Unlike most so-called 'drug fiction', the narrative of Ageyev's novel is actually multifaceted,and although the cocaine abuse of the protagonist, Vadim Maslennikov, is an important aspect of the novel, it does not constitute its single overriding theme. As the protagonist recalls his bourgeois Russian adolescence, the reader is given an insight into the peculiarities of his schoolyard fraternity as well as his sadistic attitude towards his well-meaning mother. His sexual encounters and flawed relationship with a married older woman also play an important role in the novel's narrative. Cocaine is finally introduced more than half way into the novel, and the intense paranoia, which the protagonist experiences from its usage, is vividly described. The nihilistic philosophising, which its usage provokes appears as reminiscent of Dostoyevsky as the protagonist's eventual ruination. In short, this is a fantastically bleak, at times humorous, Russian novel that seldom gets the recognition it deserves. It also predates the supposedly iconic, but actually quite banal, drug fiction that came out of America in the twentieth century in the form of Kerouac et al.