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Review O'Halloran and Wiltzie (there's a buddy cop show waiting to happen, surely?) were drawn together in Bologna, Italy, at one of the final shows by the late Mark Linkous' much-revered Sparklehorse, with whom Wiltzie was touring (indeed, the two-part Requiem for the Static King, which lies at the heart of this seven-essay album, is dedicated to Linkous). Both enamoured of piano-based atmosphere and understated chamber orchestration (not to mention fine continental cuisine, apparently), the duo bonded in a number of European studio locations, fleshing out their crepuscular electronic keyboard drones and elegantly restrained piano motifs with lavish strings from the ubiquitous Peter Broderick and Icelandic cellist Hildur Gu�nad�ttir.
The results are, almost inevitably, meditative and cinematic, but also, more unusually for music of this so-called 'post-classical' stripe, rich in melody and genuinely haunting, numinous atmosphere. Thus, tremulous, pensive opener We Played Some Open Chords, while doing exactly what it says on the proverbial tin, sounds like a particularly brooding Harold Budd �tude sporadically weighted with Gavin Bryars-like orchestral gravitas, the latter tonalities warding off the chocolate boxy prettiness to which O'Halloran's solo works are occasionally prone.
The aforementioned, two-part Requiem for the Static King follows, its melancholy, Stars of the Lid-like drift/drone-scaping proffering a rapturous, John Dowland-meets-Brian Eno, Renaissance-ambient tone bath in which it is impossible not to become totally immersed. The ensuing Minuet for a Cheap Piano Number Two blends further geodesic drones with stately piano figures and updrafts of swooning, soaring cello - again recalling Gavin Bryars (particularly his masterful The Sinking of the Titanic), while the marvellously titled Steep Hills of Vicodin Tears, the highlight here, builds from muted electronic static to a gorgeous, near symphonic climax.
--David Sheppard
Find more music at the BBC This link will take you off Amazon in a new window
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