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| 1. Allemande | |||
| 2. Courante | |||
| 3. Sarabande | |||
| 4. Bourree Anglaise | |||
| 5. Adagio/Arioso (Sinfonia From the Cantata No.156) | |||
| 6. Fantasia In C Minor Sm.83 | |||
| 7. Prelude Sm.32 From the Sonata No.5 In G Major | |||
| 8. Allemande Sm.114 From the Sonata No.19 In F Major | |||
| 9. Courente Royale Sm.31 | |||
| 10. Tombeau Sur La Mort De M. Comte D'Logy Sm.210 | |||
| 11. Allegro Sm.141 From the Sonata No.22 In G Major | |||
| 12. Pastorale In F Major, Movement III, BWV 590 | |||
| 13. Allemande | |||
| 14. Courante | |||
| 15. Sarabande | |||
| 16. Gigue A La Maniere Anglaise | |||
| 17. Minuet | |||
| 18. Passepied | |||
| 19. Rigaudon Pour Les Trompettes | |||
| 20. Caprice En Passacaille | |||
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Silvius Leopold Weiss, born in Breslau (now Wroclaw, Poland) in 1686, was the most renowned member of Germany's leading family of lutenists during the time of Johann Sebastian Bach. Weiss wrote well over eight hundred pieces for lute - more than any other composer - including some sixty solo "sonatas". The Flemish lutenist and composer Jacques de Saint-Luc was born in 1616 in Ath, twenty miles southwest of Brussels and not far from Belgium's present-day border with France.
Couperin's Les Silvains (The Woodland Fauns, Book I of Pièces de Clavecin [1713], Ordre 1, No. 8) is one of his earliest keyboard works of the pastoralism that figured so prominently in 18th-century French art. Tours de Passe-Passe (Book IV [1730], Ordre 22, No. 8) is a French colloquialism for "legerdemain" or "sleight-of-hand," and in Couperin's playfully effervescent piece indicates the crossing of hands at the keyboard.
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