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African Scream Contest: Raw & Psychedelic Afro Sounds
 
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African Scream Contest: Raw & Psychedelic Afro Sounds

~ Various Artists
5.0 out of 5 stars  See all reviews (1 customer review)
Price: £10.98 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Customers buy this with The Vodoun Effect: Funk and Sato from Benin's Obscure Labels 1973-1975 ~ Orchestre Poly-Rythmo de Cotonou

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Product details

  • Audio CD (17 Mar 2008)
  • Number of Discs: 1
  • Label: Analog Africa
  • ASIN: B00142Q7WI
  • Other Editions: Vinyl
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 6,047 in Music (See Bestsellers in Music)

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Product Description

CD Description

After releases by Zimbabwean 70s bands the Green Arrows and Hallelujah Chicken Run Band, the Analog Africa label now delves into the amazing history of music from 1970s Benin and Togo. This compilation highlights forgotten raw and psychedelic Afro sounds, and the well-researched liner notes tell fascinating stories to accompany the mind-blowing music. The essence of Analog Africa is clear; searching in dusty warehouses for forgotten music to keep the sound alive. Label owner & vinyl collector Samy Ben Redjeb arrived in Cotonou, Benin, "without any special expectations, just hoping to lay my hands on few good records--what I found in the process cannot really be described in words".

Like most modern music in French-speaking West African countries, the music of Benin and Togo was influenced by a few main musical currents: Cuban, Congolese and local traditional music, as well as Chanson Francaise. Additionally, the geographical location of Benin and Togo--sandwiched between Ghana and Nigeria--exposed Beninese and Togolese musicians to Highlife music.

The cultural and spiritual riches of traditional Beninese music had an immense impact on the sound of Benin's modern music. Benin is the birth place of Vodun (or, as it is known in the West, Voodoo), and some of the rhythms used during traditional rituals - Sakpata, Sato, Agbadja, Tchenkoumé and many others - were fused to Soul and Latin music as early as the mid-1960s and later to Funk. In the late '60s and early '70s rock and soul music started creeping into the region. In particular, the music of James Brown and Johnny Halladay became immensely popular with university students. It was then that the music scene in Benin really started to take off. That fusion is the essence of this compilation. The CD includes a well researched 44-page booklet & rare photographs.


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18 of 22 people found the following review helpful:
5.0 out of 5 stars "........" - That's me speechless listening to this incredible music, 22 Jul 2008
By T. Preston "Francophile" (London) - See all my reviews
(REAL NAME)   
I almost choked on my cornflakes in delight when I put this record on.

Samy Ben Redjeb has certainly done some hardcore searching, sifting through thousands of dusty vinyl stored in scorpion-infested warehouses to put together a compilation of such high quality it's left me scraping around for superlatives. I'm trying to think of ways to fault this record to provide some balance but, in truth, the best I can come up with is the usual problem with compilations, particularly African ones, in that each track leaves me begging for more of the same artist, yet with little clue as to how I'm going to get hold of it.

That aside, it's also pretty difficult to describe. Imagine mooching about in Benin or Togo [I think I need to revisit these countries and do some musical exploration of my own], looking East and West at your more illustrious neighbours. I'm hungry. A dollop of Juju, a smattering of Highlife, mix it all up with Afrobeat sauce and sprinkle in some funk and soul from the States. Maybe add a little Congolese guitar, just to taste, and a tiny bit of the prevailing Cuban sound. Hmm. Something's missing. Oh yeah - whack in the meat; local styles and beats such as Sato, Agbadja, and...BAM! The result is a musical feast that will blow you away and make you want to shake your derrière in the kitchen window without a care in the world about what the neighbours think.

From the very first track, this album explodes into life and doesn't give up. It comes highly recommended. More, please!
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