"All Other Nights," is the third novel from Dara Horn, award-winning author of
The World to Come; and
In the Image: A Novel. It gives us the American Civil War, freshly reimagined, as it tells the story of Jacob Rappaport, a young Manhattan Jew, who joins the Union Army to escape his immigrant businessman father's choice for his bride. Soon enough, his officers discover he has many talents, relatives, and contacts. They send him to New Orleans, disguised as a Confederate soldier, to murder his own uncle, Harry Hyams, who is involved in a plot, orchestrated by high Confederate official Judah P.Benjamin. to assassinate President Lincoln. He is then sent to the home of Philip Levy, one of his father's Virginia business contacts. Levy's four daughters are conspiring together as Confederate spies, to revenge the death of their mother at the hands of a crazed elderly slave woman. Jacob falls in love with Jeannie, the second daughter, and marries her; but this marriage, considering its underlying conflicts, hardly seems slated for success.
In her short career so far, Horn has been selected as one of "Granta" magazine's "Best Young American Novelists," and won the National Jewish Book Award twice. She's done a mountain of research for "All Other Nights," and ably gives us much little-known Jewish American history. Few general readers, for example, will know that Jefferson Davis, President of the Confederate States of America, had as his right-hand man his Secretary of State Benjamin, who was Jewish; and that Benjamin also served as the Confederacy's spymaster. (There is actually a plaque in downtown Wilmington, North Carolina, where I now live, indicating a house in which Benjamin once lived; but had I ever paused to think of what Benjamin actually did during the Civil War? Nope.) Even fewer general readers are likely to know that U.S. General Grant expelled all Jews from certain territories occupied by the Union Army. In this book, the author also provides an interesting look at the problems of recent immigrants and their children.
More than anything, however, the book functions as a meditation on how much we owe our country, our ideals of social and racial justice for all; against what we owe our families and those closest to us. It's a conflict known since ancient times; the subject of many a classic Greek play, such as "Antigone," by Sophocles, in which the title character is determined to see her disgraced, defeated-in-battle brother properly buried, at any cost to her. And certainly, it's with us to the present day: the British author E.M. Forster once said, "If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country." Twentieth century authors as distinguished as Britishers Graham Greene and John LeCarre are still puzzling it out.
Horn is a strong writer; she gives us excellent narrative and description and her dialog is crisp and realistic. But beyond that, she gives us a glimpse of history that resonates to the current day.