Or
Includes FREE MP3 version of this album.

More Options
Absolution
 
See larger image
 

Absolution

23 Mar. 2004 | Format: MP3

£5.39 (VAT included if applicable)
Buy the CD album for £5.01 and get the MP3 version for FREE. Does not apply to gift orders.
Provided by Amazon EU Sąrl. See Terms and Conditions for important information about costs that may apply for the MP3 version in case of returns and cancellations. Complete your purchase of the CD album to save the MP3 version to your Amazon music library.
Song Title
Time
Popularity  
30
1
0:22
30
2
4:12
30
3
3:57
30
4
4:54
30
5
4:57
30
6
4:40
30
7
0:37
30
8
3:47
30
9
4:22
30
10
5:01
30
11
3:29
30
12
3:48
30
13
3:07
30
14
4:52
30
15
5:02

Product details

  • Original Release Date: 23 Mar. 2004
  • Release Date: 23 Mar. 2004
  • Label: Warner Bros.
  • Copyright: 2003 A&E Records Limited
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 57:07
  • Genres:
  • ASIN: B0028IYCW4
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (320 customer reviews)
  • Amazon Bestsellers Rank: 4,352 in Albums (See Top 100 in Albums)

Customer Reviews

4.6 out of 5 stars

Most Helpful Customer Reviews

54 of 55 people found the following review helpful By "matt_foster_1988" on 7 Jan. 2005
Format: Audio CD
Muse remain the ultimate acquired taste. Bombastic, over-dramatic and often progressive in style, listeners usually decide to hate them with a passion, or pronounce them the greatest thing in the history of the world. Absolution is their third studio album, and while it's clear it will appear to more people (It seems to shed Origin Of Symmetry's raw edge), there is no sign that Muse are about to settle down and become complacent. Even if you do hate them.
Absolution's general theme is that the world is going to end and we are all going to die. This is reflected on the opening power-surge of "Apocalypse Please", with its driving, almost military drums, and panicking cries of "This Is The End/The End/Of The World". "Apocalypse Please" won't have done much to convince you otherwise if you thought Muse were a tad over-the-top before, but, if the rest of the album is anything to go by, Muse, or at least enigmatic frontman Bellamy, seem perfectly happy to be seen as eccentrics.
The next track comes in the form of the album's most hook-laden track; "Time Is Running Out". A brilliantly catchy pop-rock track, with a bassline to die for, it doesn't break any new ground, for sure, but if it doesn't stick in your head for the next week or two, there's something wrong with you.
This is followed by the magnificent "Sing For Absolution". This sweeping mini-epic is both beautiful and tragic, and marks a real songwriting development from the band who once rhymed "Happening Soon" with "My Direction".
Next up is "Stockholm Syndrome". This is one of Muse's heaviest tracks, an out-and-out rock track that screams panic, desertion and loneliness like Thom Yorke on speed. Again, you will love it, or loathe it with a passion. The falsetto will either drive you to kill or transport you to someplace else.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
38 of 39 people found the following review helpful By Mr I Willmore on 1 Mar. 2004
Format: Audio CD
Absolution is a really terrific record by a top flight band. The fact that Muse have generally lost out at the Brits and other award ceremonies to retro-rockers the Darkness is just another sad instance of the British love of mediocrity.
Muse are basically a guitar three piece. Chris Wolstenholme (bass) and Dominic Howard (drums) are an excellent rhythm section: they make sure that Muse's music always rocks hard (compare with pretty-but-drippy Coldplay, for example, and you will see what I mean). But what sets the band apart is the extraordinary Matt Bellamy.
The little s.o.b. can play the keyboards and the guitar and sing up a storm too. Musicians everywhere gnash their teeth in jealousy at this sort of raw talent. On a couple of tracks in this album he wails an E over top C - out of the range even of the most demanding tenor arias. OK, it is hardly bel canto, but in the overblown but glorious Muse mix, it works. Chuck in some virtuoso guitar work and great deal of mucking about with arpeggiators and you have a instantly identifiable and distinct sound.
Matt is evidently in love with romantic composers from the turn of the century, great music if not always in perfect taste. I like to think that Rachmaninov would approve of the results. Muse are often described as "prog rock". But I hated the prog rock of the 1970s and I love this. Emerson, Lake and Palmer, for example, aped the music of composers like Mussgorsky. But the result was flaccid pretension spread out over interminable double albums. In contrast, Muse write tight, intelligent songs with good chord progressions. But you can bang your head to the result with as much enthusiasm as to anything by AC/DC.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
81 of 84 people found the following review helpful By "shevchenkowen" on 9 Sept. 2003
Format: Audio CD
I was delighted to get this album prior to its commercial release, and so far I must confess it's the best thing I've heard this year. It truly is the spawn of its predecessors. The 'Radiohead imitators' from Showbiz don't collide with the revelation of Origin Of Symmetry, they marry them and have babies! The union of these style is shown no better than Thoughts Of A Dying Atheist, which sounds like a wonderful combination of Plug In Baby and Sunburn.
The album opens with a short track, Intro, where you hear soldiers marching. In retrospect, this is the sound of the Nazi’s invading Poland as Muse decide to stand defiant for the following 50 minutes. I doubt many bands could title a song Apocalypse Please, yet sound as uplifting. The piano laden intro bears resemblance to Politik by Coldplay, not surprising when Chris Martin consulted Matt Bellamy during the recording of A Rush Of Blood To The Head. When Bellamy declares that "This is the end of the world" , it makes for a glorious, bounce around the room sing along. Only 5 minutes into the album and Muse have transformed themselves into the most astonishing band in Britain today. Once you hear this album, you’ll see what I mean. Butterflies and Hurricanes sees Muse hit mantra like levels with Bellamy repeatedly singing “Best, got to be the best” but having the feel of New Born to it. An almost trance like riff bubbles below the surface, begging to be let loose like Bliss, but restrained by tight drumming and highly skilled orchestration.
To their credit, Muse aren’t afraid of their heroes. Time Is Running Out is tied to the late Jeff Buckley with its piano interlude bearing a similarity to Nightmares By The Sea.
Read more ›
1 Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

What Other Items Do Customers Buy After Viewing This Item?


Look for similar items by category