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A truly impressive film, The 400 Blows is raw, honest, and intensely emotional. Imbued with a strong and complex personality, Antoine maintains his poise and self-confidence, even as he endures abusive treatment from every adult he encounters. Rene Simonet (Patrick Auffray) is Antoine's one pal, and the unspoken dialogues between the boys, depicted by Truffaut through the boys' facial expressions and with masterful roving photography, allow the viewer to see through Antoine's eyes and understand his unflinching tenacity. Few films have captured the difficulties of childhood as well as this acclaimed French masterpiece. Essentially the start of the French New Wave movement, The 400 Blows is also the beginning of Truffaut's Antoine Doinel cycle, which follows Leaud as Antoine in four additional films over the course of 20 years.
Leaud plays a mischievous, yet normal boy whose mother and father hold an ambivalent relationship towards him. They are not necessarily malevolent people, but they have a misunderstanding towards their son - they represent the majority of parents who fail to nurture their children through society's attitudes and misgivings.
The elegance of the music and direction is so smooth and heightens the profound nature of the story. Truffaut's style has been plagiarised by so many great directors from Scorsese to Altman to Paul Thomas Anderson, its flowing and oozing sentiment.
If you don't like crying or being touched then definitely don't watch this film. Its sensitive, stirring and sincere. It pulls slowly yet cleverely at your heartstrings without brusque devices. Also, this film is proof that you can find very talented children that can act - unlike the awful child fodder poured out today.
Don't hesitate to buy this film, whatever the price!
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