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Almost Normal [DVD] [2005] [Region 1] [US Import] [NTSC]

J. Andrew Keitch , Joan Lauckner , Marc Moody    Universal, suitable for all   DVD
2.7 out of 5 stars  See all reviews (3 customer reviews)

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Region 1 encoding (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats.)

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Product details

  • Actors: J. Andrew Keitch, Joan Lauckner, Tim Hammer, Nils Haaland, Kehry Anson Lane
  • Directors: Marc Moody
  • Writers: Marc Moody
  • Producers: Sharon Teo, Christle Sheppard
  • Format: Closed-captioned, Colour, Dolby, DVD-Video, Letterboxed, Widescreen, NTSC
  • Language: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: U
  • Studio: Wolfe Video
  • DVD Release Date: 15 Nov 2005
  • Run Time: 90 minutes
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 130,192 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
4.0 out of 5 stars Normal? Almost... 15 Sep 2010
The basic idea of the movie is fairly simple - what if we could alter just one element of the world? In this case it is the idea of what "normal" from the point of view of sexuality that is altered. Heterosexuality becomes a perversion while homosexuality is the socially established norm. Sounds weird? Well, you can see the movie and check how it works.
Brad Jenkins (played by Andrew Keitch) a university proffesor approaching 40 crashes his car while visiting his family. When he regains his consciousness he realizes he found himself (in a little "Back to the Future" style) in a parallel universe where everyone is gay and Brad himself is a teenager again. Will he be happy now that he is (although he stays as gay as he was in the world he came from) normal?
The script tries to make the most of this, not always successfully but just well enough to make it a light and pleasant viewing and (should you be watching this in a straight company) a little thought-provoking too.
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2.0 out of 5 stars Almost normal? 11 Jun 2011
The idea to make the whole world upside down in terms of sexuality is more than luring. It could have been a very good film. But it's not :(
Well, acting is far from good. Some people behave odd and artificial in front of cameras (just to mention Brad's parents). Some dialogues are wooden and really boring.
I also don't buy Mr.Keitch as a professor - I hope I will look as young in my early 40's as he did in his. If you decide to move your action back in time, you have two options. Either you hire two actors to play the part or you invest more in make-up.
The plot is sometimes not clear - the whole thing with one of the students? First he seems to hit on our boring professor, and then? He says he's not gay...Hmmm.
Or the one with brothers. Brad goes back in time, but we don't meet his siblings. As if he suddenly became the only child. The only scene where we actually see the oldest bro is almost at the end. Strange.

I do believe that the authors had good intentions. Unfortunately, the result is far from being good.
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1 of 5 people found the following review helpful
2.0 out of 5 stars Almost Normal 21 Aug 2009
Format:DVD|Verified Purchase
I liked the idea of the film with the world being gay and just the one guy being straight but it didn't work for me!
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Most Helpful Customer Reviews on (beta) 3.0 out of 5 stars  36 reviews
55 of 64 people found the following review helpful
5.0 out of 5 stars Brilliant Satire Hiding in Standard Gay Comedy 20 Nov 2005
By James Morris - Published on
An in-depth review of this film must include crucial plot details, so if you don't like "spoilers" please stop reading now. Some reviewers of this film have misinterpreted the writer's vision. Ostensibly a standard gay comedy, Almost Normal would be rather forgettable, if it wasn't also a social satire, designed to illustrate what it's like to be gay in a straight world. As satire, it succeeds very well, and in some ways as brilliantly as one could hope to expect. In spots, the plot is too confusing to produce the intended impact, but I give it an A for effort.

Brad is nice-looking, single, gay, on the cusp of his 40th birthday, and somewhat discontent. He ogles sports jocks when they're not looking, goes on dates with guys who are miles below his desirability level, and frequently argues with his best friend Julie, who is also his sister-in-law. At a party for his parents' 45th wedding anniversary, things have just about hit the boiling point. A reunion with his best high school buddy reminds him that his friend stopped talking to him when he came out. His mother still dreams that he'll find some nice girl, and as he remarks to Julie, sometimes he just wishes that he was "normal". Not that he dislikes being gay, but he is weary of being different from the heterosexuals that surrounded him. As a gay man, I found it easy to identify with this sentiment.

Events at the party annoy him so much that he gets drunk, even though he recently gave up alcohol. Seeking some fun, he slips out of the party and drives to a local gay cruising area, where he crashes his car into a tree. As we suspect (and our suspicions are confirmed much later in the film) much of the remainder of the film is a dream sequence that plays in his mind while he lies unconscious in a hospital. And what a dream!

