DVD Special Features:
Documentary on bringing AI to the screen
Interviews with Steven Spielberg, Haley Joel Osment and Jude Law
Newly produced behind-the-scenes featurettes on the making of AI
An interview with Sound Designer Gary Rydstrom at Skywalker Ranch
A visit to Stan Winston Studios with early "Teddy" footage
Interviews with Lucasfilm's ILM special effects group
Trailers, storyboards, drawings and hundreds of photos approved by Steven Spielberg for this release
And much, much more!
Languages: Audio Dolby Digital 5.1 English, French, Italian
Subtitles: English, French, Italian, Dutch, Arabic, Spanish, Portuguese, German, Romanian, Bulgarian
Hearing Impaired: English, Italian
History will place an asterisk next to A.I.
as the film Stanley Kubrick might
have directed. But let the record also show that Kubrick--after developing this project for some 15 years--wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio
, claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brain Aldiss short story "Supertoys Last All Summer Long"
) after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home.
Echoes of Spielberg's Empire of the Sun are evident as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchio intensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I. into even deeper realms of wonder, just as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I., a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. --Jeff Shannon, Amazon.com
On the DVD: A perfect movie for the digital age, A.I. finds a natural home on DVD. The purity of the picture, its carefully composed colour schemes and the multifarious sound effects are accorded the pin-point sharpness they deserve with the anamorphic 1.85:1 picture and Dolby 5.1 sound, as is John Williams's thoughtful music score. On the first disc there's a short yet revealing documentary, "Creating A.I.", but the meat of the extras appears on disc two. Here there are good, well-made featurettes on acting, set design, costumes, lighting, sound design, music and various aspects of the special effects: Stan Winston's remarkable robots (including Teddy, of course) and ILM's flawless CGI work. In addition there are storyboards, photographs and trailers. Finally, Steven Spielberg provides some rather sententious closing remarks ("I think that we have to be very careful about how we as a species use our genius"), but no director's commentary. --Mark Walker