After the Fire, A Still Small Voice [Paperback]

`superb first novel' -- The Times, Kate Saunders

`...filled with light and tragedy. This is a sad novel and lovely novel from a talented new writer' --The Observer

A stunning work from a brilliant new voice' --Esquire

'this adroit examination of loss, lostness and trauma is the beginning of great things'. --The Independent

" ...pitchy, crystal-sharp prose, a compelling read that uses the Australian landscape to mirror its characters' equally unforgiving emotional terrain" -- FT

`this adroit examination of loss, lostness and trauma is the beginning of great things' --The Independent

'This jewel of a book.' --Grazia

"... pitchy, crystal-sharp prose... a compelling read that uses the Australian landscape to mirror its characters' equally unforgiving emotional terrain" --FT

"Manages to create a confidently uneasy and gripping atmosphere"
--Elle

'its richness of prose is evocative' --Historical Novels Review

"It is every inch the assured and stunning debut that everyone suggests." --Dovegreyreader.com

It's not just about generations of men affected by war. It's about men everywhere. For any man who's ever felt like an emotional fence post, this is the book for you. I enjoyed it enormously. - Giles Foden

'Intense. Wyld is an absolutely brilliant prose writer. The first chapter is so acute, poetic but not self-consciously literary and all in service to the characters. A fantastically-written novel. But gripping, it works almost as a mystery. Incredibly realistic about men and the trouble they have expressing themselves. - Boyd Hilton, BBC Radio 5 Live

Splendid. There's a point where you realise if you're confident in a writer. For me it was page five. From that point on, I knew I would go anywhere with this author. The book has an incredible, quiet confidence in its own prose. It never raises its voice. I just ate it up. There were two brilliant Australian novels I read this year by Tim Winton and Steve Toltz, which got a huge amount of attention. This is equally good. A masterful piece of writing.- Joel Morris, BBC Radio 5 live

After the breakdown of a turbulent relationship, Frank moves from Canberra to a shack on the east coast once owned by his grandparents. He wants to put his violent past and bad memories of his father behind him. In this small coastal community, he tries to reinvent himself as someone capable of regular conversation and cordial relations. He even starts to make friends, including a precocious eight year old named Sal. But it is not that easy for him to let go of the past.

Leon is the child of European immigrants to Australia, living in Sydney. His father loves Australia for becoming their home when their own country turned hostile during the Second World War. His mother is not so comforted by suburban life in a cake shop. As Leon grows up in the 50s and 60s, his watches as his parents' lives are broken after his father volunteers to fight in the Korean War. Leon himself goes from working in the shop, sculpting sugar dolls for the tops of wedding cakes, to killing young men as a conscripted machine-gunner in Vietnam.

In the fall out from the war, Leon thinks he might be able to make a new life with his woman, make a baby, live by the sea in a small shack. But something watches from the cold shade of the teeming bush.

Set in eastern Australia with its dark trees and blinding light, where the land is old but its wounds are still wet, this beautifully realised debut tells a story of fathers and sons, their wars and the things they will never know about each other. It is about the things men cannot say out loud and the taut silence that fills up the empty space.

Evie Wyld grew up in Australia and London. She is a graduate of the Creative Writing MA at Goldsmiths University. Her stories have been published in Goldfish: An Anthology of Writing from Goldsmith, the National Maritime Museum anthology Sea Stories and in the 3:AM Magazine anthology, London, New York, Paris. She lives in London.