- Paperback: 120 pages
- Publisher: MIT Press (29 Jan 2001)
- Language English
- ISBN-10: 0262720345
- ISBN-13: 978-0262720342
- Product Dimensions: 13.6 x 1 x 20.3 cm
- Amazon Bestsellers Rank: 1,039,581 in Books (See Top 100 in Books)
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Product Description
Product Description
introduction by Bernard Tschumi In A Landscape of Events, the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces."Urban disorientation, the machines of war, and the acceleration of events in contemporary life are Virilio's ongoing concerns. He explores them in events ranging from media coverage of the Gulf War to urban rioting and lawlessness. Some will see Virilio as a pessimist discouraged by "the acceleration of the reality of time," while others will find his recording of "atypical events" to be clairvoyant.
About the Author
Paul Virilio was born in 1932 and has published a wide range of books, essays, and interviews grappling with the question of speed and technology, including Speed and Politics, The Aesthetics of Disappearance, and The Accident of Art, all published by Semiotext(e).
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14 of 16 people found the following review helpful
Turning Away
1 Oct 2001
Format:Paperback
In A Landscape of Events, consisting of 13 essays written between 1984 and 1996, French thinker Paul Virilio examines the effects of modern technology on our societies and psyches. The exercise is frequently both enlightening and bleak. Consider, for instance, this passage: "...in giving more depth to the present `instant,' these new electromagnetic technologies will ruin us and literally kill us; television's so-called real instant only ever being that of the sudden disappearance of our immediate consciousness." Among the effects of these "new electromagnetic technologies" - essentially our digital "communication" tools - on humans, Virilio sees the atomization of cities, of communities of all sorts, with each person diverted into his or her own consumer-entertainment-lifestyle dreamworld. Here Heraclitus is kind enough to step onto Virilio's stage and elucidate matters with this remark: "The world is one and common to those who are awake, but everybody who is asleep turns away to his own."
On the debit side, Virilio's nimble prose style can often be too fast for its own good, with quick jumps à la Baudrillard that sometimes seem to leave thought behind. And when it comes to politics Virilio exhibits an unconcern bordering on naivete - looking, for instance, at impacts of the Gulf War and never venturing any thoughts about the curious situation in which a single country, the United States, arrogates to itself the right to decide for the world who will be bombed and who will be spared, who will live and who will die.
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