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Most Helpful Customer Reviews
10 of 11 people found the following review helpful
Format:Audio CD
I originally posted the review below on the 2001 release which has been deleted for many a year.
It's nice to see this classic album given a deserved re-release, especially as it's (yet another) two-disc deluxe edition. The album has had a welcome remaster and included unreleased demos and live tracks.
OK, this is the original lineups last album. Released in September 1979, it shows that the band were heading in a new direction. Though behind the scenes, the band were slowly falling apart, their recorded offerings were still of the highest quality.
Side one is shared between Shelley and Diggle. Pete offers us the catchy "Paradise", the gorgeous "You Say You Don't Love Me" and it's b-side "Raison D'etre". Steve gives us some of his best and strangest material to date, the great "You Know You Can't Help It", complete with dodgy lyrics, "Sitting Round At Home" and the insane "Mad Mad Judy".
This album really comes alive on side two. I've always thought of side two as Pete Shelley's Depression Suite. Pete was obviously starting to go a bit barmy around this time, though his songwriting was going from strength to strength. "I Don't KNow What To Do With My Life" starts the whole proceedings off. Next we get "Money" with it's almost Funky Drummer rhythm. This segues into "Hollow Inside", which if isn't written by a manic depressive then I'll eat my hat! The title track is just, though I don't really mean "just" a list of opposites sung by Shelley. He even goes all Kraftwerk on us at one point with a use of a vocoder, though it's hardly Man Machine, so Ralf and Florian didn't have to worry too much. Next comes the albums Tour De Force, the fantastic "I Believe". A seven minute wonder which includes some of Pete's finest lyrics. His pain clear at the end with a monologue of "there is no love in this world anymore".
Finally, we get the fifty second "Radio Nine", a brief radio transmission where we hear "Everybody's Happy Nowadays" and "Why Can't I Touch It" through the static.
My tip for the day: just don't play it when you're feeling down.
It's nice to see this classic album given a deserved re-release, especially as it's (yet another) two-disc deluxe edition. The album has had a welcome remaster and included unreleased demos and live tracks.
OK, this is the original lineups last album. Released in September 1979, it shows that the band were heading in a new direction. Though behind the scenes, the band were slowly falling apart, their recorded offerings were still of the highest quality.
Side one is shared between Shelley and Diggle. Pete offers us the catchy "Paradise", the gorgeous "You Say You Don't Love Me" and it's b-side "Raison D'etre". Steve gives us some of his best and strangest material to date, the great "You Know You Can't Help It", complete with dodgy lyrics, "Sitting Round At Home" and the insane "Mad Mad Judy".
This album really comes alive on side two. I've always thought of side two as Pete Shelley's Depression Suite. Pete was obviously starting to go a bit barmy around this time, though his songwriting was going from strength to strength. "I Don't KNow What To Do With My Life" starts the whole proceedings off. Next we get "Money" with it's almost Funky Drummer rhythm. This segues into "Hollow Inside", which if isn't written by a manic depressive then I'll eat my hat! The title track is just, though I don't really mean "just" a list of opposites sung by Shelley. He even goes all Kraftwerk on us at one point with a use of a vocoder, though it's hardly Man Machine, so Ralf and Florian didn't have to worry too much. Next comes the albums Tour De Force, the fantastic "I Believe". A seven minute wonder which includes some of Pete's finest lyrics. His pain clear at the end with a monologue of "there is no love in this world anymore".
Finally, we get the fifty second "Radio Nine", a brief radio transmission where we hear "Everybody's Happy Nowadays" and "Why Can't I Touch It" through the static.
My tip for the day: just don't play it when you're feeling down.
5 of 6 people found the following review helpful
Format:Audio CD
I've had this album on CD for a few years now thanks to a well purchased import but I'm glad it's finally received a UK CD release in it's own right. Why did it take so long? Surely one of the UKs finest bands and one of their first phase of albums - why the hold up guys?!
Anyway, I love this to bits. It's got a really nice vibe thoughtout. The production is kinda spacious and a bit mysterious - production on a par to The Clash's Combat Rock like it was recorded in a warehouse in the desert or something but that's where the Clash comparisons end.
