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A Natural Curiosity [Paperback]

Margaret Drabble
4.0 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

1 Nov 1990 0140122281 978-0140122282 New Ed
Liz, Alix and Esther are old friends whose lives continue to cross and uncross. As the years pass, they are more than ever disposed to question, to re-evaluate, to examine their motives and directions in the brutally prosperous, atrocity-hungry society of Britain.

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Product details

  • Paperback: 320 pages
  • Publisher: Penguin; New Ed edition (1 Nov 1990)
  • Language: English
  • ISBN-10: 0140122281
  • ISBN-13: 978-0140122282
  • Product Dimensions: 12.9 x 2.2 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 264,121 in Books (See Top 100 in Books)

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Product Description

From the Back Cover

'Absorbing and thought-provoking' Sunday Times

'Confident and marvellously accomplished' London Review of the Books

'A remarkable mixture of...compelling narrative, psychological insight, generous human portrayal, acute observation, humour, horror, beauty and disgust' The Times Literary Supplement --This text refers to an out of print or unavailable edition of this title.

About the Author

Margaret Drabble was born in Sheffield in 1939 and educated at Cambridge. She was awarded a CBE in 1980. Her many novels include The Radiant Way, (1987), A Natural Curiosity, (1989), The Gates of Ivory (1991), The Peppered Moth (2000), The Seven Sisters (2002), The Red Queen (2004) and The Sea Lady (2006), all of which are published by Penguin. Margaret Drabble is married to the biographer Michael Holroyd and lives in London.

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9 of 10 people found the following review helpful
4.0 out of 5 stars A sequel which is better than the first volume 26 Mar 2001
Format:Paperback
Being the sequel of The Radiant Way it is a surprising fact that I liked more A Natural Curiosity. Continuing from where The Radiant Way has left us, A Natural Curiosity is a lovely novel, written in the same intelligent style of Margaret Drabble. Three women, nonconformist intellectuals are leading their normal lives with few sparklings of originality, but some exterior things happen and have a great influence in their lives. Alix' serial killer and Liz's sister will prove to be important factors in their decisions from now on. Now and then Alix goes to prison to see Paul, "her serial killer" trying to demonstrate that his insanity, his evilness are not his fault, that there has to be another person which is morally responsible for his crimes. Liz must cope with her sister disappearance after her husband has commited suicide, fearing that she is dead and her body is not yet discovered.

Another dramatic, interesting, intelligent and funny book from Margaret Drabble, A Natural curiosity seems to be a natural sequel to the Radiant Way story, its characters always evolving, always learning, even in their fifties. It may be considered a fair description of modern British Society.

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1 of 1 people found the following review helpful
4.0 out of 5 stars Good Fun, but Not As Good as Book 1 30 Jan 2012
By Kate Hopkins TOP 1000 REVIEWER
Format:Paperback|Amazon Verified Purchase
Drabble's sequel to 'The Radiant Way' is enjoyable, but not quite as beautifully written as the first volume in this trilogy. The book follows the lives of Alix, Liz and Esther through the later 1980s, concentrating largely on Alix and her life in Northam, Drabble's invented Northen city (modelled on Sheffield?). We see Alix trying to find out why the murderer from 'The Radiant Way' (conveniently incarcerated at a local prison) killed, while Liz gives talks on lowering the age of consent and finds out more about her own past, her ex-husband Charles sets off on a mission to free a former friend from imprisonment by terrorists, Esther finds that a lesbian affair in Bologna is not quite to her taste after all, and Liz's sister Shirley finally frees herself from marriage and children.

Although I enjoyed reading this book, and will certainly read it again, I found the plot a little bit more like a soap opera than 'The Radiant Way'. Some of the more minor characters - Fanny Kettle the femme fatale, the weak Susie Enderby - seemed slightly silly, and there was quite a bit of gossipy dialogue and party scenes that didn't appear to go anywhere much. Esther's relationship (one of the more interesting bits of the book) was only dealt with in passing. The plot concerning the murderer and why he ended up a psychopath was rather melodramatic, though Drabble writes rather well about Alix's prison visiting. Charles's terrorist-rescue plan never seemed to really go anywhere (are we meant to think that Charles goes briefly mad, and then recovers?), and I felt the whole plot with Shirley, particularly her escapade in France, was somewhat unbelievable. I'd have also liked to know more about Shirley's academic daughter Celia, who never features enough in the books.

