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Belting her way through true diva-esque numbers like 'When The LoveLight Starts Shining Through His Eyes' and 'Don't you Know', her voice shows its true power when handling numbers like 'My Colouring Book', a song which, under a less sensitive talent, could very easily have become maudlin and anodyne.
This re-release version also contains bonus tracks not contained on the original, of which 'Once upon a Time', 'Can I Get a Witness' and 'All Cried Out' shine out as some of Dusty's best recordings this side of 'Dusty In Memphis'.
Put simply, this is one of her abolute best releases, and a must-have for everybody.
The big hit here is I only want to be with you, which provided Dusty with her first solo hit. In the seventies, the Bay City Rollers and the Tourists both covered it and each had a UK hit with it.
Anyone who had a heart was an American hit for Dionne Warwick, a British hit for Cilla Black and a French hit (sung in French) for Petula Clark. I don’t think Dusty’s version was released as a single in any country, but it’s every bit as good as the hit versions.
Other covers here include You don’t own me (Lesley Gore), My coloring book (Barbra Streisand), Mockingbird (Charlie and Inez Foxx), Twenty four hours from Tulsa (Gene Pitney), Will you love me tomorrow (Shirelles) and Can I get a witness (Marvin Gaye).
This is a wonderful album, very different from Dusty’s music with the Springfields, which clearly signalled the way her solo career would go.
This was Dusty's album for the american market, she was desperate to put an album together that would break her into the scene. Read more
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