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Album Savings: £5.19 compared to buying all songs
- Original Release Date: 22 July 2011
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Embers | 3:28 | £0.89 | ||
| Play | 2. 253 | 3:58 | £0.89 | ||
| Play | 3. The Day I Died (Album version) | 3:35 | £0.89 | ||
| Play | 4. Doctor Doctor | 3:34 | £0.89 | ||
| Play | 5. So Wrong | 3:19 | £0.89 | ||
| Play | 6. Blood | 3:38 | £0.89 | ||
| Play | 7. All Night Cinema | 5:06 | £0.89 | ||
| Play | 8. Astronaut | 3:44 | £0.89 | ||
| Play | 9. Goth In The Disco | 3:55 | £0.89 | ||
| Play | 10. Lo And Behold | 2:52 | £0.89 | ||
| Play | 11. Basement | 4:22 | £0.89 | ||
| Play | 12. The Day I Died (Jay's Radio Mix) | 3:27 | £0.89 |
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Product details
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Customer Reviews
Most Helpful Customer Reviews
12 of 16 people found the following review helpful
Format:Audio CD
Jack Allsop's previous LP 'Overtones' was a unique blend of sharp observations, sweet harmonies and hypnotic beats; this follow-up is more of the same but is less instant and more of a grower - I'm certainly not complaining though as it's as emminently listenable as anything he's done - even the ubiquitous 'Stars in their Eyes'. Alsopp's lackadaisical vocals coupled with hip-hop beats and topped-off with a Disco sensibility, are as intelligent, witty and droll as anything by Morrissey, Neil Tennant, Mike Skinner, Eminem or Paul Heaton, to name but a few.
Standout tracks here are: 'Embers', arguably the most musically complex and most accomplished song Jack has written to date; 'Goth in the Disco', a quirkily humourous electro number that is so obviously tongue-in-cheek that the Amazon reviewer's comments made me chuckle; and 'Astronaut', as laid-back and droll as anything from previous CD 'Overtones' - however 'The Day I died' is the album's standout, a wry look at an unfulfilled life and as emotive as it is liltingly hypnotic.
Endlessly emotive, pulling no punches, and avoiding becoming a pastiche (unlike some of his contemporaries); Just Jack is exactly that: Just himself, just honest - just right.
Standout tracks here are: 'Embers', arguably the most musically complex and most accomplished song Jack has written to date; 'Goth in the Disco', a quirkily humourous electro number that is so obviously tongue-in-cheek that the Amazon reviewer's comments made me chuckle; and 'Astronaut', as laid-back and droll as anything from previous CD 'Overtones' - however 'The Day I died' is the album's standout, a wry look at an unfulfilled life and as emotive as it is liltingly hypnotic.
Endlessly emotive, pulling no punches, and avoiding becoming a pastiche (unlike some of his contemporaries); Just Jack is exactly that: Just himself, just honest - just right.
3 of 4 people found the following review helpful
Format:Audio CD
Enjoyed The Outer Marker, loved Overtones, and really wanted to love this. And yet, and yet, whilst there's nothing really wrong with it, somehow it's just a little too understated.
His subject matter remains the everyday and it's a subject he wears well and easily. The lyrics are still smart, relevant and snappy without being too self-conscious with just about each song well crafted around them, telling a short (often bitter-sweet) story.
But somehow this time round, the musical soul and variety which was there in Overtones is missing. The harmonies still work and the drum beats, violins and handclaps form a neat and clever backdrop to the lyrics but each song sounds just a little too similar and a little too underplayed. There's nothing which matches the lo-fi funkiness of "Disco Friends", the hip-hop-esque punch of "Life Stories" or soaring vocals of "No Time". Instead the tracks just roll into a steady and pleasant backdrop which just slides past you without you noticing.
Clearly there's a couple of stand-out tracks - Embers matches the best of Overtones - but equally there are disappointments, especially Goth at the Disco which, absolutely blinding live, is stripped of its passion and turned into an overly engineered series of electronic blips.
It's still worth getting, and better than a lot of similar music, but sadly just not what I'd been hoping for.
His subject matter remains the everyday and it's a subject he wears well and easily. The lyrics are still smart, relevant and snappy without being too self-conscious with just about each song well crafted around them, telling a short (often bitter-sweet) story.
But somehow this time round, the musical soul and variety which was there in Overtones is missing. The harmonies still work and the drum beats, violins and handclaps form a neat and clever backdrop to the lyrics but each song sounds just a little too similar and a little too underplayed. There's nothing which matches the lo-fi funkiness of "Disco Friends", the hip-hop-esque punch of "Life Stories" or soaring vocals of "No Time". Instead the tracks just roll into a steady and pleasant backdrop which just slides past you without you noticing.
Clearly there's a couple of stand-out tracks - Embers matches the best of Overtones - but equally there are disappointments, especially Goth at the Disco which, absolutely blinding live, is stripped of its passion and turned into an overly engineered series of electronic blips.
It's still worth getting, and better than a lot of similar music, but sadly just not what I'd been hoping for.
6 of 10 people found the following review helpful
Format:Audio CD
Jack Allsopp, the world is a better place with you in it.
'All Night Cinema' is an accutely observed and beautifully
constructed collection of 11 songs from a young writer of
talent and distinction.
Idiosyncratically, irreducibly English; shrewd, quirky and knowing,
this lad knows his way around a good tune.
Bursting with wonderful musical and lyrical ideas as well as
boundless irrepressible energy, it's a heady and seductive mix !
Start listening anywhere on the album and you won't be dissapointed.
'The Day I Died' transforms the tragically ordinary into pure gold.
'Doctor Doctor' is a blast of a track. Canny sprechgesang of the funniest
most articulate kind. The chorus is nothing short of delicious.
'Blood' is a terrifyingly topical tapestry of stark urban imagery.
Love and death and loyalty amid the ruins of bleak and broken lives.
Title track 'All Night Cinema' takes time to work its magic.
The fragile, knowingly off-key vocal delivery adds to the
composition's pathos. A haunting invention.
'Goth In The Disco' is very funny (every bit as silly as Frank Zappa's
'Dancing Fool'). A dark story gleefully told.
Final instrumental 'Basement' delivers an unusual conclusion.
A bit little epic. A little bit DIY. A whole lot thumbs up !
A magical experience from top to tail.
Essential.
'All Night Cinema' is an accutely observed and beautifully
constructed collection of 11 songs from a young writer of
talent and distinction.
Idiosyncratically, irreducibly English; shrewd, quirky and knowing,
this lad knows his way around a good tune.
Bursting with wonderful musical and lyrical ideas as well as
boundless irrepressible energy, it's a heady and seductive mix !
Start listening anywhere on the album and you won't be dissapointed.
'The Day I Died' transforms the tragically ordinary into pure gold.
'Doctor Doctor' is a blast of a track. Canny sprechgesang of the funniest
most articulate kind. The chorus is nothing short of delicious.
'Blood' is a terrifyingly topical tapestry of stark urban imagery.
Love and death and loyalty amid the ruins of bleak and broken lives.
Title track 'All Night Cinema' takes time to work its magic.
The fragile, knowingly off-key vocal delivery adds to the
composition's pathos. A haunting invention.
'Goth In The Disco' is very funny (every bit as silly as Frank Zappa's
'Dancing Fool'). A dark story gleefully told.
Final instrumental 'Basement' delivers an unusual conclusion.
A bit little epic. A little bit DIY. A whole lot thumbs up !
A magical experience from top to tail.
Essential.
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