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| Disc: 1 | |||
|---|---|---|---|
| 1. Zoo Station | |||
| 2. Even Better Than The Real Thing | |||
| 3. One | |||
| 4. Until The End Of The World | |||
| 5. Who's Gonna Ride Your Wild Horses | |||
| 6. So Cruel | |||
| 7. The Fly | |||
| 8. Mysterious Ways | |||
| 9. Tryin' To Throw Your Arms Around The World | |||
| 10. Ultra Violet (Light My Way) | |||
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| Disc: 2 | |||
| 1. Lady With The Spinning Head (UV1) | |||
| 2. Blow Your House Down | |||
| 3. Salomé | |||
| 4. Even Better Than The Real Thing | |||
| 5. Satellite Of Love | |||
| 6. Who's Gonna Ride Your Wild Horses (Temple Bar Remix) | |||
| 7. Paint It Black | |||
| 8. Even Better Than The Real Thing (Fish Out Of Water Remix) | |||
| 9. Mysterious Ways (The Perfecto Mix) | |||
| 10. Night And Day (Steel String Remix) | |||
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Review Twenty years on, Achtung (German for "Attention") Baby still sounds zestful and compelling, with some of U2's all-time highs. One could be the best of them all, a brooding soul ballad oozing confrontation and hurt that manages to unearth some musical US DNA within their Irish selves by doing it without Rattle and Hum's self-consciousness and silly hats. Until the End of the World reconnects with the sleek and rousing rockers of their 1980 debut Boy; but, pardon the cliché, they now sounded like men, resilient and even cynical. Even when U2 deployed arena-courting dynamics on Even Better Than the Real Thing and Who's Gonna Ride Your Wild Horses, the efforts didn't feel hollow. The debut of 'mirrorball' U2 on The Fly succeeded because they had no precedent or fear at this point. By the time of 1997's Pop album, they were second-guessing and falling short of Achtung Baby's bench-setting standards.
As supporting characters, So Cruel, Acrobat and Love Is Blindness (more soulful smouldering and multi-tiered Edge drama) are hardly second-rate. If the second CD of B sides and bonuses lacks anything comparable, Salome and the vampy cover of Satellite of Love will float some boats. But you can see why the unreleased Blow Your House Down didn't even make it as a B side: it's deeply average considering the invention going on elsewhere, namely invention that helped U2 back on course to embrace the world stage while retaining their soul (as R.E.M. and, later on, Radiohead managed without a Rattle and Hum-style wobble).
But achtung! One fight U2 has lost is to retain the image of bassist Adam Clayton's penis on the inside cover, now hidden behind a big black cross that resembles an act of Christian censorship. Twenty years on? More like 50 years ago…
--Martin Aston
Find more music at the BBC This link will take you off Amazon in a new window
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