal dictatorships, and how their behaviour is warped by their experiences, far more than any historical account could do. It is a page turner of a thriller. It is a history lesson. It is a tragedy.
And Fallada himself was a tragic figure. His real name was Rudolph Ditzen, and he died of a morphine overdose before this book was published, which was something of an accurate reflection of a life plagued as it was by mental illness and addiction. But his gem of a novel captures the terror of what it was for ordinary people to life under the shadow of the Nazis like nothing else has for me. Superb.
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