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6:66 Satan's Child [Import]

Danzig Audio CD
3.3 out of 5 stars  See all reviews (3 customer reviews)
Price: £19.99
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Biography

When Danzig, the band, grew out of the Misfits/Samhain lineage in 1987, Glenn Danzig went into the new project with even grander ambitions and a long-term design. His vision included a seven-album arc, each one meant to, in Glenn’s own words, “stand the test of time.” There is no doubt that Danzig, the man and the band, have done just that.
Long into the future we will all ... Read more in Amazon's Danzig Store

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6:66 Satan's Child + Deth Red Sabaoth (Ltd. Digi)
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Product details

  • Audio CD (26 Feb 2002)
  • Number of Discs: 1
  • Format: Import
  • Label: E-Magine
  • ASIN: B00002EPK7
  • Other Editions: Audio CD
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 217,220 in Music (See Top 100 in Music)

1. Five Finger Crawl
2. Belly Of The Beast
3. Lilin
4. Unspeakable
5. Cult W/Out A Name
6. East Indian Devil (Kali's Song)
7. Firemass
8. Cold Eternal
9. Satans Child
10. Into The Mouth Of Abandonement
11. Apokalips
12. Thrirteen

Product Description

From Amazon.com

Glenn Danzig has long treaded on the darker, heavier side of rock. From the late 1970s hardcore Misfits to the early '80s' Samhain to his '90s incarnation, Danzig, he's released a plethora of albums that, despite varying degrees of success, have always been distinguished by his compelling, distinctive, ominous voice. Much like the more successful White Zombie, Danzig's lyrics are often meant to be delivered and heard with a shared wink. And beneath the homages to horror films and underground comics, Danzig maintains a genuinely strong undercurrent of original creepiness. This outing, tinted with touches of techno/industrial, is generally strong. Though less bombastic and more mysterious than earlier efforts, Satan's Child boasts tried-and-true bottom-heavy riffing and searing guitars mixed in with mysterious, quieter interludes, making it a suitable selection for musical madness on Halloween, and beyond. --Katherine Turman