Brad dreams that when he wakes the next morning, something unexplainable has happened. He has traveled back in time to the 1970's, and is now an 18 year old high school student. But that's not all. He has gotten his wish to be "normal" because everyone in the world is gay! Except, of course, those outcasts who are emotionally and physically attracted to members of the opposite sex. Known pejoratively as "breeders" and "hole-punchers", heterosexuals in Brad's dream world are routinely ostracized, scorned and even "straight bashed". They are preached against, misunderstood, and subjected to extreme ignorance and isolation. Pardon my gloating, but as a gay man, I found this a most delicious and righteous turn-about on reality.

It was also highly satisfying to see a world where gay people are totally free, and stand proudly with their chosen partners before the entire world. In Brad's dream, there is no such thing as homophobia, and for a wonderful moment I allowed myself to be caught up in this glorious if absurd fantasy. Conversely, I can only imagine what it must be like for a straight person to absorb the basic premise of Brad's dream world - heterosexuals may find it strange, disjointing and probably fear-inducing. Homosexual propaganda? Yes! And highly effective.

A myriad of plot problems are resolved with witty or sometimes silly explanations. In his dream, Brad's parents have same-sex partners, but his father and mother begat him through a custom known as "birth partners" where best friends of opposite sexes have children solely to reproduce, although romance and sexual desire between the sexes is taboo and "disgusting".

Here's where Brad's dream gets dicey and somewhat confusing. Enter his sister-in-law, Julie. Although Brad has found his soul-mate, a basketball jock he had a crush on in High School in his "real" life, Brad slowly begins to realize that he is sexually attracted to Julie, and she to him. For a while, I was a bit uncomfortable with this plot twist, until I realized that the writer was cleverly engineering a take on the real-life terror, isolation, rejection and ultimate acceptance that virtually all gay people experience when they discover the truth of their own sexuality. Brad and Julie go to an underground "straight" bar, witness a violent "straight bashing" and ultimately attend their high school dance, where they demand acceptance. Many reviewers were confused by the dance scene. When Brad and Julie are denied permission to dance together ("We have to tolerate your kind, but we don't have to put up with your disgusting behavior") many of the on-looking gay couples (including some of the faculty) begin to dance with opposite sex partners, in a show of solidarity and tolerance. Some reviewers of this film thought that this signaled a reversal of Brad's fantasy dream, and that "everybody starts turning straight". Some even saw it as an argument that sexual orientation is a choice, but that's not what I got out of it - I saw it as a simple show of support for a persecuted minority.

The "gay reversal argument" has been used before, but not quite so effectively. In "Torch Song Trilogy", Harvey Fierstein begins an impassioned speech to his mother by saying, "Ma, imagine what it would be like if everyone around you was gay; every book, every magazine..." and Anne Bancroft, replies, "You're talking crazy!" Almost Normal expands this argument to its conclusion. Of course, no heterosexual can ever truly understand what it's like to be gay in a straight world. But in the end, I found much of this movie powerfully persuasive, and I wanted to round up all my straight friends and family and make them watch it. The final scenes reverted to standard gay comedy, but there was a nice romantic twist at the end I didn't see coming. That part I'll leave for you to discover, for I do recommend that you see it and decide for yourself. I left with a smile on my face and my head full of thought, and that's never a bad thing.
9 of 9 people found the following review helpful
4.0 out of 5 stars Role Reversal or 'Walk a Mile in My Shoes' 6 Feb 2006
By Grady Harp - Published on
Marc Moody has written and directed a film that is so earnest and reaches so high for making a significant statement that it is difficult not to admire the result. ALMOST NORMAL is so obviously a gay version of 'Back to the Future' by its own admission that it becomes a bit tedious and silly, and when accompanied by low budget and tenuous production values it is a little squeaky in achieving its self-imposed high standards, it comes very close to being a forgettable effort. So why is it so popular? It has spirit!

Brad (J. Andrew Keitch in a fine film debut) is a 40-year-old closeted gay college professor in Nebraska who lives in fear of derision and is frustrated he is unable to live his life in a happy relationship. His good friend Julie (Joan Lauckner) is supportive and encourages Brad to return home for his parent's wedding anniversary. Brad does so reluctantly, finds the usual homophobic atmosphere and in a moment of weakness, drinks too much and has an auto accident. Miraculously, when he awakens, he has the appearance of a handsome high school kid and when he wanders into the world he discovers that there has been a major reversal: now it is normal to be gay and grossly distasteful to be a straight breeder. Even his parents are gay with breeder hosts for procreation purposes. Brad sees reverse discrimination now, is sought after by the high school jock Roland (Tim Hammer), enjoys the freedom of being openly gay, but meets the now new Julie and is strangely attracted to her, having to hide his new 'straight alliance' in a new closet. And the resolution of this new dilemma is the message of the film.

