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Affinity [Paperback]

Sarah Waters
4.1 out of 5 stars  See all reviews (85 customer reviews)
RRP: £7.99
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Book Description

2 Mar 2000
Set in and around the women's prison at Milbank in the 1870's , AFFINITY is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common thieves, Margaret feels herself drawn to one of the prisons more unlikely inmates - the imprisoned spiritualist - Selina Dawes. Sympathetic to the plight of this innocent-seeming girl, Margaret sees herself dispensing guidance and perhaps friendship on her visits, little expecting to find herself dabbling in a twilight world of seances, shadows, unruly spirits and unseemly passions.

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Affinity + Tipping The Velvet (Virago V) + Fingersmith
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Product details

  • Paperback: 368 pages
  • Publisher: Virago; New Ed edition (2 Mar 2000)
  • Language: English
  • ISBN-10: 186049692X
  • ISBN-13: 978-1860496929
  • Product Dimensions: 12.6 x 2.2 x 19.5 cm
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (85 customer reviews)
  • Amazon Bestsellers Rank: 27,160 in Books (See Top 100 in Books)

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Amazon Review

Affinity is a tale of power and possession that Henry James himself might admire. In her first novel, Tipping the Velvet, Sarah Waters explored secrets and longing--capping off this lesbian romp with a utopian-socialist vision. Her intricate follow-up is just as sensual but infinitely darker, its moral more difficult to descry. Its stylistic and psychological rewards, however, are visible at every turn, the author's persuasive imagination matched by her gift for storytelling.

In late September 1874, Margaret Prior makes her way through the pentagons of London's Millbank Prison, a place of fearful symmetry and endless corridors. This plain woman on the verge of 30 has come to comfort those behind bars, several of whom Waters brings to instant, sad life. And our lady visitor plans to take her role seriously, having recovered from two years of nervous indolence in her family's Chelsea house. One person, however, makes her job a passion. Opening an inspection slit (or "eye" as these devices are known), Margaret hears "a perfect sigh, like a sigh in a story". Peering inward, she's confronted by the most erotic of visions--a woman turned towards the sun, caressing her cheek with a forbidden violet: "As I watched her, she put the flower to her lips, and breathed upon it, and the purple of the petals gave a quiver and seemed to glow..."

The medium Selina Dawes may indeed have the face of a Crivelli angel, but she is in prison for fraud and assault. Suffice to say that the first full encounter between these two very different women is enthralling. "You think spiritualism a kind of fancy," Selina riddles. "Doesn't it seem to you, now that you are here, that anything might be real, since Millbank is?" And soon enough Margaret receives several viable signs of the supernatural: a locket disappears from her room, flowers mysteriously appear and her dazzling friend knows everything about her. Strangest of all, Selina seems to love her.

As Margaret records her weekly forays, her own past comes into focus, notably her plans to travel to Italy with her first love (who is now her sister-in-law). But her current journal, she convinces herself, is to be very different from her last one, which "took as long to burn as human hearts, they say, do take". Meanwhile, Waters offers a narrative two-for-one, placing Margaret's diary cheek by jowl with Selina's chronicle of her pre-Millbank existence. This dispassionate, staccato record initially suggests that we can separate truth from desire. Or can we? What Waters' haunting creation leaves us with is a more painful reality--that knowledge and belief are entirely different things. --Kerry Fried, Amazon.com --This text refers to an out of print or unavailable edition of this title.

Review

'A work of intense and atmospheric imagination ... Sarah Waters is ... a kind of feminist Dickens' -- FIONA PITTKETHLEY, TELEGRAPH

'Indeed, this is such a brilliant writer that her readers would believe anything she told them' -- AN Wilson, Daily Mail

'Sexy, spooky, stylish, AFFINITY is a wonderful book from any perspective' | -- GILES FODEN, GUARDIAN

'Spooky, spellbinding, exquisitely written ... I do believe Waters is on the way to becoming a major literary star' -- VAL HENNESSY

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Customer Reviews

Most Helpful Customer Reviews
33 of 33 people found the following review helpful
5.0 out of 5 stars Affinity pulls you in however hard you try 24 Feb 2002
By A Customer
Format:Paperback
Having read "Tipping the Velvet" I was expecting a lot of colour, frivolity and fun from "Affinity". Even though I'd read it was set in a prison I awaited a Victorian "Bad Girls". However it was far from any of these - it was dark, it was psychological and so different from the previous novel. Subtle and discreet the reader is slowly drawn into Affinity and the world of Millbank, just as Margaret is drawn to Selina and however hard you try to resist this pull - you end up not just "wanting" to believe in the "magic" but like Miss Prior "NEEDING TO". I recommend this novel even though a lot of people prefer "Tipping the Velvet" I loved the repression and wanting in "Affinity" - Sara Waters explores that human need to believe in someone or something and she does this superbly!
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27 of 28 people found the following review helpful
3.0 out of 5 stars Hmmmm.... 29 Nov 2003
Format:Paperback
I bought this book after having finished 'Fingersmith', which I rate inside my top 25 book; I found Water's writing extremely gripping and reminiscent of old Victorian novels. I expected something equally exciting when I began to read 'Affinity'.

How wrong I was....at the beginning.

