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59 of 63 people found the following review helpful:
4.0 out of 5 stars
Shame about the subtitles, 11 Sep 2003
This review is from: Akira - The Ultimate Collection [1991] [DVD] (DVD)
I don't intend to offer a full review here, just make a couple of remarks regarding this version of the film. I originally bought the collector's edition of Akira when it first came out on VHS. I love the film and it is as good as its reputation, so if you've never seen it and are hesitating about buying it, go right ahead. But just a few words for those hardcore Manga fans out there regarding this particular release. If, like me, you prefer watching the original language versions of Manga films you may want to think twice about the Ultimate Collection. Why? Well, there's only one English subtitle track and it's for the hearing impared. This means that, along with the dialog, you get a load of little notes regarding what sort of background sounds accompany the scene, which is, frankly, as annoying as hell. Take the opening, for example, with the dramatic shot across the crater, you're just getting into the mood of the film when up pops "[wind blowing]" along the bottom of the screen. This sort of thing spoils the atmosphere of the film, especially when you can hear the wind blowing for yourself. I'm not saying there shouldn't be comments for the hearing impared, I'm saying that there should be the option to have regular subtitles as well, without all the little sound effect comments. Second issue; one of the selling points of the re-mastered version is the new translations. Sadly, though some parts of the dialog are much better and flow more naturally, many other parts lose out. The original had more 'peotic' phrasing in some areas where the new version sounds cold and awkward. For example, where the orginal version wonders whether Akira's power might be "divine", the new version wonders if it "comes from God". On the whole I prefer the original text. Once again I am commenting on the subtitles, I'm afraid I still can't bear watching the dubbed version of the film (even this "improved" version) - it is still not anywhere near as good as the original Japanese voice acting. Aside from the niggles regarding translation and subtitles, the image quality is very good, I've finally rediscovered the subtelties in colour shades and crisp image I experienced when I first saw the film in the cinema, both of which were sadly lacking from the VHS version. So, does this version merit the "Ultimate Collection" tag? I'd say close, but not quite...
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
wow, 11 April 2007
This review is from: Akira - The Ultimate Collection [1991] [DVD] (DVD)
not only the best anime i have ever seen, but one of the best films. absolutely brilliant. just finished watching it and everything about it was great. the characters, the animation, the storyline- which is complicated, but no more than the next sci-fi film. the soundtrack was also brilliant, better than the usually unnavoidable sickly score to more animes around, and what is more is in Akira the lack of soundtrack in key scenes adds weight, very clever.
im not a hardcore anime fan, but i know a good one when i see it and this was excellent. weaknesses...well the character kei is a bit underdeveloped, and there are a few mystery minor characters but aside from that it was awesome. highly recomended but not for those looking for a bit of light entertainment or a "cartoon".
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Up there with the greats of science-fiction cinema, 3 April 2008
This review is from: Akira - The Ultimate Collection [1991] [DVD] (DVD)
Katsuhiro Otomo's Akira (1988) is a bold and vivid cyber-punk saga; wherein the story is a simple tale of good versus evil blown up to multi-layered proportions, further developed through the sublime, visually-transcendent animation and intricate character details, which both combine to create one of alternative cinema's greatest ever achievements. Everything you could hope to find in a science-fiction film is brought into play here, with warring street-punks, shadowy government conspiracies, psychological manipulation, body horror and nuclear holocaust all figuring heavily within the writhing and labyrinthine plot. It shows a continuation of the themes established in earlier classic of the sci-fi genre, most notably Fitz Lang's Metropolis (1927), Ishirô Honda's Godzilla (1954), LQ Jones' A Boy and His Dog (1975), Andrei Tarkovsky's Stalker (1979), George Miller's The Road Warrior (1981) and Ridley Scott's iconic Blade Runner (1982), with the post apocalyptic theme and the further depiction of a technologically advanced, noir-like metropolis spiralling out of control.
Alongside this we have the ghosts of Hiroshima and Nagasaki referenced in the opening sequences, and the parallels of those atrocities revisited here as the trigger of World War Three. However, despite these more elaborate historical juxtapositions and themes of science fiction, the story's main focus is that of friendship; in this instance the friendship of two characters being pushed and strengthened throughout the film, finally reaching a climax with the final fight between Kaneda and the bizarre mutation of Tetsuo. This theme is central throughout Akira, posing serious questions of loyalty, contempt and ambition, as well as ending with the ambiguous idea that further battles must be fought before any of the characters (and by extension, the audience as well) know the truth about Tetsuo and the tree, mystical little children so central to the plot.
If you're already a fan of Manga and Anima, then Akira should be an absolute must see, that is, if you haven't experienced it already. However, please don't let a lack of interest in animation, or more appropriately, Japanese animation deter you from experiencing this film, as really, it is one of the most interesting, intelligent and accessible works of sci-fi cinema produced in the last twenty-five years. It is also incredibly influential, with its influence apparent in a number of subsequent great works of science fiction, including Shinya Tsukamoto's Tetsuo: The Iron Man (1988), and sequel Tetsuo II: Body Hammer (1992), Rintaro's Metropolis (2001), Spielberg's A.I, (2001) and Minority Report (2002), Takashi Miike's Dead or Alive: Final (2002), Michael Winterbottom's Code 46 (2003) and Wong Kar-Wai's misunderstood masterpiece 2046 (2004). Already twenty-years on from its original release, Akira remains a bold, interesting and unforgettable work of vibrant, visceral, intelligent science fiction cinema that deserves to be experienced.
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