Everything about the idea of the film makes the viewer want to love it, and it is a sweet little diversion of a film with some thinking material about prejudices. It is rough and hampered by many technical and casting and scripted errors, but it does give newcomer Marc Moody a strong grounding for making further films about gay life that seem to appear like seeds of ideas throughout this film. It needs polish but it is a good time and offers a wide audience a better perspective on what it feels like to live a life as an outsider. Grady Harp, February 06
7 of 8 people found the following review helpful
4.0 out of 5 stars Good film 17 April 2006
By Charles Henry Blackledge - Published on
I saw this film at the verzaubert International Queer Film Festival in Germany last year. This was my second favorite film after Loggerheads. Almost Normal on the surface can be considered a gay, low-budget version of Back to the Future and Peggy Sue got married but upon closer examination, you'll see that it is an excellent social satire that will have you thinking about it long after you watch it. Admittedly some of the acting is amatuerish but I really enjoyed the story.
6 of 7 people found the following review helpful
4.0 out of 5 stars Brilliant satire, takes some effort to really appreciate 26 Nov 2005
By Bob Lind - Published on
"The minute you accept that you are different is the moment you become normal." - Brad to Julie in "Almost Normal" (2004)

What *is* "normal" anyway? That's the question explored in an extremely creative and risky screenplay writen and directed by Marc Moody, and produced by Sharon Teo, who are professors of film at University of Hawaii and University of Nebraska at Lincoln, respectively. Judging by the reviews I have seen posted elsewhere, lots of people completely missed the point of the film, not unreasonable considering the fact that this doesn't really fall into any preconceived notion you would have of gay cinema.

Brad is a forty year old (a "young 40" as he would be sure to clarify) gay college professor, who is depressed about entering middle age and still being single. At the start of the film, a colleague fixes him up with a blind date, who turns out to be the type of campy, pretentious queen that is Brad's idea of a "date from gay hell." Going home for his parents anniversary party, he runs into his sister-in-law and best confidant Julie, who tries to cheer him while Brad drones on wishing he could be young again and "normal." Leaving the party after having too much to drink, Brad is heading for the local gay cruising rest-stop, when he totals his car, but somehow manages to stumble back to his folks house and falls asleep. When he wakes up, he finds that he is back to being an 18 year old high school student, living with his parents and their respective same-sex lovers, in a world that considers same sex love to be the norm, while heterosexuality is a perversion.

His first day back at school brings lots of surprises, including getting wolf whistles from a group of construction workers, finding the gym showers now require you shower with someone of the opposite sex (to avoid same-sex horseplay), and being asked out on a date by Roland, the star basketball player. When Brad's attempt at going back to "his world" (a "Back To The Future"-ish attempt to recreate the circumstances of the car crash) fails, he settles in to his surroundings, and his relationship with Roland gets stronger, even leading to a sweet, innocent proposal. But when Brad finds Julie, now a new student at his school, he finds that he is still not quite "normal" by this world's definition, and struggles to reconcile his feelings and preserve his self-esteem.

For a low-budget indie, the film is beautifully made, with a full cast of mostly amateur actors and students from the local Lincoln NE high school as well as the University. The photography is first-rate, the sets perfect for the late '70's to early 80's time frame depicted, and it has an original musical score that adds to the atnosphere. I thought it was well-written, though perhaps a bit complex in story, with some memorable lines, most a reversal of standard phrases one hears about gays (For example, one character in the "gay" world mentions that "If God had wanted men to be with women, He would have made women to like football!")

Ultimately, the complex story line is the one drawback, especially since the full film has to be looked at in its entirety to get the concept the writer is going for. Details in some scenes may seem extraneous and confusing, until you connect them with what went before or after. Critics loved it or hated it, very little middle ground. Unrated (but could be a PG-13), excellent DVD bonus features include directors' commentary (which I recommend, going through the film for a second time), deleted/extended scenes and outtakes. To me, the film is a brilliant, original gem, and I recommend the extra effort it takes to really appreciate it.
4 of 4 people found the following review helpful
3.0 out of 5 stars Say Wha? 12 Feb 2008
By Blake Fraina - Published on
This low budget dramedy is a real odd duck. The premise is an homage to the Kathleen Turner film Peggy Sue Gets Married - a forty-ish college professor (J. Andrew Keitch) has a car accident and wakes up to find himself back in high school but in a world where it's considered normal to be gay and aberrant to be straight. The queer thing (no pun intended) about the story is that, in the bizarro world, where he finally has a shot at the straight jock he'd longed for in the real world, instead he falls for his sister-in-law (Joan Lauckner), who had harbored a secret crush on him in real life. Naturally they're found out, ostracized and he is "straight-bashed," making for plenty of opportunities for indignant speechifying. But all that seemed minor in the scheme of things. The big problem I had with this one is...what exactly is the point? Once a misfit, always a misfit?

There are some affecting performances, particularly Keitch and Lauckner and overall, the production values seem fairly high for an indie. Unfortunately, much of the humour (satirizing homophobia) is a bit tired and a spiel near the end decrying prejudice seemed extremely strident and unnecessary, since one is safe to assume everyone watching the film is probably gay friendly already.

Not awful. Just don't expect too much.
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