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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Secret Meeting | 3:44 | £0.79 | ||
| Play | 2. Karen | 3:59 | £0.79 | ||
| Play | 3. Lit Up | 2:55 | £0.79 | ||
| Play | 4. Looking For Astronauts | 3:23 | £0.79 | ||
| Play | 5. Daughters Of The Soho Riots | 3:58 | £0.79 | ||
| Play | 6. Baby We'll Be Fine | 3:21 | £0.79 | ||
| Play | 7. Friend Of Mine | 3:25 | £0.79 | ||
| Play | 8. Val Jester | 3:00 | £0.79 | ||
| Play | 9. All The Wine | 3:15 | £0.79 | ||
| Play | 10. Abel | 3:37 | £0.79 | ||
| Play | 11. The Geese Of Beverly Road | 4:56 | £0.79 | ||
| Play | 12. City Middle | 4:27 | £0.79 | ||
| Play | 13. Mr. November | 4:00 | £0.79 |
Product details
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Matt Berninger provides deep, soothing vocals reminiscent of Ian Curtis and, more recently, Interpol's Paul Banks, which slot in perfectly with the high-pitch guitar noises. But the range of styles and oblique lyrics suggest there's far more on offer here than moody alt-rock. Berninger turns alt-country strummer 'Karen' into a medium for his deepest thoughts and sexual confessions. You'll notice the breezy tune first and the interesting lyrics ("Karen, put me in a chair, f**k me and make me a drink" and even more disturbing, "It's a common fetish for a doting man to ballerina on the coffee table, c**k in hand") second, giving the album substantial replay value.
Almost every track on this mini masterpiece is intriguing and listenable and there are highlights in abundance. 'Abel' boasts a great sing-along chorus of "My mind's not right!" amidst simple indie-rock verses, while closer 'Mr November' documents their (clearly failed) rush to get the album completed before the November elections with its line "The English are waiting and I don't know what to do/ In my best clothes" before just about getting away with saying "I'm the new blue blood, I'm the great white hope", because it might just be true. 'Val Jester' and 'Daughters Of The Soho Riots' are both gorgeous slower songs unafraid to delve into strange personal love experiences and fantasies. Tuneful and poetic, 'Alligator' is truly an album to cherish.
The best thing about The National is Matt Berninger, vocalist and lyricist. He has a deep voice, often compared to Nick Cave's but much more melodic, though hardened by years of heartbreak and nicotine addiction. His lyrics are bleak poetry, of lost loves and frank sexual admissions. For example in "Baby, We'll Be Fine", he recounts "I pull off your jeans and you spill Jack and Coke in my collar".
The guitar work between the two guitarists (one of the two sets of siblings in the band) is subtle and skilled, while not overwhelming the focal point of the band which is Berninger's unique voice.
There is some sublime string arrangement on this album too, without it being like a country fiddle type sound, or taking over the songs. The strings just add another layer to the music, and a certain beauty also.
Percussion is unusual. Often off-beat and strange rhythms, it always seems to strangely fit with the music, although a simple four beat rhythm would be much simpler. It is this added ambition which puts this record ahead of The National's eponymous debut and the EP Cherry Tree. Though I personally believe Sad Songs For Dirty Lovers is their finest hour, Alligator certainly comes close.
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