Most Helpful Customer Reviews
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38 of 39 people found the following review helpful:
5.0 out of 5 stars
Happy, frivolous, peculiar, surprising - a must!, 2 May 2001
By A Customer
I'm really shocked to find there's no review of this book on Amazon. I read it when it first came out - and have read it many times since.It's a delicious collision of the English middle class, magical realism, and within the many threads of the plot, delicious romance - both gay and straight. Most novels - and if you browse through Amazon's gay & lesbian list, you begin to think all novels - begin by creating a coherent and believable world which is then torn apart and destroyed. In the Aerodynamics of Pork, the world starts incoherently, and as the story progresses, through some wonderfully impossible and magical twists and turns, threads draw together, and everyone's problems evaporate. It's an incredibly uplifting experience, very funny, and very gripping. All the way through the book, Patrick Gale makes the most uncannily brilliant use of music. Central to the plot, as it roughly centres around a music festival in Cornwall, if you know the pieces he uses, you'll find them ringing round your head as you read. Quite amazing. But more than anything, you come away feeling that pigs really might fly, that your own life could take a magical turn at any point, and you'll come out ten times more optimistic than when you started. Read it!
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11 of 12 people found the following review helpful:
4.0 out of 5 stars
Don't be put off by the title!, 24 Oct 2005
It must be admitted that the title of Patrick Gale's first novel, published in 1986, is weird, perhaps even offputtingly so. But the clue to its intepretation would appear to lie in the proverbial "pigs might fly". Which generally implies that what is theoretically possible is, in a pragmatic world, extremely unlikely. And that we should all be getting on with "real life" instead of speculating and dreaming. But Patrick Gale would appear to be suggesting that such idle musing is precisely what makes life worth living... This short first novel consists of two intertwined narratives. One, set in Cornwall, revolves around the fifteen-year-old musical prodigy Seth and his elder sister Venetia, a Cambridge undergraduate, the precociously gifted children of bohemian Evelyn; the other, set in London, centres on Mo, a heartily bluff gay policewoman. As such, "The Aerodynamics of Pork" lays the groundwork for Patrick Gale's subsequent work. The narratives are tentatively linked from the beginning, when Mo witnesses Evelyn as the unwitting victim of a pickpocket, through various common features (such as kippers...) to the imminent interaction of the characters in the final section, corresponding to the birthdays of both Seth and Mo. The novel is a clever study in subversion and subterfuge. The echoes are discreet and varied, but the most obvious parallel is that between the incipient gay relationships between Mo and Hope in London and between Seth and Roly on the Cornish coast. These are set against the background of other problematic relationships, most notably that between Evelyn and her mysteriously absent husband, Huw. If this is an "apprentice work", then it is quite clearly a very good one for a writer then only in his mid-twenties. It looks forward to the emotional complexities of Patrick Gale's later fiction, most notably in the wonderful "Rough Music", in which Roly reappears. Patrick Gale is a strangely underrated writer, and one who will hopefully come to greater prominence in the years ahead.
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2 of 2 people found the following review helpful:
3.0 out of 5 stars
Not up to Patrick's current standard but worth a read, 7 Sep 2009
I was introduced to Patrick first by Rough Music and then by Notes from an Exhibition - both of which I loved. I therefore decided to explore more of his back catalogue.
This is Patrick's 1986 debut and it is interesting to see how his writing style has developed over time. The story concerns the Peake family who travel to Cornwall to an annual classical music festival and a lesbian police officer who investigates a series of mysterious burglaries in London that target astrologists.
There is the usual exploration of relationships that you expect from a Patrick novel but the characters lack depth and it is difficult to warm to any of them. I found Mo, the police officer, particularly challenging. I wanted to care about Seth and his relationship with artist Roly but ultimately I wasn't really bothered; Roly was unnecessarily objectionable when he first meets Seth for no apparent reason and Seth seemed to be going through an adolescent phase rather than looking for any sort of meaningful relationship. None of it was as real as I've come to expect from Patrick.
That said, it was an enjoyable read as the plot developed and you came to realize how the two apparently disparate stories related to one another. Anyone expecting masterpieces of characterization and depth of relationships as experienced in Patrick's more recent novels will be disappointed.
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