Still - Drabble brings life in 1980s Northern England and London very well to life, there's some good dialogue, and the book is definitely good fun. Not as good as 'The Radiant Way' or 'The Gates of Ivory', both of which are truly excellent, but a good, not too heavy read.
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Amazon.com: 3.5 out of 5 stars  4 reviews
5 of 6 people found the following review helpful
2.0 out of 5 stars Off-putting 21 July 2009
By 2am reader mom - Published on Amazon.com
Format:Hardcover
A disclaimer: as a reader, I look for books that are not only clever and well-written, but (and this may be admitting to a softheaded or sentimental weakness) I want characters who are likeable, admirable, or at least fascinating.

The main character in this book spends her time visiting an incarcerated mass murdered who happened to leave one of his victim's heads in her car. Yet she finds herself visiting the killer in prison, in an attempt to understand him. Sounds like this unusual situation could have some potential: murder, moors, and a woman of curiosity.

But I was never able to find much of a reason to like her, (or "her murderer"), and it was hard to identify with the reasons why she might go through the trouble. The book bounced around to other characters as well; they were equally difficult to sympathize with. I do wonder if this book was some sort of elaborate, elliptical English political allegory (is the murderer actually supposed to be Margaret Thatcher? Is the severed head England?)

Seriously, this book does present some difficulties for an American reader. First, there are lots of literary allusions to poets and writers most Americans wouldn't know. (Unless you read literature at Oxford, perhaps.) Second, there's lots of discussion about where people live (London neighborhoods, parts of England) that apparently means a lot, but is difficult to decode. For example, if I say a person grew up in Marin County, South Boston, the Upper East Side, or Columbine, CO, you might have a whole range of associations for that person. Similarly, Drabble uses place to hint at a whole range of social and political (and perhaps economic) differences in her characters, which may inform her intended readers, but does not translate across the pond.

This dystopian novel introduces us to a cast of unlikeable characters in unnerving situations. Some of the scenes are really ugly, including a charnal house of abandoned dogs (the best thing about our protagonist is that she eventually adopts one of the surviving dogs; the oddest thing is that she's more aggitated about calling the authorities about the perpetrator, than going one-on-one with her in a fight.) Oddly, there's some author-to-reader comments within the narrative (thinking back to English 101, I think it was Berthold Brecht who tried to keep the audience distanced from the play -- this is sort of the same thing), some evocative text that may have deep meaning, (but I couldn't help thinking of the "Emperor's New Clothes" fable, where everyone went along because they didn't want others to think them stupid), and some poisonous, rather sophisticated dialog among self-satisfied and assured people you'd prefer not to know.

This may be a very unfair reading of the book - perhaps the book would be understood in a completely different way by an English reader, or appreciated by readers who prefer a more contemporary approach to literature. But it is definitely a downer.
1 of 1 people found the following review helpful
5.0 out of 5 stars Alix comes into her own (4.5*) 16 April 2013
By algo41 - Published on Amazon.com
Format:Paperback
This sequel to "The Radiant Way" is written in the same style, but now focuses on Alix rather than Liz, and on a small city rather than London. To my mind Alix is the more interesting, sympathetic and unique character. Drabble succeeds beautifully in involving the reader in Alix's interest in a jailed serial killer who "was distressing rather than frightening" (p.192.

One criticism of the novel, noted by another reviewer, is that there are too many characters; it is not the count, per se, but the lack of integration. Drabble, in both "Radiant Way" and "A Natural Curiosity" is attempting, as one objective, something of a social novel, but in "Radiant Way" this does not prove a distraction. When Drabble in that novel gives you the perspective of a minor character, such as Jillian Fox, it enriches the reader's understanding of a relationship important to the primary character. This is not true of the Enderby's and other characters in "A Natural Curiosity". Incidentally, the author's note explains why Stephen Cox is so frequently wondered about - Drabble was planning to write a novel about him. Both "Radiant Way" and "A Natural Curiosity" celebrate curiosity - the 3 women friends all have a wonderful sense of curiosity, albeit not about science.
5.0 out of 5 stars Another great Margaret Drabble novel about Liz, Alix & Esther 18 Nov 2009
By lm - Published on Amazon.com
Format:Hardcover|Amazon Verified Purchase
Hated to finish it. Enjoyed it as much as The Radiant Way and The Gates of Ivory.
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