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After Hours
 
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After Hours

5 April 2009 | Format: MP3

£8.09 (VAT included if applicable)
Buy the CD album for £16.04 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
6:49
30
2
6:17
30
3
4:38
30
4
5:29
30
5
6:11
30
6
5:45
30
7
7:12
30
8
2:12
30
9
5:33
30
10
6:51
30
11
1:16

Product details

  • Original Release Date: 11 Sept. 1998
  • Release Date: 11 Sept. 1998
  • Label: Warner Bros.
  • Copyright: 1998 Warner Bros. Records Inc. for the United States and WEA International for the world outside the US
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 58:13
  • Genres:
  • ASIN: B002LZ8M8E
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 299,154 in Albums (See Top 100 in Albums)

Customer Reviews

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful By Julian Stevens on 11 Aug. 2006
Format: Audio CD
What little of his instrumental tracks I've heard in the past I've always liked, but the burly (and now late) Mr D did have an unfortunate tendency to sing or to invite other people to do so on his albums, which messes things up in a rather big way. Here, however, we have his first all instrumental album in 20 years (so he wrote in the sleeve notes) and what a truly stonkingly good endeavour it is on all fronts. The general theme is a night of seduction following a roustabout opening track based on the idea of a harassing battle home through the rush hour traffic. It's all mood and atmosphere but with an excellent underlying tension and flow, whilst his jazz piano playing is utterly superb.

Guests include Leon (Ndugu) Chancler, whose drum work is first class (it was him on Michael Jackson's Billie Jean), Paul Jackson Jr (who seems to have been getting just about everywhere since time immemorial ~ see the sleeve credits on Stevie Wonder's 1972 album Talking Book), Lenny Castro and Larry Kimpel. Overall the result is very satisfying if, in places, a little on the funky side for my tastes. The recording's an absolute peach too, especially the bass, which is superbly defined, whilst the upper registers are completely free of harshness or sting. In fact, sonically this is about as close to perfect as anything in my entire collection. Truly excellent and, now it's been remastered at 24 bits as part of Warner Bros' Fusion 1000 Best Collection, better than ever.
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