"Stereolab's best album IMHO. The minimalist style represents a marked shift from their previous, electro-rock albums. The back-and-forth, sing-song vocals are more beautiful and entrancing than ever."
"The jazzy follow-up to Dots and Loops is another high point. Not all fans appreciate its languid style, but I love to be transported into the milky night by these rich and evocative sounds."
"Many consider Stereolab's best-selling album to be their greatest. This is where Stereolab really hit their stride. Just really great, catchy songs, with a philosophical twist. Classic Stereolab."
"The last of the really great Stereolab albums, with plenty of the old magic. This album is a fitting elegy to tragically-killed vocalist Mary Hansen, being both celebratory and tinged with sadness."
"This boxset EP collection deserves to be high up the list. The 3 CDs (and one DVD) are packed with first-class material, including some great tracks that aren't on any of the LPs."
"Many afficianados consider this early classic to be Stereolab's greatest album. It combines pumping electro-rock with haunting lullabye, creating an artfully woven tapestry of musical contrasts."
"Another electro-rock classic. This collection of early-90s singles and B-sides all hangs together well. The tracks include some of Stereolab's finest, e.g. the popular "French Disko"."
"This 2 CD collection from the 90s is another example of how even Stereolab's left-overs make a very appetising meal. These tunes are mellow, but still very catchy and interesting."
"Stereolab's underrated debut. The surging guitars recall the likes of My Bloody Valentine. But this perhaps makes "Switched On" more accessible than Stereolab's more recent, low-key albums."
"Many fans would put this higher up the list. I like it a lot, but find it rather unnerving. Beneath the chocolatey surface, there lurks something sinister..."
"This mini-album's lowish position on the list reflects its brevity rather than its quality, as it's actually not a bad example of early Stereolab. But it was soon to be overshadowed by great LPs."
"A mini-album from 2000 that's rather underrated. I rate it higher than the most recent albums. Mary Hansen's backing vocals mean this still has the classic Stereolab sound."
"Stereolab's last three albums aren't bad, but not their best. The bright, jazzy style has become rather samey. I think I like Not Music the best, though it consists of left-overs from Chemical Chords."