Customer Reviews

3.3 out of 5 stars
3.3 out of 5 stars
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
4.0 out of 5 stars It's Danzig... 12 April 2001
Format:Audio CD
but it's not. This Danzig CD is much less like the previous CDs. Whereas Danzig 1-4 took us through musical valleys of subtle beauty and hard notes, Danzig 6 focuses instead on a much heavier aspect. Not to say the subject matter isn't still the same ole' "Things are so bad in life, but I'm gonna keep singing" that we have come expect from Danzig, but the music is much more reminisent to White Zombie, rather than the almost Black Sabbath sound that they had previously. Of course, the missing players of John, Eerie, and Chuck may be the cause of the new, interesting change; but on a whole, I think it is still Danzig; through and through. A very different and good CD, but don't expect the old sound.
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1 of 1 people found the following review helpful
5.0 out of 5 stars mother777 9 April 2009
Format:Audio CD
Danzig does not disappoint with this 1999 release .
The first track- Five Finger Crawl is one of heaviest to date - shakes the bowels loose!
The 3rd track Lilin is very Sabbathy .total Doom!.
East Indian Devil(Kali's song) is way out - didnt like at first but this burrows into you like a surgeons buzzsaw , and is a fitting song for the goddess of chaos.
The last track is superb -classic Danzig at his very best-the so called evilelvis doing his silky satanic sinuous lounge act-played this track at least 8 times on repeat--very nearly matches Mother.
The remainder of the tracks are good but the above really do stand out .
Well recommended as is the Lost Tracks of Danzig is you are unsure to buy-too many of these issues are rip offs but believe me well worth the punt.
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1 of 4 people found the following review helpful
1.0 out of 5 stars Ignore 26 Jun 2008
Format:Audio CD
If you like Danzig don't buy this. Quite appalling. Stick to the earlier stuff.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.0 out of 5 stars  104 reviews
14 of 15 people found the following review helpful
5.0 out of 5 stars An overview of the recordings of an overlooked artist 4 Feb 2001
By "nachtnoir" - Published on Amazon.com
Format:Audio CD
OK, an overview first. In the beginning there was "Danzig", the self titled album, a blues oriented rock music. Then "Danzig II" followed the same vein, more bluesy guitar, more howls, better writing. Following that was "How the Gods kill", a slight departure, but similar enough to keep the fans happy. With the fourth album, aptly titled "4", Glenn tried to grow a little, and do something different. In my opinion, an exceptional attempt. What is wrong with growth and a little change? Some fans didn't like it. I loved it. The fifth album, "Blackacidevil", brought Glenn the opportunity to go even further, and try even more experimentation. Whether, the old band quit, or was fired, or was called to the pits by the dark one, Glenn needed new allies. Enter Joey Castillo, Joseph Bishara, and Josh Lazie, a new band, a new sound. Gone is the bluesy guitar, to be replaced with a more electronic modern sound. But the song writing here is still exceptional. This album was to be yanked summarily from shelves by Danzig's then distributer. Down, but not out, Glenn shopped for another. And in a short time one was found. "666: Satan's Child" is the first album Glenn and friends have recorded with the new company. But this time, Glenn tries to merge his former sounds together. The bluesy guitar with the techno thump. A new sound emerges, and this is wonderful. 5 finger crawl, unspeakable, 13, Lilin, heck all the tracks on this album rock. Though this isn't exactly "Danzig II" or "Blackacidevil" it is the best of both.
14 of 17 people found the following review helpful
3.0 out of 5 stars It'll Grow On You... 11 Feb 2000
By Mr. A A Dilliway - Published on Amazon.com
Format:Audio CD
On my initial examination of this album, I was disappointed. The cover artwork and photography is hackneyed and cliched, and the tracks, from first to last, lacked the originality and verve that hallmarks all of Glenn's previous offerings; from "Cough/Cool" to "Blackacidevil" (a MUCH better album than most seem to think, one of the finest in the Danzig canon, in my opinion), Glenn's presence was obvious. Not so here. At least, not IMMEDIATELY. Despite the continuing downward spiral of Glenn's lyrical imagination, a few gems can be unearthed here nonetheless, most notably the urgent "Unspeakable", and Danzig's own take on "Thirteen", the track written for, and recorded by, Johnny Cash in 1994 ("Come To Silver" on the "Blackacidevil" album was also submitted to Cash, but rejected in favour of "Thirteen") - although I feel that Cash's version is superior. Many reviewers have lamented the departure of the other members of what I suppose should be considered the definitive Danzig lineup (Von, Biscuits, Christ) since the split from American Recordings, but they really shouldn't be too surprised since Glenn has been chopping and changing his band lineups throughout his career, and although Castillo and Lazie do not stamp their mark on this album with as much authority as the previous Danzig incumbants, they do what is required of them with considerable aplomb. Yes, this album is derivative of all of the acts mentioned elsewhere in these reviews (Korn, Rob Zombie etc.), and yes, this is a shame for long-time fans since all other releases by Glenn Danzig escape any comparison or classification other than simply "DANZIG", but new listeners will find that this album is an album ultimately worth owning, although I would hasten to advise that anyone new to Glenn's work should try ANYTHING else that he has recorded other than this first in order to maximise their appreciation of this unique talent. It IS his worst effort to date, but "poor" by Glenn Danzig's standards is still "pretty damn good" by anyone else's, and as I said, it'll grow on you...
