Four great orchestral works by the American minimalist composer John Adams are showcased on this CD: Harmonielehre, The Chairman Dances, and Two Fanfares: Tromba Lontana and Short Ride in a Fast Machine.
The title of the 40-minute Harmonielehre is based around the textbook written by the 12-tone serialist Arnold Schoenberg. While the strict world of dodecaphony never really evolved into popular circles, this minimalist work shows that the genre is willing to expand and evolve, incorporating new ideas and exploring new outlooks. The first movement of Harmonielehre starts out like we would expect; highly repetitive rhythms and slow harmonic rhythm with slight changes of meter and orchestral colors. The repetition creates a sort of mantra and the simplistic harmonic rhythm is the foil of dodecaphony. A long lugubrious melodic line shows up after the first 1/3 of the movement and is passed from voice to voice throughout the 17+ minutes. It is an outgoing and virile first movement that bristles with energy. The second movement, "The Anfortas Wound", uses some quasi-12 tone rows unusually enough, and really, the movement is evocative of pointillism rather than minimalism. A constantly shifting kaleidoscope of colors continue throughout, and a long sinuous melody wends its way from instrument to instrument. Minimalists never fear, the last movement, Meister Eckhardt and Quackie is a through and through description of John Adams' "sound". Starting in a high, ethereal tessitura, along with the help of various mallet instruments, piano, and harp, the piece expands into overlapping brass-like Doppler effects and a grand conclusion to an exhausting work. The parts are extremely virtuosic and require great stamina; for the listener too!
The witty Chairman Dances: a foxtrot for orchestra is inspired by Adams' opera Nixon in China. Madame Mao crashes in on a Presidential party and she and Chairman Mao dance the foxtrot. The driving rhythms starts right off, but occasionally, the romanticism and soaring strings of the big band take over, almost as if a different piece has started. Nearly cinematic in parts, the tongue-in-cheek Hollywood portrayal is duly noted. All ends quietly with expansive requirements for percussion, including the ending sandpaper blocks.
The two fanfares include the more lyrical and almost mystical Tromba Lontana. The echoing trumpets between searing strings create an ethereal atmosphere. The famous Short Ride in a Fast Machine is an athletic piece opening with unrelenting flourishes, woodblock, and the superb brass finale. It is a standard for orchestral, nonetheless, minimalist literature.
The British performers, Sir Simon Rattle and the City of Birmingham Symphony Orchestra, excel in these pieces. No holding back for these musicians, it is all energy, with a clear and clean execution, and the works on this disk sparkle. This CD has all of the standard Adams repertoire, and it is nice to have it all on one disk with an outstanding performance. While this is a great introduction to John Adams, try the examples to make sure you like it first, it's not for everyone. Otherwise, this is THE CD to have of Adams' most popular and important works.