- Paperback: 112 pages
- Publisher: Thames & Hudson (1 Jun 1998)
- Language English
- ISBN-10: 0500280630
- ISBN-13: 978-0500280638
- Product Dimensions: 26.2 x 26 x 1.4 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 634,838 in Books (See Top 100 in Books)
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Product Description
Product Description
For more than 20 years Lois Greenfield has been dazzling the dance world with the spectacular imagery of modern and post-modern dance, and has created a photographic style which has in recent years spawned a host of imitators. Unlike the majority of dance photographers, who are confined to rehearsals and the stage, Greefield works in her studio, where she has a more complete control of her art. This book features Greenfield's new work, produced since 1992, and is her second book with William A. Ewing. Images show moments of actual dances, interpretations of a particular choreographer's style, or Greenfield's own "photochoreography" - movements and gestures made by the dancers to follow the photographer's directions. Finally, some are free-spirited collaborations in which both photographer and dancer work towards dynamic results.
From the Author
How do I create my images?
Everyone asks me"How did I do it?" How do I capture the dancers seemingly frozen in midair, glued together, as if shot out of a cannon? above with the dancers lying on the floor, or they are rigged with wires from the ceiling, or, most commonly, that they have been manipulated either digitally or in the darkroom. The truth of it is that my photographs are simple snapshots, often the result of the command "jump!" They may look like trick photographs, but there is no darkroom or digital manipulation of any kind in my work.
Everyone asks me"How did I do it?" How do I capture the dancers seemingly frozen in midair, glued together, as if shot out of a cannon? above with the dancers lying on the floor, or they are rigged with wires from the ceiling, or, most commonly, that they have been manipulated either digitally or in the darkroom. The truth of it is that my photographs are simple snapshots, often the result of the command "jump!" They may look like trick photographs, but there is no darkroom or digital manipulation of any kind in my work.
Of course, I previsualize the moments I want, after either watching the dancers improvise, or giving them an idea or a prop to play with. The process is highly collaborative and frankly, alot of fun!
All the photos were shot in my photo studio with Broncolor strobes and a Hasselblad camera. I used to photograph dress rehearsals for the Village Voice and other publications, but I became frustrated with the conditions of photographing in theaters . Also, I wanted more control over the moments and the lighting. Since 1980, I've been working almost exclusively in my own studio , asking the dancers not to recreate choreography but to explore my own ideas. --This text refers to an out of print or unavailable edition of this title.
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Hardcover
Wonderful book. None of the photographs are tricked -- that is, all are usual perspectives, normal orientation (what looks like the floor at first glance really is), no strings, no unseen bars or plates, no studio retouching of former. (See LG's preface.) Truly amazing work.
Format:Paperback
I bought this book for the library at the College at which I work and was so impressed, ordered another copy for myself. The images in the book are reflective of the technically brilliant Lois Greenfield's ability as a photographer and image maker. A superb book for any student of photography or dance.
Format:Paperback|Amazon Verified Purchase
One of the most respected dance photographers - this book shows you how her reputation was earned.
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