Amazon.co.uk Review
Perennial underachievers they may be, but that's no reason to underestimate
O, the third full-length album by wayward guitar pop experimentalists--A C Acoustics. Their last album
Understanding Music, was rightly hailed as an offbeat gem, but despite a barrage of critical acclaim, it failed to set the indie record-buying public alight. So over a decade after their inception, they have the dubious honour of stalling in the category marked "critics' band". Nevertheless,
O is a triumph and shows no signs of a band defeated. While not as mind-poppingly eclectic and widescreen as their previous efforts, the songs are still propelled by an epic and windswept thrust and Paul Campion's voice, which always sounds heroically wracked with yearning and the failure of disappointment. On the elegiac, string-laden "Clone of Al Capone", Campion's recurrent themes of opportunities wasted and loves lost are sung in a voice soaked in emotional resonance. Aside from the shuffling beats of an interlude and a brief, spoken-word poem which closes the album, any sonic, experimental trickery is largely absent, yet the album still sounds otherworldly. "Victoria", an eerie paean to a departing lover evokes
Leonard Cohen singing over
Mercury Rev and is quite beautifully strange. --
Suzannah Brown