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  • Aladdin Sane [VINYL]
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Aladdin Sane [VINYL]


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Biography by Stephen Thomas Erlewine
The cliché about David Bowie says he's a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s as a mod and as an ... Read more in Amazon's David Bowie Store

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Product details

  • Vinyl
  • Number of Discs: 1
  • Label: RCA
  • ASIN: B000091DI2
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (125 customer reviews)
  • Amazon Bestsellers Rank: 40,578 in Music (See Top 100 in Music)

Product Description

Format: Vinyl LP album. RCA Records, UK release from 1981. Re-issue of classic 1973 LP from Bowie. 10 tracks. No barcode. Nice fresh listening copy.

Customer Reviews

4.7 out of 5 stars

Most Helpful Customer Reviews

8 of 8 people found the following review helpful By Mark Barry HALL OF FAMETOP 50 REVIEWERVINE VOICE on 12 Sept. 2014
Format: Audio CD Verified Purchase
*** 40th Anniversary Edition - 2013 Remaster ***

Bowie fans have had their fair share of reissue rehashes - 'Anniversary' markers on Seventies Classics that crassly milk an endless reservoir of affection. Yawns and sighs can only have greeted the announcement of yet another. But that is until you actually 'hear' this astonishing 2013 audio overhaul.

Hot on the heels of a 20th and 30th Anniversary CD remaster of Bowie's "Aladdin Sane" (both with bonus tracks) - here comes a straightforward transfer of the 1973 LP in April 2013 as a '40th Anniversary' reissue (41:47 minutes). This time it's been done in conjunction with David Bowie.com and remaster engineer RAY STAFF - assisted by Kevin Reeve and Jo Blair who co-ordinated the project for EMI. Kevin Reeve is a name familiar to me - his credentials have popped up many times when I'm trawling for quality remasters. Reeve has in fact done large swathes of much-praised reissues for Universal (see my Tag for their "Originals" series). But the aural hero this time is one RAY STAFF - who needs to be put on DB's staff retainer-list right away. What a job he's done. His name was always Buddy and here are the painted-face details...

1. Watch That Man
2. Aladdin Sane (1913-1938-19??)
3. Drive-In Saturday
4. Panic In Detroit
5. Cracked Actor
6. Time
7. The Prettiest Star
8. Let's Spend The Night Together
9. The Jean Genie
10. Lady grinning Soul

Released on CD April 2013 - "Aladdin Sane: 40th Anniversary Edition" is on EMI DBAS 40 (Barcode 5099993447423) and reproduces the April 1973 UK/USA vinyl LP packaging of RCA Records RS 1001.
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47 of 52 people found the following review helpful By Vaughan on 16 April 2013
Format: Audio CD Verified Purchase
If it has "David Bowie" on the cover, I tend to buy. Hence I've now got the 40th Anniversary version of this disc to go along with that last anniversary disc, the EMI release, the Japanese Mini LP, The Rykodisc release and original RCA. Oh, and the vinyl from yesteryear. Why? Obsessive compulsion I guess. All these "remasterings" can get a bit much, can things really get better?

I'm pretty sure there will be plenty of people following on from this review who will be hailing this as the definitive version, or saying it's "close to the vinyl" - you'd think 40 years after the first release of this recording we'd be demanding it to sound better, not the same. But I digress.

First the sound - is it better than ever before? I don't think so. I think it's on a par. It sounds nice, there is a ton of detail, everything is as it should be. But if someone is perfectly happy with the last version, I really don't see this one changing much. I found the previous reissue of Ziggy Stardust in a 2013 remaster a little brittle (which pits me against those who proclaimed it as some kind of sonic revolution). This doesn't suffer from that, so that's a plus. For example the cymbal hits in Panic in Detroit can be a problem on this record, yet they're nicely contained here.

Frankly this album has been reissued so many times surely the only way it could sound significantly better is if some new technology is created, or high-resolution versions become available. Improvements are always going to be marginal at this point. Yet people like myself keep hoping and dreaming, and buying!

In short then, yes this sounds excellent, it is perhaps equal to the very best this album has ever sounded - at least in my collection.
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2 of 2 people found the following review helpful By Mr. Peter Steward on 22 May 2014
Format: Audio CD
After two classic albums - Hunky Dory and Ziggy Stardust - it seemed impossible for Bowie to reach the same quality but somehow he managed it with a third timely classic.

This was the third of Bowie's classic albums that seemed to roll so effortlessly through the early 70s. After Aladdin Sane I felt that Bowie's prowess as a songwriter of quirky and catchy rock/pop songs dropped off. Over the years he has had other high spots but never reached the excellence of Hunky Dory, Ziggy Stardust and Aladdin Sane. This one still excites with the jazz piano of Mike Garson on Lady Grinning Soul maybe suggesting some of the experimentation that Bowie would be undertaking in the future. Drive In Saturday, Time, The Prettiest Star are all seminal Bowie.

This album showed a man at his creative peak and reminds us that Bowie was a great artist. Listen to these songs and you can see exactly where bands such as Suede come from. Ziggy had gone, Bowie had moved on but everything was still okay with the world. Every track here is another absolute gem - as good as anything Bowie wrote. Ironically the one track I'm not fond of is Let's Spend the Night Together - a song borrowed from the Rolling Stones. This album is about the human condition with songs such as Panic in Detroit, Cracked Actor and Time.

Again there are so many highlights. The Prettiest Star is one of my favourite Bowie songs. Many many years later when Bowie's input had sunk through experimentation. I looked back on the trio of albums as Bowie at his peak and thought "why can't he write songs like those any more?" But time passes and Bowie's journey had many miles to run as we shall see.
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