- Hardcover: 192 pages
- Publisher: W&N (26 Oct 1998)
- Language English
- ISBN-10: 1551921928
- ISBN-13: 978-1551921921
- ASIN: 0297824376
- Product Dimensions: 28.4 x 23.9 x 2.5 cm
- Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 724,282 in Books (See Top 100 in Books)
- See Complete Table of Contents
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More About the Author
Product Description
Product Description
A fascinating study of the male nude in art : the image which provokes the most powerful of taboos but which has dominated the history of art for centuries. The myth of Adam, the 1st man, is about passing from the unclothed state of innocence to the clothed state of experience. Adam celebrates the male nude in every medium from the idealized beauty of ancient Greek and Roman statues to the perceptions of the male nude in every medium from the idealized beauty of ancient Greek and Roman statues to the perceptions of the male in Western society today. From the upsurge of interest during the time of the renaissance and artists such as Michelangelo and Leonardo to the photography of Robert Maplethorpe and Bruce Weber, the history of the male nude is traced impeccably throughout the ages. In this incisive and witty text Edward Lucie Smith provides a valuable insight into the complex social, political and sexual contexts of the male nude.
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Customer Reviews
Most Helpful Customer Reviews
Format:Hardcover
As the introduction explains: "the purpose of this book is to discuss the paradoxes inherent in Western attitudes to the image of the nude or naked male" although Lucie-Smith goes on to say that he will be taking a look at the attitudes of other cultures to the male nude. The author then expounds his thoughts through the subsequent nine chapters looking at the male nude from early times to the present day. The writing is intelligent and informative as one would expect from such an authority as Edward Lucie-Smith.
The book is lavishly illustrates throughout with around 100 full-colour and well over 60 mono or duo-tones. Many of the pictures are full-page and some double-page. They include painting, drawing, sculpture and pottery, and photography, some subtle others blatantly provocative. However while the illustrations are well captioned and usually accompanied by a brief comment, their seems to be little direct relationship between them and the text, many artists mentioned in the text are not illustrated, and many illustrated are not mentioned in the text; it as if there are two separate books here.
The artists illustrated include David Hockney, Michael Leonard, Andy Warhol, Gilbert and George, Lucien Freud, De Chirico, Picasso, Delmas Howe, Tom of Finland, Tom Binachi, Roberto Rincon, Tony Butcher and many more - but for example no Robert Mapplethorpe who is mention in the text.
Adam, the Male Figure in Art make an interesting read, and an equally interesting visual experience, it is unfortunate that there is little relationship between the two other than the subject matter.
The book is lavishly illustrates throughout with around 100 full-colour and well over 60 mono or duo-tones. Many of the pictures are full-page and some double-page. They include painting, drawing, sculpture and pottery, and photography, some subtle others blatantly provocative. However while the illustrations are well captioned and usually accompanied by a brief comment, their seems to be little direct relationship between them and the text, many artists mentioned in the text are not illustrated, and many illustrated are not mentioned in the text; it as if there are two separate books here.
The artists illustrated include David Hockney, Michael Leonard, Andy Warhol, Gilbert and George, Lucien Freud, De Chirico, Picasso, Delmas Howe, Tom of Finland, Tom Binachi, Roberto Rincon, Tony Butcher and many more - but for example no Robert Mapplethorpe who is mention in the text.
Adam, the Male Figure in Art make an interesting read, and an equally interesting visual experience, it is unfortunate that there is little relationship between the two other than the subject matter.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5 reviews
27 of 31 people found the following review helpful
A thoroughly refreshing entry into art history
25 Oct 1998
Format:Paperback|Amazon Verified Purchase
Adam; The Male Figure in Art by Edward Lucie-Smith sets out to explore how artists have perceived and represented man as a subject in every form of the arts. With his characteristic enthusiasm and wit Lucie-Smith offers enough treasures of painting, sculpture, photography, murals from Egypt and Rome and Greece to satisfy even the most avid art historian. It is a pleasure to discover young contemporary artists along side the ancients and the grand masters. This is a potpouri, a delectable, energetic voyage that begs frequent return visits. A must from the current coffee table art book selection for the holidays!
11 of 12 people found the following review helpful
great resource for art historians interested in masculinity
13 Nov 2001
Format:Paperback|Amazon Verified Purchase
this book seeks to briefly encapsulate the history of the male figure in (western) art. it does a good job of providing a variety of styles and media, and the images are always very interesting. also, as a dancer, it is fascinating to note how the body becomes more and more realistic as anatomy is more fully studied and understood. it is a great resource for those interested in this branch of art history, as well as those who are interested in the way culture has looked at the male body.
Lavishly illustrated
18 Jan 2011
Format:Hardcover
As the introduction explains: "the purpose of this book is to discuss the paradoxes inherent in Western attitudes to the image of the nude or naked male" although Lucie-Smith goes on to say that he will be taking a look at the attitudes of other cultures to the male nude. The author then expounds his thoughts through the subsequent nine chapters looking at the male nude from early times to the present day. The writing is intelligent and informative as one would expect from such an authority as Edward Lucie-Smith.
The book is lavishly illustrates throughout with around 100 full-colour and well over 60 mono or duo-tones. Many of the pictures are full-page and some double-page. They include painting, drawing, sculpture and pottery, and photography, some subtle others blatantly provocative. However while the illustrations are well captioned and usually accompanied by a brief comment, their seems to be little direct relationship between them and the text, many artists mentioned in the text are not illustrated, and many illustrated are not mentioned in the text; it as if there are two separate books here.
The artists illustrated include David Hockney, Michael Leonard, Andy Warhol, Gilbert and George, Lucien Freud, De Chirico, Picasso, Delmas Howe, Tom of Finland, Tom Binachi, Roberto Rincon, Tony Butcher and many more - but for example no Robert Mapplethorpe who is mention in the text.
Adam, the Male Figure in Art make an interesting read, and an equally interesting visual experience, it is unfortunate that there is little relationship between the two other than the subject matter.
The book is lavishly illustrates throughout with around 100 full-colour and well over 60 mono or duo-tones. Many of the pictures are full-page and some double-page. They include painting, drawing, sculpture and pottery, and photography, some subtle others blatantly provocative. However while the illustrations are well captioned and usually accompanied by a brief comment, their seems to be little direct relationship between them and the text, many artists mentioned in the text are not illustrated, and many illustrated are not mentioned in the text; it as if there are two separate books here.
The artists illustrated include David Hockney, Michael Leonard, Andy Warhol, Gilbert and George, Lucien Freud, De Chirico, Picasso, Delmas Howe, Tom of Finland, Tom Binachi, Roberto Rincon, Tony Butcher and many more - but for example no Robert Mapplethorpe who is mention in the text.
Adam, the Male Figure in Art make an interesting read, and an equally interesting visual experience, it is unfortunate that there is little relationship between the two other than the subject matter.
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