Amazon.com
Sean Penn gives another powerhouse performance in All the King's Men, leading a top notch cast in writer-director Steven Zaillian's underrated adaptation of the Pulitzer prize-winning 1946 novel by Robert Penn Warren. When you consider that the previous 1949 film version earned well-deserved Academy Awards for director Robert Rossen and actors Broderick Crawford and Mercedes McCambridge, it's no surprise that Zaillian's film was expected to earn similar acclaim; but lukewarm critical reception and disappointing box-office gave it the stigma of a noble failure. And while the film (which moves Warren's story from the Depression-era '30s to the early 1950s) suffers from uneven pacing, partial miscasting, and an occasional lack of dramatic tension, it still qualifies as a first-class production that resonates with the timeless relevance of Warren's piercing political classic. Like Broderick before him, Penn is riveting as Louisiana governor Willie Stark, an upstart political dynamo (freely inspired by controversial real-life Louisiana governor Huey P. Long) whose rise to power is ultimately doomed by corruption and betrayal.
Jude Law (The Talented Mr Ripley) co-stars as political reporter Jack Burden, our first-hand witness to Stark's rise and inevitable fall. His orbit of political insiders includes a corrupt judge (Anthony Hopkins) with a dark secret to hide; a longtime friend (Mark Ruffalo) and former lover (Kate Winslet) who fall victim to Stark's influence; and political staffers (James Gandolfini, Patricia Clarkson) who remain powerless against Stark's ill-fated populist juggernaut. At Sean Penn's request, former child star Jackie Earle Haley (from the original Bad News Bears) makes a welcome return to movies as Willie Stark's quietly intense bodyguard, "Sugar-Boy." Co-produced by Louisiana-born political consultant James Carville, filmed on authentic Louisiana locations and boasting all the stately, luxurious production values of a would-be Oscar contender, All the King's Men clearly benefits from Penn's fiery performance and Zaillian's earnest embrace of Warren's still-potent subject matter. And while the film's shortcomings may have prevented it from achieving unanimous acclaim, this is still a serious, well-crafted drama with much to say about the insidious potential for fascism in America, especially when well-meaning politicians lose their souls to power. --Jeff Shannon, Amazon.com
Synopsis
Sean Penn gives an electrifying performance as rising politician Willie Stark in ALL THE KING'S MEN, the second film based on Robert Penn Warren's Pulitzer Prize-winning novel. In 1949, the original ALL THE KING'S MEN, directed by Robert Rossen, was a huge hit, earning Oscars for Best Picture, Best Actor (Broderick Crawford), and Best Supporting Actress (Mercedes McCambridge) But whereas the novel and first film set the story of pride, ambition, jealousy, and dirty politics in pre-World War II Louisiana, writer-director Steven Zaillian (SEARCHING FOR BOBBY FISCHER) moves the action to the 1950s, a much different time in American history, with the Great Depression and the war over and McCarthyism just around the corner. Stark starts out as a man of the people, proud to be a hick, wanting to make a difference to the struggling families in his community. But the smell of power leads to back-room corruption, lies, and betrayal. Stark surrounds himself with smart, well-connected people, including journalist (and narrator) Jack Burden (Jude Law), right-hand man Tiny Duffy (James Gandolfini), and doctor Adam Stanton (Mark Ruffalo), using them as both willing and unwilling players in his march to the top. The all-star cast also includes Kate Winslet as Stanton's sister and a former love of Burden's, Anthony Hopkins as a compromised judge, and Jackie Earle Haley as a Stark thug. The film is gorgeously shot by Pawel Edelman, with an emotional soundtrack by James Horner and period music supervised by T Bone Burnett (O BROTHER, WHERE ART THOU?). Interestingly, Zaillian chose not to watch the original film, basing his screenplay solely on the novel. The remake was the brainchild of former Bill Clinton adviser James Carville, who is one of the executive producers of this stirring political film.