Whichever side you're coming from, ie an interest in Cuban music, an interest in Africn music, a fan of both or even someone new to 'World music', this album has it all - wonderful playing, singing, composition and that wonderful feeling that comes across of everyone just having such a great time creating something which is a genuine fusion of styles, rather than clumsy Damon Albarn-style bolting on of one music to another.
Songs are by turns more Malian than Cuban and visa versa in their basic rythms and composition, but the playing blends in wonderfully, each set of musicians copying and reproducing the opthers' styles to create something genuinely seamless and unique.
Something also very evident here, and which I increasingly appreciate about much 'World music' in general, is that the best-known artists, Eliades Ochoa, Toumani Diabate, Bassekou Kouyate, are all capable of stepping aside and letting others take the lead - this was very evident when i saw the Afrocubism show recently - Fode Lassana Diabaté on the balafon (a truly wonderful Malian instrument resembling a large wooden xylophone) was given as much solo time as any of those I mention above, as were all the other artists.
This should, and I hope will, become just as essential to anyone's music collection as 'Buena Vista Social CLub' itself, and well done to Nick Gold for finally bringing it all together.