Amazon.co.uk allows you to pay for your items in your local currency. Restrictions apply. Learn More. |
Frequently Bought Together
Product details
|
Listen to Samples and Buy MP3s
Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or
view the MP3 Album.
|
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
Customer Reviews
Most Helpful Customer Reviews
10 of 10 people found the following review helpful
Format:Audio CD
With world music-influenced artists like Vampire Weekend, Ruby Suns and Panda Bear growing increasingly popular, eyes were bound to turn to the original sources sometime. The first stop on this possible widespread acceptance of music outside the western world is Spain, where Pablo Díaz-Reixa, also known as El Guincho, has crafted a fully formed fusion of South American percussion, Tropicalia and Afrobeat that isn't exactly a traditional world music album, but nonetheless reveals those artists to have only hinted at cultural exploration.
I wouldn't call it traditional because of the electronic elements that sneak their way into the mix. Samples abound, even if they're used for organic purposes. On "Palmitos Park", I assume the contained audience cheers and droning harmonies aren't real, but they give the song a real sense of unadulterated festivity. The dizzying circus sounds of "Antillas" and "Kalise" get the hips moving and marimbas shaking, but the base of their beats are creaking sound effects and looping vocal clips that mesmerize like modern club music. "Fata Morgana" is submerged in a distant shimmering haze reminiscent of Animal Collective's "Cuckoo Cuckoo" and "Buenos Matrimonios Ahi Fuera" is his very own "Bros" - a shifting soundscape of swirling psychedelic textures.
But El Guincho's intentions are so much more direct than Panda Bear's. He is in no way "artsy", even if the tools he uses suggests so, and unlike Person Pitch, this isn't a headphones album. His aesthetic is more akin to Dan Deacon. Feel the playfulness of the percussion, hear the honest tone of Pablo's cheerful chants and know that his aim is humanistic, making music for festivals and gatherings where people have an open enough mind to lose themselves in the sweat and excitement of his exciting blasts of bliss. Although the album gets exhaustive and repetitive near the end, you can't help but come back to Alegranza time and time again, to thrust yourself into El Guincho's miraculous world of revelry.
What I don't understand is why any culture would shun these wonderful worldly sounds to the outskirts of society. If we all more willingly accepted the embrace of community and joyful celebration that bleeds unashamedly out of much world music, rather than the mindless self-centered attitude and materialism of MTV, we might be more prone to avoid conflicts that encourage the subtle tension pervading our western-world. Yet as much I've tried to get friends to listen to Alegranza, even those who have shown to appreciate Americanized ethnicity have responded to El Guincho with blank stares. Is the language barrier really so hard to get through? If the stigma against world music and universal acceptance of its inferiority isn't completely destroyed by the end of the year, then I'm packing my bags and moving to Spain or Cuba or something. But until then, I'll be trying to convince everyone I come into contact with to embrace this album like no other. (Aron Fischer)
For fans of: Animal Collective, Panda Bear, The Ruby Suns, The Avalanches, Os Mutantes, Vampire Weekend
I wouldn't call it traditional because of the electronic elements that sneak their way into the mix. Samples abound, even if they're used for organic purposes. On "Palmitos Park", I assume the contained audience cheers and droning harmonies aren't real, but they give the song a real sense of unadulterated festivity. The dizzying circus sounds of "Antillas" and "Kalise" get the hips moving and marimbas shaking, but the base of their beats are creaking sound effects and looping vocal clips that mesmerize like modern club music. "Fata Morgana" is submerged in a distant shimmering haze reminiscent of Animal Collective's "Cuckoo Cuckoo" and "Buenos Matrimonios Ahi Fuera" is his very own "Bros" - a shifting soundscape of swirling psychedelic textures.
But El Guincho's intentions are so much more direct than Panda Bear's. He is in no way "artsy", even if the tools he uses suggests so, and unlike Person Pitch, this isn't a headphones album. His aesthetic is more akin to Dan Deacon. Feel the playfulness of the percussion, hear the honest tone of Pablo's cheerful chants and know that his aim is humanistic, making music for festivals and gatherings where people have an open enough mind to lose themselves in the sweat and excitement of his exciting blasts of bliss. Although the album gets exhaustive and repetitive near the end, you can't help but come back to Alegranza time and time again, to thrust yourself into El Guincho's miraculous world of revelry.
What I don't understand is why any culture would shun these wonderful worldly sounds to the outskirts of society. If we all more willingly accepted the embrace of community and joyful celebration that bleeds unashamedly out of much world music, rather than the mindless self-centered attitude and materialism of MTV, we might be more prone to avoid conflicts that encourage the subtle tension pervading our western-world. Yet as much I've tried to get friends to listen to Alegranza, even those who have shown to appreciate Americanized ethnicity have responded to El Guincho with blank stares. Is the language barrier really so hard to get through? If the stigma against world music and universal acceptance of its inferiority isn't completely destroyed by the end of the year, then I'm packing my bags and moving to Spain or Cuba or something. But until then, I'll be trying to convince everyone I come into contact with to embrace this album like no other. (Aron Fischer)
For fans of: Animal Collective, Panda Bear, The Ruby Suns, The Avalanches, Os Mutantes, Vampire Weekend
4 of 4 people found the following review helpful
Format:Audio CD
this is beautiful noise, kind of like animal collective/panda bear being covered by a brazilian carnival band. if you're dreary and like nice songs with nice simple melodies that you can forget it but if you want something a bit different and rewarding this is a fine investment. go see him live too though, it all sounds better live.
1 of 1 people found the following review helpful
Format:Audio CD
Please ignore the one star review below. Everybody is entitled to their own opinion and so on blah blah ... but that chap was blown away by a Paul 'Macca' McCartney album. Lordy me. This is excellent, jubilant stuff that has me swaying around the room, clicking my fingers, smiling and generally behaving like a juvenile ape every time I listen to it. Fine at home but even better out there in the open like when I'm walking around the supermarket looking for where they've moved the avacados (Fairtrade, naturally) to. What better testimonial? It makes being stuck in Sainsburys almost a pleasure.
Would you like to see more reviews about this item?
Were these reviews helpful?
Let us know
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
What Other Items Do Customers Buy After Viewing This Item?
Listmania!
|
|
Look for similar items by category
- Music > Pop
- Music > World Music
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
|
