"Acqua Alta" is the fifth in Donna Leon's mesmerizing series featuring Commissario Guido Brunetti of the Venice police and, as in the previous works, the author once again manages to capture not only the soul but the heart, literally, of modern day Venice. Reality lurkes behind every page, it seems, of a Leon novel, from the cold, creaking listings of ages-old buildings almost atop the famed canals to the musty, bone-chilling foggy days as the "high waters" begin to permeate the once Serene Republic's confines. And, of course, there's a murder or two lurking around some hidden corner of some fourteenth-century palazzo and, naturally, as in the other works, it is Brunetti's dedication, his loyalty, and, above all else, his honesty in seeking out the truth that eventually bring about the solution. Leon's conclusions, however, are not always the easiest, most convenient, or happiest, as she gallops away from the melodramatic and lets reality win again. She underscores the fact the there are evil people about, and, yes, ocasionally, they win. Sometimes, by the end of her books, not all the guilty are punished, but the cases are solved, nonetheless. To say Venice, or even Italy itself, is any more corrupt than any other place is not the question, but Leon, herself an American English professor at the University of Maryland extension campus at the U.S. Army's Vicenza (Italy) post, has spent quite a number of years in Italy, speaks the language, and captures the nuances of hte people and of their daily lives, it seems; indeed, quite an accomplishment for an outsider. "You don't want to keep Doctor Semenzato's appointment." With this warning, two men proceed to beat Brett Lynch within an inch of her life. Thus, the action really begins in this fast-paced book. Brett is a famed anthropologist, whom we'd met in "Death at La Fenice" and who is involved in an extensive dig in China where she has helped uncover, literally, a priceless "find." Enter the art thieves, murderers, and con men. Indeed, from this point on, murder and mayhem do follow and Brunetti is quick to pick up the case; indeed, he's quite eager for it. Guido had come to regard Brett and her lover, famed soprano Flavia Petrelli, as friends, if not suspects! Now, he is appalled at the brutality of the assault and fears for Brett's life. In the course of this investigation, more than one murder transpires, with art-world theft as the circulating theme. What has "high water" (Acqua Alta) to do with the book? Acqua Alta is the dread of every Venezian, as climatic changes cause the water in the canals to rise above their normal levls and a city ordinarily accustomed to much water anyway finds itself actually being inundated by even more of it! Thus, like Sandburg's fog in his Chicago poems, the water becomes another character, always looming, always rising, always threatening. But unlike Sandburg's fog, it doesn't creep in on little cat's feet. And it comes not to wash way the sins but to underscore them. The end comes with the usual "bang" and Brunetti is left to ponder the aftermath. His path of glory indeed leads but to the grave for his villains, as Thomas Gray might have written in his "Elegy." The book continues in true form to capture the Leon magic and is not one to miss.