I believe Pete provided the vocals to "Hollow Inside" whilst he was on anti-depressants and it certainly seems that way. "Why She's The Girl From The Chainstore" surely another highlight and a frantic Steve Diggle delivers an onslaught ode to a hum-drum female existance lyrically similar to XTC's Battery Brides. Just a stunning delivery. Alongside this, "Mad Mad Judy" is another 1000mph Diggle onslaught of pure brillance - man she must be some mad bitch! - we're also treated to the demo with this release (although it's very rough round the edges). That said "Sitting Round At Home" has Diggle in an almost chilled John Lennon kinda vibe which he manages to control until the chorus where he just can't help himself breaks free into a punk thrash - It's all highly entertaining particularly when Shelley joins him on the dual vocal - the outro has Diggle ranting into the far distance.
File "Strange Thing" next to "Hollow Inside" another of Shelley's ode to Prozac whilst taking a ghost ride (just what were they doing in the studio?!).
We've got brass that possibly should be kept firmly in pocket "What Do You Know" kinda suffers and embarrasingly gives away the age of this album by employing some brass arrangement (was it really necessary? someone's great idea no doubt).
"Running Free" even to this day seems to get a live airing in the set. And why not it's another great Diggle escapism adventure. The arrangement is sublime especially when the Diggle verse Shelley chorus kicks in. It's like a professor has created the greatest pop formula.
"You Say You Don't Love Me" is typical textbook Buzzcocks that matures from "What Do I Get" to ok I've got it but why don't you love me now?! "I Don't Know What To Do With My Life" is of a similar ilk. Shelley frantically uncertain of what the future brings - typical teenage angst portrayed through a 2min pop spectacular with a guitar line so ultimately obvious but so fitting.
A highlight for me is "Raison D'Etre" it's almost synchopated guitar and drums seem to almost stumble ofbeat but it's held together amazingly well. Shelley is almost crooning the lyrics (he's clearly more upbeat here and really enjoying himself). There's a very very tasty piece of guitar which I love to bits - it dances around for a bit then slices right through you in a rage of feedback (turn it up loud kids!).
With the re-release we're treated to "I Am Alone" (originally on Product) another nice pop slab although the chorus seems to spin into hippy territory "All today is beautiful" ?! Saved by some fabulous guitar work and handclaps. Another oddity is the Steve Garvey penned "Run Away From Home" which again is a great song in it's own right although a little unfinished/abandoned sounding which is a great shame. There's a few more oddities included "Somethings Gone Wrong Again" (was this even from this session?) appears sounding very trippy and purely instrumental.
I guess overall it's great songs, timeless fade-outs!, great lyrics all delivered with a razor sharp slice through an abandoned warehouse. I've loved it for years and will continue to love it for many many years to come.
Anyway, I love this to bits. It's got a really nice vibe thoughtout. The production is kinda spacious and a bit mysterious - production on a par to The Clash's Combat Rock like it was recorded in a warehouse in the desert or something but that's where the Clash comparisons end.
I believe Pete provided the vocals to "Hollow Inside" whilst he was on anti-depressants and it certainly seems that way. "Why She's The Girl From The Chainstore" surely another highlight and a frantic Steve Diggle delivers an onslaught ode to a hum-drum female existance lyrically similar to XTC's Battery Brides. Just a stunning delivery. Alongside this, "Mad Mad Judy" is another 1000mph Diggle onslaught of pure brillance - man she must be some mad bitch! - we're also treated to the demo with this release (although it's very rough round the edges). That said "Sitting Round At Home" has Diggle in an almost chilled John Lennon kinda vibe which he manages to control until the chorus where he just can't help himself breaks free into a punk thrash - It's all highly entertaining particularly when Shelley joins him on the dual vocal - the outro has Diggle ranting into the far distance.
File "Strange Thing" next to "Hollow Inside" another of Shelley's ode to Prozac whilst taking a ghost ride (just what were they doing in the studio?!).
We've got brass that possibly should be kept firmly in pocket "What Do You Know" kinda suffers and embarrasingly gives away the age of this album by employing some brass arrangement (was it really necessary? someone's great idea no doubt).
"Running Free" even to this day seems to get a live airing in the set. And why not it's another great Diggle escapism adventure. The arrangement is sublime especially when the Diggle verse Shelley chorus kicks in. It's like a professor has created the greatest pop formula.
"You Say You Don't Love Me" is typical textbook Buzzcocks that matures from "What Do I Get" to ok I've got it but why don't you love me now?! "I Don't Know What To Do With My Life" is of a similar ilk. Shelley frantically uncertain of what the future brings - typical teenage angst portrayed through a 2min pop spectacular with a guitar line so ultimately obvious but so fitting.
