Okay, I'll admit it; when I decided to watch 9 Songs, I was looking for something saucy to spice up my marriage... and what I got was all that and more. If you read any of the critics' reviews at the time, and indeed some of the customer reviews on this site, you'll know that this film incited a lot of controversy and has divided opinions. Some love it, some hate it, but it certainly gets everyone talking - in my eyes that marks out a film as one to see, even if it's only so you can join in the discussions! Indeed I am now very glad I saw the film, and will be buying my own copy of the DVD as soon as the rented one has to go back.
First and foremost, yes, there is a lot of explicit sex and it is as explicit, but fortunately not nearly as unrelenting, as many pornographic films. But hey, I expected the explicit sex. What I did not expect was the tenderness with which those scenes were directed and played out. They had a sincerity and depth of feeling that is rarely if ever seen in pornos, and whilst I know the actors are only doing their job and were not a couple in real life at the time, both seem completely at ease with the raw intimacy involved and even display significant on-screen chemistry. Neither O'Brien nor Stilley are typically attractive in the Hollywood, plastic, overly-made-up artificial sense of the word; rather they are real and human, and beautifully imperfect. And so the sex (despite it being so truly believable that at times I almost thought I was watching myself!) is undeniably hot.
The emotion and chemistry carries over into the rest of the characters' relationship. They are a credible couple, at times both likable and hateful as we all are and this only served to make me care about them more. At the sad yet inevitable disintegration of their union I even felt a pang in my chest - exaggerated perhaps by the stunning, desolate antarctic shots that evoke a deep and slightly disturbing sense of isolation and loneliness. As such, the entire film (at its relatively short length of, ah-hem, 69 minutes) is tinged with melancholy, reflected well in the dim lighting and low-key cinematography.
The music perhaps does not add quite what the production team may have wanted - the much sought after 'edge' - but it does fill out the film and serves as an unusual way to timeline the couples' demise. I can't help feeling though, that it may be also be a vehicle to promote the bands, and so would have preferred to see some that actually need promoting! As if anyone hadn't already heard of Franz Ferdinand. However, this is really the only solid negative I want to put forward (hence the four stars).
Overall the film is unusual in style and substance, and whilst I'm not sure it has quite achieved what it set out to (the much discussed 'commentary on censorship' is notably absent, and having seen the film just the idea of that is irrelevant and unnecessary - it stands up fine without anything like that), I thoroughly enjoyed it - it left me with the most bizarre mixture of feelings... both pensive and turned-on! Not previously a fan of Winterbottom, in my opinion he did a great job here and this film is an admirable addition to his body of work that I would recommend it to anyone with an open mind. It is not the great controversial release of the noughties that it was hyped as, but simply an enjoyable and moving film... in more ways than one.