Review
Arthur Daane is a Dutch cinematographer, a sought-after maker of documentaries specializing, it seems to his friends, in the misery and suffering that stalks us all: famine, flood, war and its evils. But Arthur's real work is his obsessive filming of ordinary life, what he calls the anonymous, voiceless world as opposed to the public scenes he is commissioned to portray. Few people have seen his collection of pictures of this second world and fewer still would understand. Most of the action of this novel takes place in Berlin where Arthur is a cherished member of a small group of artists, philosophers and writers. Their rich conversation when they meet in bars and restaurants is funny, thought-provoking and dense. Anything can set them off - food, language, music, a word, an idea or an anecdote and the witty but serious discussion starts. Arthur is alone for much of the day. He loves the city and sets off each morning with his camera to visit his favourite places, each one filled with echoes of the past, his own personal ghosts or the traces of historical events. Nooteboom shows us Berlin through the photographer's eye, each scene 'a flake of time as hard as marble chipped off a block of time'. On one level the book is a fine travel guide, on another the moving story of a grieving man trying to let go of the past. Arthur's progress is told in detail: meals, conversations, assignments, memories of the past and hopeful encounters with a young woman. These chapters are punctuated by shorter passages written in another voice - that of the souls of the title who comment on what Arthur and the other living characters are doing and what may still befall them. This is a book to read slowly and think about, a book to keep and read again many times. (Kirkus UK)
A documentary filmmaker's tenuous hold on both reality and the past occupies the foreground of this very discursive 1998 novel by the prizewinning Dutch author ("The Following Story", 1994, etc.). On All Souls' Day, November 2nd, prayers are offered on behalf of those who dwell in Purgatory. This practice neatly symbolizes the condition of 45-year-old Arthur Daane, who is mourning the deaths of his wife and son in a plane crash, and relocates to Berlin (after reunification)-reasoning that a place that has its own painful history to deal with is where he may as well be. There's very little more in the way of action or incident here than this, as Nooteboom fills the story with Daane's meditations on photography, history, art, the ideas of eminent philosophers (he has made a film about Nietzsche, and considers Walter Benjamin as a subject), and other matters: generally, the filmmaker's (and the writer's) vain efforts to capture and "stop" time, thus preventing it from elapsing. There are also numerous conversations with fellow emigres and friends, including sculptor-writer Victor Leven (eternally haunted by the memory of WWII), "philosopher-turned-lunatic" Arthur Tieck (who has appeared in Daane films), and-back home in The Netherlands-Daane's platonic confidante Erna, who isn't much more than a device to help keep the talk flowing. When Daane meets lissome history student Elik Olanje, and follows her to Spain, dramatic things begin happening-too late, alas, to vitiate the reader's conviction that he has been subject to an intolerably overextended harangue. "All Souls' Day "displays with admirable lucidity the workings of a humane, civilized, and consistently interesting mind. But it's just barely a novel, and few readers are likely to stay its tortuous and redundant course. (Kirkus Reviews)
Product Description
In ALL SOULS we follow Arthur Daane, a documentary film maker, as he travels around the streets of Berlin. The city provides the backdrop for Daane's reflections on his life as he plans his latest project - a self-funded film that will show the world through Daane's eyes. The book's cumulative power of remembered images and philosophical musings on the meaning of our contemporary existence infuses Nooteboom's new novel. ALL SOULS is a poignant, deeply affecting novel about a man coming to terms with his own place in the world.