A highlight for me is "Raison D'Etre" it's almost synchopated guitar and drums seem to almost stumble ofbeat but it's held together amazingly well. Shelley is almost crooning the lyrics (he's clearly more upbeat here and really enjoying himself). There's a very very tasty piece of guitar which I love to bits - it dances around for a bit then slices right through you in a rage of feedback (turn it up loud kids!).
With the re-release we're treated to "I Am Alone" (originally on Product) another nice pop slab although the chorus seems to spin into hippy territory "All today is beautiful" ?! Saved by some fabulous guitar work and handclaps. Another oddity is the Steve Garvey penned "Run Away From Home" which again is a great song in it's own right although a little unfinished/abandoned sounding which is a great shame. There's a few more oddities included "Somethings Gone Wrong Again" (was this even from this session?) appears sounding very trippy and purely instrumental.
I guess overall it's great songs, timeless fade-outs!, great lyrics all delivered with a razor sharp slice through an abandoned warehouse. I've loved it for years and will continue to love it for many many years to come.
4 of 5 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
I'm amazed that this album isn't available in the UK separately. You can get it as part of the "Product" box set, but the album certainly deserves a remastered release in it's own right.
OK, this is the original lineups last album. Released in September 1979, it shows that the band were heading in a new direction. Though behind the scenes, the band were slowly falling apart, their recorded offerings were still of the highest quality.
Side one is shared between Shelley and Diggle. Pete offers us the catchy "Paradise", the gorgeous "You Say You Don't Love Me" and it's b-side "Raison D'etre". Steve gives us some of his best and strangest material to date, the great "You Know You Can't Help It", complete with dodgy lyrics, "Sitting Round At Home" and the insane "Mad Mad Judy".
This album really comes alive on side two. I've always thought of side two as Pete Shelley's Depression Suite. Pete was obviously starting to go a bit barmy around this time, though his songwriting was going from strength to strength. "I Don't KNow What To Do With My Life" starts the whole proceedings off. Next we get "Money" with it's almost Funky Drummer rhythm. This segues into "Hollow Inside", which if isn't written by a manic depressive then I'll eat my hat! The title track is just, though I don't really mean "just" a list of opposites sung by Shelley. He even goes all Kraftwerk on us at one point with a use of a vocoder, though it's hardly Man Machine, so Ralf and Florian didn't have to worry too much. Next comes the albums Tour De Force, the fantastic "I Believe". A seven minute wonder which includes some of Pete's finest lyrics. His pain clear at the end with a monologue of "there is no love in this world anymore".
Finally, we get the fifty second "Radio Nine", a brief radio transmission where we hear "Everybody's Happy Nowadays" and "Why Can't I Touch It" through the static.
Come on EMI, re-release this great album.
My tip for the day: just don't play it when you're feeling down.
OK, this is the original lineups last album. Released in September 1979, it shows that the band were heading in a new direction. Though behind the scenes, the band were slowly falling apart, their recorded offerings were still of the highest quality.
Side one is shared between Shelley and Diggle. Pete offers us the catchy "Paradise", the gorgeous "You Say You Don't Love Me" and it's b-side "Raison D'etre". Steve gives us some of his best and strangest material to date, the great "You Know You Can't Help It", complete with dodgy lyrics, "Sitting Round At Home" and the insane "Mad Mad Judy".
This album really comes alive on side two. I've always thought of side two as Pete Shelley's Depression Suite. Pete was obviously starting to go a bit barmy around this time, though his songwriting was going from strength to strength. "I Don't KNow What To Do With My Life" starts the whole proceedings off. Next we get "Money" with it's almost Funky Drummer rhythm. This segues into "Hollow Inside", which if isn't written by a manic depressive then I'll eat my hat! The title track is just, though I don't really mean "just" a list of opposites sung by Shelley. He even goes all Kraftwerk on us at one point with a use of a vocoder, though it's hardly Man Machine, so Ralf and Florian didn't have to worry too much. Next comes the albums Tour De Force, the fantastic "I Believe". A seven minute wonder which includes some of Pete's finest lyrics. His pain clear at the end with a monologue of "there is no love in this world anymore".
Finally, we get the fifty second "Radio Nine", a brief radio transmission where we hear "Everybody's Happy Nowadays" and "Why Can't I Touch It" through the static.
Come on EMI, re-release this great album.
My tip for the day: just don't play it when you're feeling down.
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