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Tom Mes addresses this potential difficulty by deciphering and offering sound interpretations some of the more complex and seemingly imperceptible elements and themes within Miike's films. The enthusiasm for his subject pervades throughout the book, which is clearly expressed and well-researched, Mes creatively analysing and perceptively discussing the director's oeuvre. Miike's films are, without a doubt, more about style than content. And Mes's discussion is sensitive to this, highlighting particular visual and aural techniques and their baring on such things as the themes and overall tone of individual films.
Mes also avoids the trap many writers fall into when writing about something they zealously adore: that of offering little genuine criticism. This often comes about when authors are too protective of their beloved subject and/or blind to their flaws. In contrast, Mes's study is as conscious and honest of the faults and problems in Miike's work as it is of their ingenuity and brilliance. Moreover, he never supplies far-fetched readings of the films that unearth sub-texts or implicit meanings that over-stretch the most insignificant of details; a problem that frequently occurs when aficionados or scholars allow their over-active imaginations to get the better of them.
... Read more ›A must buy for any fan of Takashi Miike, or anyone remotely interested in film period! (and a true collectors item)
The book is balanced well, providing a good overview of his origins and style, before launching into the reviews, which again are balanced well, his more influential films getting greater attention.
For anyone interested in Takashi Miike's work, 'Agitator' is THE book, bar none.
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