An Actor's Guide to Getting Work [Kindle Edition]

I bought this book about 10 years ago while at Drama School and it was an invaluable reference for my first years working as an Actor. Of all the similar books I've read, this is still the best. He is clear and practical in his advice, which he elaborates with a few anecdotes. My only grip with Dunmore's book is that on several occasions he gives an account of an occasion where someone succeeded by doing the exact opposite of what he suggests. I'm sure he does this to give balance, but it does negate some of his advice.

Dunmore gives a pretty accurate account of what to expect, and what is expected of you. I would recommend this book to anyone entering the profession, especially if they are going to do so without formal training.

For me, the ideal person to offer an actor advice on the pitfalls to avoid is somebody who has read countless piles of actors' C.V.s and spent long days auditioning actors, as opposed to an academic or actor who has 'made it'. Simon Dunmore, a director with thirty years experience, fits the bill.

The information in the book is very detailed, advising actors in every stage of the profession, from those considering entry into drama school to seasoned professionals. For example, there is a detailed dissection of the letter and C.V. and an almost minute-by-minute account of the audition process.

Dunmore states that he is offering his opinion and, as he readily admits, there are a few contradictions. This is inevitable in a profession where decisions are regularly taken based on the subjective tastes of (artistic) individuals. Dunmore offers practical advice based on his own extensive experience.

It is over twenty years since the first edition of the book was published and it states that a number of changes have been made, following criticism by actors, agents and directors. This may explain the amount of detail and depth of discussion that is included.

Dunmore manages not to be patronising but does not 'dumb down' or pull any punches in describing what is of course an extremely competitive profession. A tough profession requires tough, honest advice such as this. It is very much a 'how to' manual, covering much that was missed at drama school. Particularly useful for me were ideas on how to keep in your agent's 'good books' and advice on how to put across one's personality in a letter.

I only hope that some people will not want to take Dunmore's advice - it can only mean more work for the rest of us. By James Schumann.