Ronald Wright's literary debut is one of the most engrossing novels I've read recently, and lives up to the promise of its bold title. It is an adventure story, on one level, but on another level it is a thoughtful and insightful look at a very ordinary narrator flung into very extraordinary circumstances. What makes Wright's debut so impressive, however, is the power of its imagery. Wright has commented that he thinks smells - specifically, fictional descriptions of smells - are of great importance to novels, because they remind the reader of specific emotional moments. They are triggers for the imagination. In 'A Scientific Romance' Wright uses smells - and textures, colours, tastes, among other real, physical sensations - to create in the minds of the reader a future world that feels true and tangible. It is world containing history and futurity, memory and desire: Wright has created a world, and a narrator, to really believe in.
'A Scientific Romance' is also full of references to other books: the Time Machine used to transport the narrator into the future is the Time Machine that was 'actually' witnessed by H. G. Wells, inspiring him to write his infamous novel about time travel. Wright is happy to play these intertextual games: throughout the narrative the narrator refers to other works of apocalypse and abandoned English lands, using these references to better communicate vivid picture of the world the narrator sees before him. It is a novel about novels, a book about how our imaginations are built upon traditions of literature: and it is more besides. 'A Scientific Romance' is about science fiction, about history, the future, and our debt (both imaginative and emotional) to both the future and the past. It is an absorbing and beautiful book.