A Good Fall: Stories (Vintage International)
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In his first book of stories since The Bridegroom was published in 2000 ("Finely wrought . . . Every story here is cut like a stone."—Chicago Sun-Times), National Book Award–winning Ha Jin gives us a collection that delves into the experience of Chinese immigrants in America.
With the same profound attention to detail that is a hallmark of his previous acclaimed works of fiction, Ha Jin depicts here the full spectrum of immigrant life and the daily struggles—some minute, some grand—faced by these intriguing individuals.
A lonely composer takes comfort in the antics of his girlfriend's parakeet; young children decide to change their names so that they might sound more "American," unaware of how deeply this will hurt their grandparents; a Chinese professor of English attempts to defect with the help of a reluctant former student. All of Ha Jin's characters struggle in situations that stir within them a desire to remain attached to be loyal to their homeland and its traditions as they explore and avail themselves of the freedom that life in a new country offers.
In these stark, deeply moving, acutely insightful, and often strikingly humorous stories, we are reminded once again of the storytelling prowess of this superb writer.
With the same profound attention to detail that is a hallmark of his previous acclaimed works of fiction, Ha Jin depicts here the full spectrum of immigrant life and the daily struggles—some minute, some grand—faced by these intriguing individuals.
A lonely composer takes comfort in the antics of his girlfriend's parakeet; young children decide to change their names so that they might sound more "American," unaware of how deeply this will hurt their grandparents; a Chinese professor of English attempts to defect with the help of a reluctant former student. All of Ha Jin's characters struggle in situations that stir within them a desire to remain attached to be loyal to their homeland and its traditions as they explore and avail themselves of the freedom that life in a new country offers.
In these stark, deeply moving, acutely insightful, and often strikingly humorous stories, we are reminded once again of the storytelling prowess of this superb writer.
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12 reviews
22 of 23 people found the following review helpful
A Portrait of the Immigrant Day-to-Day Struggle...
5 Dec 2009
Format:Hardcover|Amazon Verified Purchase
This book has twelve short stories set in Flushing, one of New York's largest Chinese immigrant communities. Author traverses the anxieties and struggles of the immigrants - some young (Monk down on his luck), some old (grandparents despised by Americanized grandchildren), some rich (professionals) and some dirt poor working in sweatshops and as prostitutes. This is not a soothing or uplifting book - but a real gritty portrait of the day-to-day Asian immigrant struggles with assimilation into American life - the loneliness of being without family back home - the hardship of making a living and learning the language - the yearning of finding someone to love.
Unlike other immigrant readings - you won't find them trashing America or wishing to go back home due to the hardship. These immigrants knuckle down and survive - they grind it out in the chase of the American dream - yet can't quite let go of their life back home.
Author has a smooth writing style. I found myself remarkably engaged in the conversational style prose and its captivating simplicity. Jin has an innate ability to capture the details of the living conditions of the characters in each of the stories along with a rich imagery of the neighborhoods. If I had any criticism of the collection of stories, is that their conclusions are often too abrupt and fall off a cliff while others are too contrived - in both cases I was left wanting for a more finessed, nuanced or insightful ending.
I particularly enjoyed the following passages:
"Certainly I wouldn't lend her the money, because that might amount to hitting a dog with a meatball--nothing would come back."
"At our ages--my wife is sixty-three and I'm sixty-seven--and at this time it's hard to adjust to life here. In America it feels as if the older you are, the more inferior you grow."
"We haven't practiced division and multiplication this year, so I'm not familiar with them anymore." He offered that as an excuse. There was no way I could make him understand that once you learned something, you were supposed to master it and make it part of yourself. That's why we say knowledge is wealth. You can get richer and richer by accumulating it within."
"He still felt for this woman. Somehow he couldn't drive from his mind her image behind the food stand, her face steaming with sweat and her eyes downcast in front of customers while her knotted hands were packing snacks into Styrofoam boxes."
He remembered that when he was taking the entrance exam fourteen years back, his parents had stood in the rain under a shared umbrella, waiting for him with a lunch tin, sodas, and tangerines wrapped in a handkerchief. They each had half a shoulder soaked through. Oh, never could he forget their anxious faces. A surge of gratitude drove him to the brink of tears. If only he could speak freely to them again."
"Rusheng, you worry too much," Molin jumped in, combing his dyed yellow hair with his fingers. "Look at me--I've never had a full-time job, but I'm still surviving, breathing like everyone else. You should learn how to take it easy and enjoy life."
"Without the past, how can we make sense of now?" "I've come to believe that one has to get rid of the past to survive. Dump your past and don't even think about it, as if it never existed." "How can that be possible? Where did you get that stupid idea?" "That is the way I want to live, the only way to live."
"You can always change. This is America, where it's never too late to turn over a new page. That's why my parents came here."
Unlike other immigrant readings - you won't find them trashing America or wishing to go back home due to the hardship. These immigrants knuckle down and survive - they grind it out in the chase of the American dream - yet can't quite let go of their life back home.
Author has a smooth writing style. I found myself remarkably engaged in the conversational style prose and its captivating simplicity. Jin has an innate ability to capture the details of the living conditions of the characters in each of the stories along with a rich imagery of the neighborhoods. If I had any criticism of the collection of stories, is that their conclusions are often too abrupt and fall off a cliff while others are too contrived - in both cases I was left wanting for a more finessed, nuanced or insightful ending.
