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Jeez Curwen, a British undercover agent in South Africa reporting on the African National Congress, has received the death penalty for his part in a job in which he should never have been involved. He is incarcerated in the maximum security jail outside Pretoria, awaiting execution.
By the time his son Jack, abandoned by Jeez 25 years ago, discovers that the British government has washed its hands of his father's case, Jeez has only three weeks to live.
But Jack, though young and untried, is determined to see the father he has never known, and to set him free.
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As a reader you cannot fail to wonder what direction things will go in.
The story concerns one mans quest to aid his father who faces execution in south africa for his part in a crime which he should have had no part in. Seymour follows closely and captures well the emotions of a young mans determination to save his father.
This book really is a must read
Jack Curwen, 27, is a junior executive with a demolitions company. He's also Jeez's son. When he learns from his mother that Jeez is soon for South African gallows, a stubborn sense of loyalty propels him to Her Majesty's Foreign and Commonwealth Office. FCO officially tells him there's nothing to be done. However, a sympathetic Whitehall maverick tells Jack that his father is not what he appears to be. And, for the sake of political expediency, the Government and the MI6 mandarins in Century House have decided that Jeez is expendable. Determined to do right by his Old Man, Jack gets some practical advice from a crusty old explosive expert, and flys to Johannesburg. He's going to blast Jeez out of that gaol.
Author Gerald Seymour's fictional worlds are comprised of moral ambiguities; right and wrong come in myriad shades of gray. Therefore, in A SONG IN THE MORNING, it's no surprise that there are "good" and "bad" people on both sides of the line in apartheid South Africa, and all are doing their duty as they see it. But Jack's self-imposed mission is noble - of that the reader has no doubt. Jack's focus enables him to dance around the larger social issues.
Perhaps the most interesting character is Jeez, a steadfast and long-suffering subject in Her Majesty's service, who's come to expect reciprocal loyalty from the London desk jocks who send men into harm's way. But this isn't the old days, and the remnant of Empire is the worse for it.
Seymour's heroes, usually Brits, are invariably ordinary individuals with cores of extraordinary fortitude placed in life or death situations, oftimes against more powerful forces. The fact that they don't usually win a clear-cut victory isn't the point. But that they manage to hold their own is. Perhaps that's the best the Little Guys of the world can hope for.
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