...in retrospect, AAE's golden age was already over by the time of this concert.
The sound has changed since their late '80s hitmaking days, certainly in the guitar department - where Bricheno could speak the language of Anglo-Celtic folk guitar fluently, or make his electric guitar cry the way Mike Oldfield or Steve Hackett used to (think of the "December" solo), Willson-Piper always seemed closer in spirit to Dave Gilmour and/or Roger McGuinn (think of the "Strange Way" riff and the "Touched By Jesus" solo).
And the live atmosphere has changed a lot - fans with vivid memories, or good bootlegs, from the early tours will notice. Julianne's change of image noted in a previous review can't be the only reason that the "fanaticism" has gone - the massive transfer of energies between the band and that audience who loved and identified with them so intensely, it just doesn't seem to be there anymore. You went to an AAE gig in 1987-88 and it felt like witnessing a new society taking shape, with the band as its figureheads - if only there was a feature-length live video that could convey this!
But this is all by the by - this disc recommends itself simply by its inclusion of more than half of that misleadingly-titled third album ("Touched By Jesus"). That album is not available as of this date - which is a minor tragedy because, even with all that I've said in the previous paragraph, it's a terrific record. Like most of their music it really hasn't dated, because it wasn't in any way tied to its time - it still sounds like the sort of record that could possibly change someone's life, or at least change a musician's musical direction. And eight of its songs appear here - fortunately including the Willson-Piper composition "Hide Child" which was never performed on any subsequent AAE tour. Plus their legendary previously-unreleased cover of "It's All Too Much" - there may be longer and more improvisational renditions out there somewhere, but this'll do.