A Painted House [Audiobook] [Audio CD]

This is the paperback edition of A Painted House which is publishing in December 2001. The hardback edition, which published in February 2001, is currently available. --This text refers to the Paperback edition.

Worlds away from his usual legal dramas, this departure for John Grisham has produced a wonderfully evocative novel. Set in the late summer of 1952 in the cotton-growing regions of Arkansas, the story is told through the eyes of eight-year-old Luke Chandler. Born and raised on his grandfather's cotton farm, like his father before him, he dreams of a world beyond the cotton fields, only existing in his imagination from what he has heard on the radio. But first and foremost is the cotton picking to be done before the rains come.. Outside help in the form of Mexican labourers and hill people is recruited bringing with it antagonism and racism which will eventually culminate in murder. Within 20 pages you are hooked, watching and feeling this tough life through young Luke's eyes. Set against the strict Baptist upbringing of these poor farmers, Grisham gives an intense picture of a hard, insular life where everything revolves around the cotton crop. All the characters are memorable from Pappy who spends his life worrying about the weather to Hank, the Spruill's violent unstable son, to Cowboy the shifty Mexican. And he does not forget the women of this tough world who live in the background quietly ruling the roost and supporting their men without question. A memorable book marking a dramatic change of direction for Grisham - one which this reviewer for one hopes he continues. - Lucy Watson

Worlds away from his usual legal dramas, this departure for John Grisham has produced a wonderfully evocative novel. Set in the late summer of 1952 in the cotton-growing regions of Arkansas, the story is told through the eyes of eight-year-old Luke Chandler. Born and raised on his grandfather's cotton farm, like his father before him, he dreams of a world beyond the cotton fields, only existing in his imagination from what he has heard on the radio. But first and foremost is the cotton picking to be done before the rains come.. Outside help in the form of Mexican labourers and hill people is recruited bringing with it antagonism and racism which will eventually culminate in murder. Within 20 pages you are hooked, watching and feeling this tough life through young Luke's eyes. Set against the strict Baptist upbringing of these poor farmers, Grisham gives an intense picture of a hard, insular life where everything revolves around the cotton crop. All the characters are memorable from Pappy who spends his life worrying about the weather to Hank, the Spruill's violent unstable son, to Cowboy the shifty Mexican. And he does not forget the women of this tough world who live in the background quietly ruling the roost and supporting their men without question. A memorable book marking a dramatic change of direction for Grisham - one which this reviewer for one hopes he continues. - Lucy Watson --This text refers to the Paperback edition.

John Grisham's bestselling backlist repackaged with new fantastic covers --This text refers to the Paperback edition.

The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with two weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, almost over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop". Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it. For six weeks they pick cotton, battling the heat, the rain, the fatigue, and sometimes, each other. As the weeks pass Luke sees and hears things no seven year old could possibly be prepared for, and finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever. A Painted House is a moving story of one boy's journey from innocence to experience.

John Grisham's bestselling backlist repackaged with new fantastic covers --This text refers to the Paperback edition.

September 1952. The cotton is almost ready in the fields of Arkansas. The harvest will soon begin. Luke Chandler is a seven-year-old who lives with his family in a small, unpainted house on rented land. In the next six weeks, the Chandlers and a hired band of hill people and Mexicans must bring in the cotton that is their livelihood and the guarantee of their survival on the land. Soon heat, rain, fatigue, a killing and the unraveling of a family secret threaten to destroy the Chandlers' hopes and will transport Luke abruptly from the childhood innocence to experience. 'His best work... a lyrical, gritty and personal novel' The Times 'A beguiling and gracefully constructed novel' Sunday Times 'John Grisham's pared-down, colloquial prose... is at times reminiscent of Hemingway. A tale told by a craftsman with skill and assurance' Spectator --This text refers to the Paperback edition.

John Grisham is the author if eleven previous bestselling novels. He lives with his family in Virginia and Mississippi.