4 of 4 people found the following review helpful
3.0 out of 5 stars Not Bad, Not Great 1 Aug 2002
By Halo - Published on Amazon.com
Format:Audio CD
I am a longtime fan of Danzig's work. In my opinion of all his Danzig albums this is probably tied for worst with Danzig 5, but it's still a kickass record. This is the first album where Danzig conceals his vocal strength, or weaknesses as may be the case.
In Danzig 5 many people hated the heavy effects on his voice, but the truth is you could still hear some of his most powerful singing on Hand of Doom, so it was more of a stylistic approach than a concealment. He stated that this would be an album that fans of his older stuff would like more, and it is more true to old form than 5, however I don't dislike the album on the merits of the muffled vocals so much as the weak songwriting. The album feels like it might be B-Side tracks to some of his stronger material, and I think this was a creative low for him.
But before you crucify me, let me state that even Danzig's B-sides is great music in comparison with most [stuff] out there. In a way he's become a victim of his own success in the same way that Star Wars was so hyped that in the end, everyone [got upset] when they saw Episode 1 (which wasn't too bad). But I'm getting away from the subject :).
This album's highlights in my opinion are Lilin, Satan's Child and Firemass. Firemass is probably my favorite and I think the creative highpoint of the album. I love how the bass sounds during a break in the drums in the beginning. There is a lot of fun in this album but in the end you kinda feel a little unsatisfied.
9 of 11 people found the following review helpful
5.0 out of 5 stars Danzig cracks his little whip with "Satan's Child, 6:66" 30 Nov 1999
By S.T. Holt - Published on Amazon.com
Format:Audio CD
It's been three long years... Danzig's latest release provides fans with his most unique sound to date, a culmination of all his past achievements. From the molten depths of Hell, Danzig emerges wielding 6:66. Like the blackest Katana, Danzig's Metal has been folded, hammered, and heated many times-only to be made stronger. Again Danzig shows why he is years ahead of the genre. Danzig's throaty, hardened, vocals lead the heavy guitar ladened 6:66 juggernaut. Danzig truly flexes his vocal muscle, showing his range and anger, with every track driving, pounding, and punishing the listener. Danzig is the only artist able to encapsulate arduous pain and suffering and make it sound so good. "Cult Without a Name" is a glorious unholy marriage of Danzig's previous endeavors of albums one through five. "East Indian Devil" reaches into the recesses of man's Id with its primordial tribal beat. "Cold Eternal" is a gripping surreal ballad. "Five Fingered Crawl," "Unspeakable," "Belly of the Beast," "Apokalips," "Firemass" and "Satan's Child" all railroad you over like a possessed runaway train. "Lillin" is a slow brooding, restrained, animal. While "Into the Mouth of Abandonment" truly embodies Danzig's "attitude." Finally "13" brings closure to a masterpiece that could only have the name Danzig tatooed on its neck. So tighten your crown of thorns and get ready, because from Danzig's first bleeding howl to his last gutteral whisper, the addictive 6:66 will leave you beckoning for more. ...Lucifer has "Satan's Child" on his steam driven turntable echoing off the cavernous walls of the abyss, while minions Morrison and Presley rake in the burning coals fantasizing about being crucified by "6:66"...the wait is over.
8 of 10 people found the following review helpful
2.0 out of 5 stars Satan's Turd Pile 15 Feb 2005
By Peter M. Roche - Published on Amazon.com
Format:Audio CD
Am I the only one who thinks Danzig I-IV are all terrific albums, but, on average, 5: Blackacidevil through 8: Circle of Snakes are just so-so? Even the change from mostly black-colored CD sleeves to the garrish cartoon demon artwork seems to reflect this aesthetic shift (whether conscious on GD's part or not) over to derived, campy deathrock--whereas Danzig had always been an original up till now, melding dark themes with bluesy hard rock. Blackacidevil and Satan's Child, listed here, are the most unsatisfying selections in the Danzig catalog. And this one by far sports the ugliest Danzig sleeve art. But on to the music. Where's the singing? Danzig is famous because of his voice, but on this album you can't hear it because it's buried under a deluge of distorted protometal guitar tracks. I'm not exagerating. I can barely decipher any of the lyrics. Glenn doesn't let loose. He doesn't sing. Gone are the chills up the spine brought on by the Danzig death-howls and swaggering Jim Morrison-meets Elvis-meets Satan vocals. Disappointing. Give me "Long Way Back from Hell" any day.
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