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The result is a complex, involving plot with some of the best narrative writing to be found anywhere, and the recreation of revolutionary Paris is very convincing. The device of having two characters that look identical may seem hackneyed to modern readers, but it is here employed with greater plausibility than in Twain's Pudd'nhead Wilson or Collins's The Woman in White.
Dickens was inspired to write this story by reading Carlyle's newly published history of the French Revolution. Those events and their aftermath stood in relation to their time much as World Wars I and II do to ours, that is, fading from living memory into history, yet their legacy still very much with us. In many nineteenth-century novels, especially Russian and British works, you get a sense of unease among the aristocracy that the revolution will spread to their own back yard. In the case of Russia, of course, it eventually did.
I have often recommended A Tale of Two Cities as a good introduction to Dickens for younger readers. This is based on my own experiences, because it was a set book in my English Literature class when I was 15 and I remember thoroughly enjoying it. Yes, it is challenging, with its somewhat archaic language and its slow development, but you cannot progress to an enjoyment of great literature without being challenged.
The story is perhaps a little slow to start, but that matters little. Not only is it difficult to stop reading the novel after a while, given the many little mysteries Dickens hints at throughout, but it is next to impossible not to be absorbed into the lives of the central characters and feel a certain closeness to them. It also notable that the devoted love displayed by so many of the novels cast does not seem at all implausable or out of place, despite the cold and uncaring backdrop used - the French Revolution
"A Tale Of Two Cities" leaves you feeling both thourghly happy and extremely sad, such is the skill with which Charles Dickens - beyond any doubt a master of his craft - tells this moving tale.
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