At first, I found the book quite tedious, as it moved at a rather slow pace, with too many descriptions of the prison and Margaret's house in Cheyne Walk.

After the first 150 pages, however it began to draw me in, with the exciting occurences. The descriptions did not come as often and I did not feel tired or compelled to shut the book to start a new one. The characters became more enticing; instead of skimming blankly over passages illustrating their feelings read them closely and felt for said characters. I was drawn into the story and the plot, that I almost believed everything (well, maybe not everything)said.Indeed the end was extremely surprising and shocking.

After the first half, a very enticing and well written book. Expect great things from Ms Waters - even better than 'Fingersmith' - in the future.

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7 of 7 people found the following review helpful
By Brida TOP 500 REVIEWER VINE™ VOICE
Format:Paperback
This is the first book by Sarah Waters that I have read. Because of this, I came to the book with few assumptions or expectations. I did,however, hope that the book would live up to the comment on the front that it was "sexy, spooky and stylish". Having now finished it, I can happily say it was all of these things and more.

The story follows Margaret, a young Victorian lady who is close to becoming a spinster. When she is first introduced, the reader is given the impression that something has happened to her - she seems troubled, and there is mention that she has not been 'well'. We later learn that, for some reason, she attempted suicide. Her family seems to think that it would do her good to go to volunteer at a prison, Millbank, to visit the female prisoners. It seems she is to become a sort of confidante to them, if they wish. While this situation in itself is quite interesting, while on one of her visits, Margaret sees one lady who intrigues her. This mysterious lady, Selina Dawes, seems to possess a compelling calmness about her. And, when Margaret first sees Selina in her cell, she is holding a perfect violet in her hands. Where, Margaret wonders, would she have gotten this flower from?

As Margaret learns more about Selina, she discovers that she is a spiritualist, or medium. Her crime involves some kind of alleged abuse against one of her female customers. Margaret, it seems, finds it hard to believe that Selina would be capable of such a crime, and so tries to learn more about her and befriend her - she is drawn to her.

That is a very basic plot. There are many aspects to this novel which make it what it is. I thought Waters has done a fabulous job at describing life in Victorian times; Selina's imprisonment starts to echo Margaret's situation in life and society, as an unmarried woman. The writing is beautiful - there is one passage in particular when Margaret is taken to view the personal belongings of the women, their old clothes, dresses and hair. Margaret likens this room to a tomb - the boxes with all their belongings in are said to remind her of small coffins for babies. It is quite harrowing.

The tension in the book is built up brilliantly too. You know that something horrible is going to happen, so in a way the end is not such a great surprise. I think the relationship between Selina and Margaret is also dealt with very well. There is a very touching part where they are discussing love, and Selina talks about souls having an affinity to each other:-

'"How will a person know, Selina, when the soul that has the affinity with hers is near it?"

'She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.'" (p.210-211)

It is certainly a beautiful idea, and one that brings a lot to the story.

I thought this novel was excellent. It has made me want to read other books by Waters. I just hope that they are as good as this!
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Most Recent Customer Reviews
4.0 out of 5 stars Keep reading!
Being a huge Sarah Waters fan, and having read all of her other books, this one has been sat on my shelf for a few years now - after having started it and then becoming... Read more
Published 7 days ago by Sookie
1.0 out of 5 stars HATE IT
I really hate this book. It's filled with useless details and its such a slow starting book. I read 50 pages and not much had happened so I gave up. Read more
Published 21 days ago by Qwayne Rose
5.0 out of 5 stars Fantastic
This was my favourite book for a long time. I've read The Night Watch too but this was far better in my opinion.
Published 1 month ago by Niamh
1.0 out of 5 stars Written especially for the gullible
Do you care if a sad druggie wants to spend most of her time prison visiting? Will she find what she's looking for?
Published 3 months ago by kaza
5.0 out of 5 stars Very interesting read
I found this an easy book to get into and then difficult to put down. It draws you in with an interesting ending that kind of takes you by surprise when you've got so involved with... Read more
Published 3 months ago by L S Lewis
5.0 out of 5 stars My Favourite Sarah Waters Book
This is my favourite book by Sarah Waters, I really enjoyed reading it. I found myself totally engrossed in the developing psychological/semi sexual relationship between Margaret... Read more
Published 3 months ago by Musical anorak
5.0 out of 5 stars Fantastic
May be my favourite of her novels. Starts out spooky and ends up flat out evil. Ideal for dark winter nights.
Published 5 months ago by S. D. Neighbour
4.0 out of 5 stars Not a bad read!
Not having read Sarah Waters before I wasn't sure what to expect. It was obvious the research into the era was seriously good and I liked the characterisation. Read more
Published 8 months ago by R. C. Harris
5.0 out of 5 stars 'You were seeking me, your own affinity. And if you let them keep you...
The narrator of this novel is a troubled young woman in Victorian London. Living in a well to do household under her mother's thumb, bereft after her beloved father's death and... Read more
Published 8 months ago by sally tarbox
2.0 out of 5 stars Too tedious and slow paced. Could not finish it.
This is not for anyone who likes a fast paced gripping novel that captures your interest from the start, as it's the opposite to that. Read more
Published 8 months ago by Emily Puffin
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