I particularly enjoyed the following passages:
"Certainly I wouldn't lend her the money, because that might amount to hitting a dog with a meatball--nothing would come back."
"At our ages--my wife is sixty-three and I'm sixty-seven--and at this time it's hard to adjust to life here. In America it feels as if the older you are, the more inferior you grow."
"We haven't practiced division and multiplication this year, so I'm not familiar with them anymore." He offered that as an excuse. There was no way I could make him understand that once you learned something, you were supposed to master it and make it part of yourself. That's why we say knowledge is wealth. You can get richer and richer by accumulating it within."
"He still felt for this woman. Somehow he couldn't drive from his mind her image behind the food stand, her face steaming with sweat and her eyes downcast in front of customers while her knotted hands were packing snacks into Styrofoam boxes."
He remembered that when he was taking the entrance exam fourteen years back, his parents had stood in the rain under a shared umbrella, waiting for him with a lunch tin, sodas, and tangerines wrapped in a handkerchief. They each had half a shoulder soaked through. Oh, never could he forget their anxious faces. A surge of gratitude drove him to the brink of tears. If only he could speak freely to them again."
"Rusheng, you worry too much," Molin jumped in, combing his dyed yellow hair with his fingers. "Look at me--I've never had a full-time job, but I'm still surviving, breathing like everyone else. You should learn how to take it easy and enjoy life."
"Without the past, how can we make sense of now?" "I've come to believe that one has to get rid of the past to survive. Dump your past and don't even think about it, as if it never existed." "How can that be possible? Where did you get that stupid idea?" "That is the way I want to live, the only way to live."
"You can always change. This is America, where it's never too late to turn over a new page. That's why my parents came here."
4 of 4 people found the following review helpful
finely crafted stories speak of the immigrant experience
17 Jan 2010
Format:Hardcover
This book was given to me as a gift from a friend who I had shared my love of Ha Jin's great novel `Waiting' with. Interestingly, as much as I loved `Waiting', I had never picked up anything else by him! So I was excited to start in on this new collection of short stories.
There are two things that stand out in this work. First is just the pure craft of it. These are exquisitely crafted stories. Jin is an English professor, after all, but the quality of this writing transcends that of the quality to be expected of any old English professor. It is that of a craftsman who has harnessed a great talent to the extent that the work seems effortless. (I'm sure it's not, but that just confirms my point.) His sentences are crisp and business-like, but not at all dull. In fact they almost crackle off the page. It's this blend of traits that makes this, or any other writing, so good.
Second, Jin writes movingly of the experience of the Chinese immigrant in America. The difficulties and hardships these people endure throughout the collection give us an almost instantaneous sympathy for the characters, even ones who aren't all that nice. `Children as Enemies' is about an old couple who are terrorized by their Americanized grandchildren. In `Temporary Love' we see the fall-out of being a `war-time' couple', or men and women who cohabitate in the States pretending to be married while waiting for their real spouses to come from China. In `A Good Fall', a monk is pushed to extreme measures when his `master' kicks him out of his temple, penniless, and without having paid him a penny for his work. Each story, whether they center on this theme or not, uses a different component of it in some way.
My favorites were `A Composer and his Parakeet', in which a composer reaches his inner self while baby-sitting a parakeet; `The Beauty' in which a jealous husband investigates his wife for cheating and finds that she's deceiving him in a way he could have never imagined; and `The English Professor' in which an anxious professor up for tenure re-evaluates his career choices and goes through a mini-mid-life crisis.
But there really isn't a bad story here. I highly recommend this book.
There are two things that stand out in this work. First is just the pure craft of it. These are exquisitely crafted stories. Jin is an English professor, after all, but the quality of this writing transcends that of the quality to be expected of any old English professor. It is that of a craftsman who has harnessed a great talent to the extent that the work seems effortless. (I'm sure it's not, but that just confirms my point.) His sentences are crisp and business-like, but not at all dull. In fact they almost crackle off the page. It's this blend of traits that makes this, or any other writing, so good.
Second, Jin writes movingly of the experience of the Chinese immigrant in America. The difficulties and hardships these people endure throughout the collection give us an almost instantaneous sympathy for the characters, even ones who aren't all that nice. `Children as Enemies' is about an old couple who are terrorized by their Americanized grandchildren. In `Temporary Love' we see the fall-out of being a `war-time' couple', or men and women who cohabitate in the States pretending to be married while waiting for their real spouses to come from China. In `A Good Fall', a monk is pushed to extreme measures when his `master' kicks him out of his temple, penniless, and without having paid him a penny for his work. Each story, whether they center on this theme or not, uses a different component of it in some way.
My favorites were `A Composer and his Parakeet', in which a composer reaches his inner self while baby-sitting a parakeet; `The Beauty' in which a jealous husband investigates his wife for cheating and finds that she's deceiving him in a way he could have never imagined; and `The English Professor' in which an anxious professor up for tenure re-evaluates his career choices and goes through a mini-mid-life crisis.
But there really isn't a bad story here. I highly recommend this book.
3 of 3 people found the following review helpful
Superlative!
21 Jan 2010
Format:Hardcover
This is one of the best short story collections to be published recently. It is comprised of highly literate, yet down-to-earth tales of enchanting, humorous, thoughtful and infuriating characters who will undoubtedly provide readers with much enjoyment and many insights into human nature. The "exotic" quality of a large but little known ethnic group (Chinese-Americans and immigrants) adds to the learning experience. Very well done and highly recommended.
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