The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop." They were farmers, hardworking men who embraced pessimism only when discussing the weather and the crops. There was too much sun, or too much rain, or the threat of floods in the lowlands, or the rising prices of seed and fertilizer, or the uncertainties of the markets. On the most perfect of days, my mother would quietly say to me, "Don't worry. The men will find something to worry about." Pappy, my grandfather, was worried about the price for labor when we went searching for the hill people. They were paid for every hundred pounds of cotton they picked. The previous year, according to him, it was $1.50 per hundred. He'd already heard rumors that a farmer over in Lake City was offering $1.60. This played heavily on his mind as we rode to town. He never talked when he drove, and this was because, according to my mother, not much of a driver herself, he was afraid of motorized vehicles. His truck was a 1939 Ford, and with the exception of our old John Deere tractor, it was our sole means of transportation. This was no particular problem except when we drove to church and my mother and grandmother were forced to sit snugly together up front in their Sunday best while my father and I rode in the back, engulfed in dust. Modern sedans were scarce in rural Arkansas. Pappy drove thirty-seven miles per hour. His theory was that every automobile had a speed at which it ran most efficiently, and through some vaguely defined method he had determined that his old truck should go thirty-seven. My mother said (to me) that it was ridiculous. She also said he and my father had once fought over whether the truck should go faster. But my father rarely drove it, and if I happened to be riding with him, he would level off at thirty-seven, out of respect for Pappy. My mother said she suspected he drove much faster when he was alone. We turned onto Highway 135, and, as always, I watched Pappy carefully shift the gears-pressing slowly on the clutch, delicately prodding the stick shift on the steering column-until the truck reached its perfect speed. Then I leaned over to check the speedometer: thirty-seven. He smiled at me as if we both agreed that the truck belonged at that speed. Highway 135 ran straight and flat through the farm country of the Arkansas Delta. On both sides as far as I could see, the fields were white with cotton. It was time for the harvest, a wonderful season for me because they turned out school for two months. For my grandfather, though, it was a time of endless worry. ••• On the right, at the Jordan place, we saw a group of Mexicans working in the field near the road. They were stooped at the waist, their cotton sacks draped behind them, their hands moving deftly through the stalks, tearing off the bolls. Pappy grunted. He didn't like the Jordans because they were Methodists-and Cubs fans. Now that they already had workers in their fields, there was another reason to dislike them. The distance from our farm to town was fewer than eight miles, but at thirty-seven miles an hour, the trip took twenty minutes. Always twenty minutes, even with little traffic. Pappy didn't believe in passing slower vehicles in front of him. Of course, he was usually the slow one. Near Black Oak, we caught up to a trailer filled to the top with snowy mounds of freshly picked cotton. A tarp covered the front half, and the Montgomery twins, who were my age, playfully bounced around in all that cotton until they saw us on the road below them. Then they stopped and waved. I waved back, but my grandfather did not. When he drove, he never waved or nodded at folks, and this was, my mother said, because he was afraid to take his hands from the wheel. She said people talked about him behind his back, saying he was rude and arrogant. Personally, I don't think he cared how the gossip ran. We followed the Montgomery trailer until it turned at the cotton gin. It was pulled by their old Massey Harris tractor, and driven by Frank, the eldest Montgomery boy, who had dropped out of school in the fifth grade and was considered by everyone at church to be headed for serious trouble. Highway 135 became Main Street for the short stretch it took to negotiate Black Oak. We passed the Black Oak Baptist Church, one of the few times we'd pass without stopping for some type of service. Every store, shop, business, church, even the school, faced Main Street, and on Saturdays the traffic inched along, bumper to bumper, as the country folks flocked to town for their weekly shopping. But it was Wednesday, and when we got into town, we parked in front of Pop and Pearl Watson's grocery store on Main. I waited on the sidewalk until my grandfather nodded in the direction of the store. That was my cue to go inside and purchase a Tootsie Roll, on credit. It only cost a penny, but it was not a foregone conclusion that I would get one every trip to town. Occasionally, he wouldn't nod, but I would enter the store anyway and loiter around the cash register long enough for Pearl to sneak me one, which always came with strict instructions not to tell my grandfather. --This text refers to an out of print or unavailable edition of this title.