- Paperback: 202 pages
- Publisher: Lulu.com (20 Dec 2006)
- Language English
- ISBN-10: 1430303468
- ISBN-13: 978-1430303466
- Product Dimensions: 27.9 x 21 x 1.1 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 836,074 in Books (See Top 100 in Books)
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Product Description
Product Description
This book is an English translation of excerpts from a very rare Chinese guqin zither handbook published in Fujian province in China circa 1860. The original book was written in classical Chinese. The translation includes sections on guqin construction, silk qin string making, stringing the qin, qin tables, composition and fingering techniques and other qin culture information useful to qin students. The original title for the book was the Yuguzhai Qinpu (Abiding With Antiquity) and its author was named Zhu Fengjie. Later much of the original content was republished in Shanghai as the Qinxuerumen (Introduction to the Guqin), which was a very popular late Qing dynasty Guqin book.
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Customer Reviews
Most Helpful Customer Reviews
Format:Paperback
Along with Van Gulik's' books, this is one of a few books on the Chinese guqin in the English language. Though it is a translation of an existing rare text, it has a wealth of information surrounding the creation and construction of the qin, as well as the playing techniques and notation used in qin playing. It is not only invaluable for the qin player for understanding the construction processes of qin making, but also to the ethnomusicologist. The original Chinese manuscript is buried deep in a few libraries of the world, but Mr Binkley has made the work accessible to a wider audience and thus succeeds in its aims.
This book uses much of the material that Mr. Binkley has already published online but with new information and re-editing of some chapters.
Charles R Tsua, BA(Wolv.), FGMS, FXKQS
This book uses much of the material that Mr. Binkley has already published online but with new information and re-editing of some chapters.
Charles R Tsua, BA(Wolv.), FGMS, FXKQS
Format:Paperback
This is one of only a very few English translations of a traditional qin (Chinese 7-string zither) handbook. It is unique in that it provides fairly detailed instructions on how to make the instrument. It gives a valuable insight into the construction methods, tools etc of the mid-19th century. Much of the information is still applicable today, and this translation is the only English source on the subject. It also covers a number of other qin-related topics, including how to make strings and qin tables. The information on repairs is especially useful for those who have a qin but no access to a maker. The sections on fingering cover a number of techniques, such as harmonic positions other than those at the harmonic nodes marked on the instrument, that are not covered in other English publications. This book is an extremely valuable contribution to qin knowledge in the English speaking world, and its author is to be congratulated. I wholeheartedly recommend it to anyone with an interest in Chinese music, especially the qin, in Chinese woodworking or in philosophy.
Julian Joseph
Secretary, London Youlan Qin Society
Julian Joseph
Secretary, London Youlan Qin Society
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
3 reviews
2 of 2 people found the following review helpful
Very accessible to the general public
1 Feb 2007
Format:Paperback
As a colleague of Jim Binkley's, I purchased his book with some trepidation; I am not a qin player or knowledgeable about Chinese culture. The thing I have enjoyed the most about this book is that I can read it quite happily nonetheless. Binkley's translation of Abiding With Antiquity is a fascinating window into an earlier time and an arcane Chinese art on which he is a Western expert. Highly recommended.
2 of 2 people found the following review helpful
Rare manuscript, easy reading
31 Jan 2007
Format:Paperback
This is an extremely important book for anyone seriously interested in the qin (or guqin). It has an enormous amount of information gathered by a 19th century qin master regarding details of qin structure, care,maintenance and many other details of the nuts and bolts of qin playing. In recent times, hand-copied manuscript copies of the original were circulated privately, with some secrecy, since the material was highly prized. Now it is available in print and in English.
The original Chinese text is in an antique literary style that is accessible even in China only to specialists. James Binkley has lived with this manuscript for decades, and has done a vast amount of research in putting together the translation. Although it doesn't read like a bestseller, the book is in a clear language, with difficult parts explained so that they seem simple. In addition, he has brought a special insight into the material on qin construction from his own experience building instruments.
This is a specialized book, meant for people interested in the qin or its culture, traditional Chinese philosophy, woodworking, or Asian music, who haven't yet mastered literary Chinese. Highly recommended.
Stephen Dydo
New York Qin Society
The original Chinese text is in an antique literary style that is accessible even in China only to specialists. James Binkley has lived with this manuscript for decades, and has done a vast amount of research in putting together the translation. Although it doesn't read like a bestseller, the book is in a clear language, with difficult parts explained so that they seem simple. In addition, he has brought a special insight into the material on qin construction from his own experience building instruments.
This is a specialized book, meant for people interested in the qin or its culture, traditional Chinese philosophy, woodworking, or Asian music, who haven't yet mastered literary Chinese. Highly recommended.
Stephen Dydo
New York Qin Society
1 of 1 people found the following review helpful
Valuable contribution to qin knowledge
19 Feb 2007
Format:Paperback
This is one of only a very few English translations of a traditional qin (Chinese 7-string zither) handbook. It is unique in that it provides fairly detailed instructions on how to make the instrument. It gives a valuable insight into the construction methods, tools etc of the mid-19th century. Much of the information is still applicable today, and this translation is the only English source on the subject. It also covers a number of other qin-related topics, including how to make strings and qin tables. The information on repairs is especially useful for those who have a qin but no access to a maker. The sections on fingering cover a number of techniques, such as harmonic positions other than those at the harmonic nodes marked on the instrument, that are not covered in other English publications. This book is an extremely valuable contribution to qin knowledge in the English speaking world, and its author is to be congratulated. I wholeheartedly recommend it to anyone with an interest in Chinese music, especially the qin, in Chinese woodworking or in philosophy.
Julian Joseph
Secretary, London Youlan Qin Society
Julian Joseph
Secretary, London Youlan Qin Society
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