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The seventh earl of Lucan disappeared on 7 November 1974, leaving behind him the battered body of his children's nanny Sandra Rivett and a beaten wife. Lucan´s sensational story and the possibilities of his whereabouts over the past quarter century provide Spark with several issues with which wittily to play: identity, blood ("it is not purifying, it is sticky"), class (working class nannies bleed more than the aristocracy), the dynamics of psychiatry ("most of the money wasted on psychoanalysis goes on time spent unravelling the lies of the patient"). But it remains a strange, slight affair--its unspoken tenet being that the Lucan case still preys on the communal mind of the British public, its details (like his penchant for smoked salmon and lamp chops) indelibly printed there. For anyone under 30 that's a difficult argument to swallow, and for good reason. As one wise character puts it "Few people today would take Lucan and his pretensions seriously, as they rather tended to do in the 70s". Times have changed--and perhaps that's Spark's point, that the "psychological paralysis" that allowed Lucan to escape is now long gone. --Alan Stewart --This text refers to an out of print or unavailable edition of this title.
Satiric and mordantly critical of aristocratic pretension, this is vintage Spark. Her plot is very tight, with no loose ends and no digressions, and her selection of details is exquisitely careful and controlled. Her themes and motifs, especially those of blood as it relates to both crime and breeding, are so intricately connected to all the characters and the plot, that it is difficult to discuss them without giving away the clever plot twists. And Spark does all this in less than two hundred pages! It's impossible not to read this at a gallop to find out what happens--while smiling the whole time at Spark's wry wit. Mary Whipple
Resumes of this novel can't help but sound fantastic and more than a little distasteful. After all, those who suffered from Lucan's crime are still living. However, the disappearance of Lucan remains as enigmatic today as it ever was. The rumours of what happened to him, and what actually happened on the night he killed Sandra Rivett are numerous. All these are discussed in Spark's novel, although the common belief amongst Lucan's former friends that he must have killed himself is arbitrarily dismissed. The question is how could such a dull man ever have evaded capture for so long? One of the most improbable stories about Lucan, printed in the Guardian at the time of the murder, was that he was once considered for the film role of James Bond.
It seems that Muriel Spark has borrowed the name of Robert Walker (the alias of one of the Lucans), from Hitchcock's film 'Strangers on a Train'. This fits her story since both Lucans are presumed to be in collusion with one another for some reason. In Hitchcock's film, Robert Walker kills Farley Granger's wife, and then blackmails Granger to murder his business tycoon father. Both Lucans blackmail Hildegard about her shady past.
... Read more ›The second story line is about a fake stigmatic from Bavaria who disappeared after stealing donated funds. Being at least a little imaginative, Beate Pappenheim will appeal to more readers than Lord Lucan will. However, she wasn't really necessary for the joke, but does give Ms. Spark the ability to stretch a short story into a novella.
To stir up a little interest, the book has a small mystery to solve. Who is Lord Lucan? In pursuing this idea of identity, the book takes off on modern psychiatry . . . basically pointing out that there's not much there. Ms. Pappenheim pretends to be a psychiatrist, ignores all the rules, and still creates a series of very devoted patients who depend on her.
Ms. Spark also explores imagery in many significant ways to develop her story. Blood is the key image. Blood ties the upper classes together. Blood is part of a woman's monthly cycle. A messy murder causes blood to be spilled. Being able to use blood in new ways creates opportunity for Ms. Pappenheim. Being able to describe what it's like to kill in cold blood is a way to identify Lord Lucan. And so on. Ms. Sharp shows her writing brilliance in these ways.
Ultimately, I was sorry that she didn't pick a more worthy subject for her humor.
... Read more ›|
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