I cannot believe how long it has taken for this book to exist. It is a crime, Gray is rightly described as a "modern-day William Blake" and he should be punted more and more outside of Scotland. He is so well loved, especially in the West End of Glasgow where his work is in multiple venues and many private homes.
I am no Alasdair Gray Scholar. I like his short stories and novellas - and less so his mighty door-stoppers such as Lanark, although I respect that book, for the life of me I couldn't penetrate it, but I still think he is a genuine polymath! However, it's his art I really like, and in particular the more line-based graphic style he uses for his book covers and illustrations. I also really like the way he has drawn and painted his nudes, which are both erotic and unashamedly well-padded. I've seen an awful lot of his work up close. I've gone to just about every venue in Glasgow that has a Gray mural and they are sumptuous, even the ones showing their age a bit. Some of them spill onto multiple surfaces, go round corners, up walls - and like the huge cavernous Oran Mor ceiling (and beyond). What I like about his style is that it is very much rooted in both Art Deco and a kind of 1960s idiosyncratic poster-like punch. It is both romantic and gritty at the same time. Some of the works have a counter-culture or renaissance feel about them, that makes me wonder what Glasgow was like at that time, with many of the portraits of the writers and artists sited near the mighty tower of Glasgow University.
This book seems to have been timed to coincide with two retrospectives of his art in Edinburgh and I knew I couldn't make the opening, so I decided to order the book instead.
And what a great visual anthology it is, very well laid out. The format of the book is an excellent democratic choice, being square, considering how many different formats his works are in. None of the illustrations seem to go over two pages (I always think it's such a waste when that happens). It could have been an even bigger book dimension-wise, as some of the more epic renderings suffer a tiny bit, but not much. My only niggle, and it's a pretty big one, is that the images which are murals and look really vibrant in the flesh, have been printed a little drab in this volume. The graphic works come out well, but the tonal range of the painted works is very disappointing in the volume. Such a shame, but Gray's work is strong enough in totality that this will not affect new fans to his magnificent Glaswegian documentations! Absolutely brilliant. I would have awarded five stars but because of the printing, I'm knocking a star off.